Fast Charlie 2023 - Movies (Dec 12th)
The Substance 2024 - Movies (Dec 11th)
Home Sweet Christmas 2024 - Movies (Dec 11th)
Cant Feel Nothing 2024 - Movies (Dec 11th)
A Beautiful Imperfection 2024 - Movies (Dec 11th)
Piece by Piece 2024 - Movies (Dec 11th)
Nature of the Crime 2024 - Movies (Dec 11th)
Maria 2024 - Movies (Dec 11th)
Makaylas Voice A Letter to the World 2024 - Movies (Dec 11th)
Timestalker 2024 - Movies (Dec 11th)
Conclave 2024 - Movies (Dec 11th)
Bark 2023 - Movies (Dec 10th)
3 Working Days 2024 - Movies (Dec 10th)
Joker Folie à Deux 2024 - Movies (Dec 10th)
Sugarcane 2024 - Movies (Dec 10th)
Pride From Above 2023 - Movies (Dec 10th)
How to Make Gravy 2024 - Movies (Dec 10th)
Freuds Last Session 2023 - Movies (Dec 10th)
Undisputed 2024 - Movies (Dec 10th)
Jamie Foxx What Had Happened Was... 2024 - Movies (Dec 10th)
Arab Women Say What 2023 - Movies (Dec 10th)
Taronga- Whos Who In The Zoo - (Dec 12th)
The Day of the Jackal - (Dec 12th)
The Real Housewives of Salt Lake City - (Dec 12th)
Survivor - (Dec 12th)
Star Trek- Lower Decks - (Dec 12th)
The Last Word with Lawrence ODonnell - (Dec 12th)
All Elite Wrestling- Dynamite - (Dec 12th)
Mysteries of the Abandoned - (Dec 12th)
Feuds Turned Fatal - (Dec 12th)
Mystery at Blind Frog Ranch - (Dec 12th)
Sold on SLC - (Dec 12th)
Alex Wagner Tonight - (Dec 12th)
Storyville - (Dec 12th)
Dont Hate Your House with the Property Brothers - (Dec 12th)
House of Payne - (Dec 12th)
Frontline - (Dec 12th)
Roadworthy Rescues - (Dec 12th)
Expedition Files - (Dec 12th)
All In with Chris Hayes - (Dec 12th)
The Beat with Ari Melber - (Dec 12th)
The only film directed by the great English actor Charles Laughton, "The Night of the Hunter" is a brilliant allegory about the battle between good and evil. The film failed upon its release but is now considered a classic. Robert Mitchum has never been better as the malevolent "preacher" who marries the hapless Shelley Winters. Mitchum had been in prison with Winters husband and knows there is money to be had from a robbery the deceased husband committed, but where is it? Though Shelley falls under Mitchum"s twisted religious zeal, her children a little boy and girl instinctively know this man is bad, bad, bad. Spoiler alert: Shelley Comes to a watery end and the children must flee from Mitchum who has discovered the money is hidden in little Pearl's doll. After an arduous journey mainly by boat (the Ohio river?) John and Pearl come to rest in the saintly arms of the magnificent Lillian Gish. But Mitchum is relentless in his pursuit and that is when the eternal battle between good and evil is fought one more time. I will not reveal which side prevails but let's just say for an old broad Lillian is a formidable opponent. A film I saw as a young boy it left an impression on me that was powerful. A deeply disturbing yet uplifting movie "Night of the Hunter" is not to be missed. This is Gummshoe signing off with two fists up for "Night of the Hunter."
