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It's basically just a reverse of the first film, but 'Honey, I Blew Up the Kid' still satisfactorily entertains. It's not as interesting as the original given that one has loads of funny anomalies, whereas this has just the singular difference of a giant baby. As such, events do drag out towards the end. However, I did find myself enjoying it, albeit on a minor level. There are a few amusing moments, while it does create some interesting shenanigans with the big kid. Rick Moranis is the only cast member worth talking about, he doesn't give an incredible performance or anything close but remains - just like in the 1989 production - the best part of the film. I expected it to be terrible, it's actually alright - not one to be taken at all seriously, it's purely childish. I'm sure the younger audience will find enjoyment in it.
Well last time the "Szalinski" (Rick Moranis) science machine managed to reduce their kids to the size of ants, this time round his gadget can make an apple the seize of a Buick! That's proven when it's near a person and an electrical charge - not a good thing for their mischievous toddler "Adam" (Daniel Shalikar) who ends up 100-ft tall, marauding through the streets with an enormous Teddy Bear, wreaking comedy havoc. How can they reduce him back to normal before the lights of Vegas attract him and even more chaos ensues? I suppose it's quite fun to look at things through the eyes of a small child - everything is bright, colourful and an intriguing plaything - but so much of the execution of this reminded me of a 1960s Godzilla film with really quite forced humour emanating from some cringeing performances and some seriously contrived attempts at keeping this from degenerating into a slapstick farce of a film. Moranis worked OK as the family-orientated geek last time around, here there is something almost desperate about his attempts to please. His bosses, his family, us... I think this genre works best when there's something natural to it, we smile or laugh because we want to, not because the director has left convenient moments where someone off-set would hold up a board. I'm not sure this ever really had any sequel value, but this is a feeble attempt I'm afraid and please let's keep "Wayne" away from any more gizmos.
When their father passes away, four grown, world-weary siblings return to their childhood home and are requested - with an admonition - to stay there together for a week, along with their free-speaking mother and a collection of spouses, exes and might-have-beens. As the brothers and sisters re-examine their shared history and the status of each tattered relationship among those who know and love them best, they reconnect in hysterically funny and emotionally significant ways.
A married couple stages their divorce in order to encourage their estranged adult children to return to their hometown.
Lewis, a brilliant young inventor, is keen on creating a time machine to find his mother, who abandoned him in an orphanage. Things take a turn when he meets Wilbur Robinson and his family.
After a breakup with her boyfriend, a young woman moves in with her older brother, his wife, and their 2-year-old son.
Georgekutty lives a happy life with his wife and daughters. Things take a turn when his daughter gets indecently filmed using a hidden camera, by the son of a police inspector.
Taking place right after the events of Spider-Man: Across the Spider-Verse, Gwen Stacy leads the newly reformed Spider-Gang in a race against the Spider-Society, led by Miguel O'Hara, to find Miles Morales, who is trapped in the home dimension of the spider that bit him, along with an alternate version of himself as the Prowler, while the Spot begins his deadly attack in his dimension with far-reaching multiversal consequences.
Texan Charles Farmer left the Air Force as a young man to save the family ranch when his dad died. Like most American ranchers, he owes his bank. Unlike most, he's an astrophysicist with a rocket in his barn - one he's built and wants to take into space. It's his dream. The FBI puts him under surveillance when he tries to buy rocket fuel, and the FAA stalls him when he files a flight plan – but Charles is undeterred.
10 years after "Marrying the Mafia 1". The three J's established an architecture company and have become well-known business. They hold pens instead of fists in their hands but things still happen around them and now even bother their children.
A girl from a troubled family befriends two younger girls and begins to feel a sense of normalcy as they go adventuring at the seaside.
