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Monty Rides Again! Man from God's Country is directed by Paul Landres and written by George Waggner. It stars George Montgomery, Randy Stuart, Gregg Barton, Kim Charney, Frank Wilcox, Susan Cummings, James Griffith and House Peters Junior. A CinemaScope/De Luxe production, with music by Marlin Skiles and cinematography by Harry Neumann. Dan Beattie (Montgomery) is a former Civil War soldier who is working as the sheriff of Yucca. After being acquitted of murdering a rabble rouser, he quits on principle and heads towards the town of Sundown where he hopes to hook up with his old war buddy Curt Warren (Peters Jr). Upon arrival, though, Dan finds a town run by a shifty business man Beau Santee (Wilcox) who mistakenly suspects Dan of being in league with the railroad company who want to run a line through the town. This opens up a can of worms and friendships and families become in danger of being ruined. Little known Oater from the end of the 50s, Man from God's Country is a standard B picture that never quite fulfils the promise of its themes. There's interesting threads within, though nothing that hasn't been dealt with better elsewhere in 50s Westerns. The railroad is the devil who patrols the edges of the frame, this causes no end of suspicion and treachery as "honest" Dan proves to be the catalyst for Sundown's secrets and lies to come tumbling out of the dust in a blaze of guns, fists and tears. It's handled efficiently by TV director Landres, with Waggner's screenplay mature and not without merit. Cast are mostly run of the mill, though Montgomery (looking and sounding like a poor man's Charlton Heston) proves more than capable at being the macho cornerstone of this particular production, where just like Heston he could throw a believable punch. Filmed out of Iverson Ranch in Chatsworth, California, there's some nice exteriors photographed by Neumann, costuming and colour are very pleasing and at 72 minutes in length the film never has time to labour. It's more about "potential" psychological characterisations than action, which is fine, all be it annoying since the characters just don't get fleshed out at all. What action there is is done in short sharp shock manner, and in truth the ending, which is never in doubt, is all too brief and not doing justice to the good versus bad thread that director and writer were striving hard to build upon. 6/10
Tex and his sidekicks arrive to help out his friend Jeffers, a railroad owner, only to find that he has been killed. They quickly run into trouble with an outlaw gang in their attempt to find the mysterious ghost train that supposedly runs on Jeffer's line.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
This Western is a pilot for the series "The Iron Horse," in which a dapper frontier gambler wins a railroad line in a poker game and has his hands full holding it from the clutches of various conniving bad guys.
Banker Mason is after the ranchers land so he can resell it to the railroad for a profit. He has the railroad agent killed and replaces him with his stooge who then offers even less than Mason. But Rocky eventually suspects Mason and when Bill Anderson informs him the agent is a fake, they head out after Mason
A town—where everyone seems to be named Johnson—stands in the way of the railroad. In order to grab their land, robber baron Hedley Lamarr sends his henchmen to make life in the town unbearable. After the sheriff is killed, the town demands a new sheriff from the Governor, so Hedley convinces him to send the town the first black sheriff in the west.
An old Chinese man rides into the town of Abalone, Arizona and changes it forever, as the citizens see themselves reflected in the mirror of Lao's mysterious circus of mythical beasts.
Just before the Civil War (but after the South has seceded), Southern saboteurs try to prevent railroad construction from crossing Kansas to the frontier; army captain Nelson is sent out to oppose them. As the tracks push westward, Nelson must contend with increasingly violent sabotage, while trying to romance the foreman's pretty daughter Barbara.
Real estate company employee Komachi and steelworks heir Kodama are both train aficionados. Their hobby proves useful for their burgeoning careers, but their romantic fortunes do not go as smoothly. Will the awkward Kodama and the indecisive Komachi find the loves of their lives?
In this western, two cowboys ride to the rescue of ranchers who are fighting to keep a land-grabber from taking their land and selling it to the railroad