Laughton crafts a nightmarish fairytale that stands up now as a true masterpiece. A religious maniac marries an idiotic widow and mother of two children in the hope of finding out where the $10,000 is hidden that the now executed husband and father garnered from a robbery. Upon release back in 1955, the critics of the time kicked this first directorial effort from Charles Laughton to such a degree he never directed again. Watching the film now and observing the tide of praise for it as each year goes by, one can only hope that those critics were rounded up and sent to a faraway island to learn about how to view with open heart. The Night Of The Hunter is to me quite simply one of the greatest films ever laid down on the screen. Firstly you have to ask yourself exactly what genre the film belongs to? That alone should lead you to find out that the film is something different, even unique, because it covers so many bases. Perhaps that is what the critics back then couldn't quite fathom? Is it Crime? Is it a Thriller? Horror, Drama, Noir, even a terrifying mother goose fairytale (that last one was Laughton's terming of his masterpiece), truth is, is that it's a multitude of earthly traits masquerading as a good versus evil parable. The work on the film is as good as it gets, the direction from Laughton is sublime, his visual style alone makes the film a feast for the sharp eye connoisseur. Observe some of the cutaway sets, take in the expressionist use of shadows, an underwater sequence that is gorgeous yet terrifying at the same time. I dare you to stop the hairs on your neck standing up on end as the silhouette of Mitchum's evil preacher Harry Powell looms large over the children at bedtime. The film is full of striking images that in themselves are telling the story, witness the pursuit of the children by Powell, the children's river journey is all dreamy and calm, rabbits, frogs and spiders all are prominent to give the feeling that the kids are safe, cut to Powell all in black, cloaked in evil, always one step away from his prey, perhaps a devil in priests attire? The acting is top draw, Mitchum (in a career making role) plays it perfect, evil personified mixed with gentle panto fusion at just the right times. Lilian Gish, in what surely has to be one of the great feminine roles of all time, is precious, quite simply precious, while the children are a believable delight because Laughton has got us viewing this uncertain world through such untainted eyes. Crowning it off is the cinematography from Stanley Cortez, I can only describe it as bleakly beautiful, it impacts on the eyes as much as the head as this truly majestic piece of work unfolds. If you don't see this as a masterpiece then I urge you to watch it every year until you do. Because when it hits you, that bit that you just didn't get, it's the point when you realise why you love cinema after all. 10/10 in every respect.
Continuing with my quest to establish where or not Charles Laughton ever made a bad movie, I recently came, again, to this - one of my all time favourite films. I remember cowering behind the sofa as a child when this film came on television late in the evening. It all centres around a robber who has hidden $10,000 somewhere. His jailbird pal "Powell" (Robert Mitchum) is out, masquerading as a puritanical preacher, and determined to befriend the man's family and to scoop the loot. Shelley Winters is the naive, now widow, "Willa" who falls hook, line and sinker for the wiles and charms of this shrewd and duplicitous man - and that does not go at all well for her! Soon the children "John" (Billy Chapin) and his sister "Pearl" (Sally Jane Bruce) are in mortal peril. Can they escape his clutches? Where is the cash? Is there any cash? For me, this is easily the best effort on screen from Mitchum, he just oozes a malevolence that is palpable. The two kids, too, are on great form - managing to deliver performances that stay on the right side of petrified hysteria as we all begin to appreciate the accumulating sense of menace. A big screen on a rainy night with a drop of red wine and this is as good as cinema gets. The pacing of the story is accomplished, the audio editing is effective, the use of a gently potent script and a cast that enthral make it all captivating. It wasn't even nominated for an Oscar. Outrageous.
"Mad" Mary McArdle returns to Drogheda after a short spell in prison for something she'd rather forget. Back home, everything and everyone has changed. Her best friend, Charlene, is about to get married and Mary is maid of honor. When Charlene refuses Mary a 'plus one' on the grounds that she probably couldn't find a date, Mary becomes determined to prove her wrong.
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
When illegal card dealer and recovering heroin addict Frankie Machine gets out of prison, he decides to straighten up. Armed with nothing but an old drum set, Frankie tries to get honest work as a drummer. But when his former employer and his old drug dealer re-enter his life, Frankie finds it hard to stay clean and eventually finds himself succumbing to his old habits.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
Two guys against globalization want to plant a virus in the network of a finance corporation. On the day of the attack Alex has an accident and cannot remember anything. Visions and reality are thrown together in a confusing maze. Alex tries to escape from this muddle but what he discovers turns out to be rather frightening…
After a whirlwind romance in Mexico, a beautiful heiress marries a man she barely knows with hardly a second thought. She finds his New York home full of his strange relations, and macabre rooms that are replicas of famous murder sites. One locked room contains the secret to her husband's obsession, and the truth about what happened to his first wife.
NYPD cop John McClane's plan to reconcile with his estranged wife is thrown for a serious loop when, minutes after he arrives at her office, the entire building is overtaken by a group of terrorists. With little help from the LAPD, wisecracking McClane sets out to single-handedly rescue the hostages and bring the bad guys down.
Set in the future, the story follows a young soldier named Johnny Rico and his exploits in the Mobile Infantry. Rico's military career progresses from recruit to non-commissioned officer and finally to officer against the backdrop of an interstellar war between mankind and an arachnoid species known as "the Bugs".
After Ingrid leaves John, he allows himself to be pulled into a mystical and scary world where it is impossible to separate truth from lies.
After a serial killer strangles several women with a necktie, London police identify a suspect—but he claims vehemently to be the wrong man.