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1923 - (Feb 23rd)
Prosecuting Evil with Kelly Siegler - (Feb 23rd)
Michael McIntyres Big Show - (Feb 23rd)
Gladiators - (Feb 23rd)
Kimi to Fit Boxing - (Feb 23rd)
The Sunday Show with Jonathan Capehart - (Feb 23rd)
The 1 Club - (Feb 23rd)
Match of the Day - (Feb 22nd)
Irelands Fittest Family - (Feb 22nd)
The Beat with Ari Melber - (Feb 22nd)
SAKAMOTO DAYS - (Feb 22nd)
WWE Main Event - (Feb 22nd)
Britains Got Talent - (Feb 22nd)
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Sarah Beenys New Life in the Country - (Feb 22nd)
Saturday Kitchen Live - (Feb 22nd)
Andys Global Adventures - (Feb 22nd)
Football Focus - (Feb 22nd)
Ready to Love - (Feb 22nd)
Nicole Kidman stars as a local television personality who will stop at nothing to get what she wants, but it is Gus Van Sant's direction that really shines. Kidman plays Suzanne, a none-to-bright woman who decides she wants to be a giant media personality. She marries Larry (Matt Dillon), a restaurateur, and settles for doing the weather at a dead-end television station. Suzanne sees that Larry is not behind her career, and uses a trio of teens to kill him. She begins her plan by befriending them while shooting a documentary, then begins sleeping with James (Joaquin Phoenix), who in turn conspires with Russell (Casey Affleck) and Lydia (Alison Folland). Most of the film is told in flashback by the killers and families of Suzanne and Larry, and Suzanne herself. "To Die For" is a strange film. Acting wise, the professional cast is saddled with one-note characters. While top-heavy with supporting players, Suzanne never really changes much, or offers enough menace to feel anything for her. Dillon fades into the background as Larry, trying too hard to make him normal. Buck Henry's screenplay is full of fits and starts, never gathering enough darkness to become a successful dark comedy, nor enough edge to become a successful satire. This is a shame, since celebrity due to murderous acts is such a part of our lives today. The film never takes that final step and calls the media on the carpet, instead trying to get the viewer caught up in the mechanics of Suzanne and Jim's relationship, and Suzanne's progressively strange certainty that she will be famous. Gus Van Sant's direction is absolutely fantastic. The interior of Larry and Suzanne's home is hysterical. His camera always finds the perfect tone of a scene, even if the scene is not especially well-written. I am one of the few who did not think much of "Drugstore Cowboy," although I do appreciate many of the films Van Sant has done since. "To Die For" gets the viewer geared up for a no-punches-pulled look at popular culture, then throws in the towel before the bell even rings. I cannot recommend it, despite the fine direction, the rest is a disappointment.
Great performance from Nicole Kidman but this dark comedy didn't always do it for me, though it also could be I'm not the biggest fan of these mockumentary-like style films where actors (in character) talk to the camera. Still well worth watching for a fine cast. **3.75/5**
"Suzanne" (Nicole Kidman) is the epitome of ambition as she convinces local cable boss "Ed" (Wayne Knight) that she'll do just about anything to get her foot in the door - even read out the weather forecast! She's not exactly bright, but she knows exactly how to press the buttons to get her ahead. Snag is she's married to "Larry" (Matt Dillon) and he wants a more traditional family unit with, ideally, kids at some point. To that she merely points out that he ought to have just married a baby sitter! She decides that a change is now necessary and to that end recruits the services of the gullible "Jimmy" (Joaquin Phoenix) and his pal "Russel" (Casey Affleck) to eliminate her problem. Thing is, the former lad actually falls for her big time and though compliant both he and his other friend "Lydia" (Alison Folland) might not prove too reliable when the police come a-knocking. She's going to have take a few risks and keep her wits about her, if her dream of daytime television stardom is ever to reach fruition... This starts off strongly depicting the story via a series of interviews with those closest to her, and they serve quite effectively as pillars supporting the deviousness of the plot. Thing is, though, given we know all along who's done what to whom, and why - there's no jeopardy and I missed that. Kidman does fine, but the menacing aspects of the role really do rather peter out half way through and the comedy is more miss than hit. Folland probably delivers best cutting a ditzy and lonely figure as the film develops and it's quite a potent indictment of ambition and manipulation from time to time too, but I just couldn't quite take her seriously. I did really quite like the solution, though! My kind of denouement.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
A psychologist is sent to a space station orbiting a planet called Solaris to investigate the death of a doctor and the mental problems of cosmonauts on the station. He soon discovers that the water on the planet is a type of brain which brings out repressed memories and obsessions.
Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.
Tom Joad returns to his home after a jail sentence to find his family kicked out of their farm due to foreclosure. He catches up with them on his Uncle’s farm, and joins them the next day as they head for California and a new life... Hopefully.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.
Crotchety retired doctor Isak Borg travels from Stockholm to Lund, Sweden, with his pregnant and unhappy daughter-in-law, Marianne, in order to receive an honorary degree from his alma mater. Along the way, they encounter a series of hitchhikers, each of whom causes the elderly doctor to muse upon the pleasures and failures of his own life. These include the vivacious young Sara, a dead ringer for the doctor's own first love.