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I seem to recall seeing the previous episode of this trilogy in the cinema - a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of "Tess" (Josephine Langford) and "Hardin" (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column - each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn't matter a jot to anyone, let alone to those who purport to "love" one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of "letraset" tattoos) ) contrive to make this a real dirge of a watch. Watch out, there's another one coming too....
This is the point in the movie where everything goes haywire, veering off a cliff into confusion, leaving you wondering what you're even watching. Felt like a repetition without the depth of a storyline, filled with plot holes and rushed scenes that felt forced. If you're going to commit to a franchise, then commit wholeheartedly. Unfortunately, this installment falls short, making it the weakest link in the trilogy.
Nicholas Nickleby, a young boy in search of a better life, struggles to save his family and friends from the abusive exploitation of his coldheartedly grasping uncle.
The Soong family was a political dynasty in China that reached the highest levels of power. This film follows the lives of the three Soong daughters, who were educated in America and returned to China. Ai-ling married a wealthy and powerful businessman. Ching-ling married Sun Yat-sen, the revolutionary founder of modern China. Mei-ling married Chiang Kai-shek, China's leader during World War II. The sisters captured the world's fascination for their brilliant marriages and their strong influence on their nation.
An adventurous love story between two young women of different social and economic backgrounds who find themselves going through all the typical struggles of a new romance.
Melanie tries to cook the soup of her life. A musical short film about the fear of missing out on one's own life. About decisions, possibilities, chaos and joy of life.
Annie is a cashier in a Munich Cinema Center. Her everyday life is the complete opposite of the exciting screen adventures she sells at the box office, so she fantasizes about the movies during the day. At night, she also begins to stage her own adventure in real life.
A ski instructor tries to teach a bunch of insanely eccentric people how to ski while dealing with everyone wanting his attention.
When Jill Godmilow’s movie Roy Cohn/Jack Smith premiered at the 1994 Toronto International Film Festival, the number of AIDS-related deaths was reaching an all-time high in the United States (over 270,000). In New York City, the epicenter of the AIDS epidemic, many artists and filmmakers were grappling with the disease. While Broadway was hosting the second part of Tony Kushner’s award-winning play Angels in America, downtown New Yorkers were fondly recalling another recent production, Ron Vawter’s one-man show Roy Cohn/Jack Smith, in which the actor, who died of AIDS in April 1994, performed two monologues, first as Cohn, the conservative lawyer, and secondly, as Smith, the flamboyant experimental filmmaker—both of whom died of AIDS-related causes in the late 1980s.
Four fragile young people flee London to start an unconventional utopia, creating a world of fantasy that overwhelms them.
Mei Tachibana is a high school student. Due to a traumatic incident when she was a kid, Mei has been unable to make friends or have boyfriends. By mistake, Mei then injures the most popular male student named Yamato Kurosawa. Somehow, Yamato Kurosawa likes Mei Tachibana and tells everyone unilaterally that Mei is his friend. One day, Yamato Kurosawa saves Mei Tachibana from a stalker by kissing her. From that kiss, their love story begins.