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The Kelly Clarkson Show - (Feb 23rd)
Earth Odyssey with Dylan Dreyer - (Feb 23rd)
Harlem Globetrotters- Play It Forward - (Feb 23rd)
SkyMed - (Feb 23rd)
Have I Got News for You - (Feb 23rd)
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Australian Idol - (Feb 23rd)
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Never Mind the Buzzcocks - (Feb 23rd)
Australian Survivor - (Feb 23rd)
True Crime Presents - (Feb 23rd)
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_**Solid Next Generation Trek film with The Borg**_ Released in 1996 and directed by Jonathan Frakes, "Star Trek: First Contact" features The Next Generation characters taking on the Borg, a collection of species that have been turned into cybernetic organisms functioning as drones in a hive-mind called the Collective. In order to escape imminent destruction by the Federation, a Borg mini-ship flees back in time to 2063 to prevent the renowned Zefram Cochrane (James Cromwell) from accomplishing the initial warp drive and the subsequent first contact with an alien race, which later paved the way for the Federation of Planets. Alfre Woodard has a key role as a colleague of Cochrane. The Borg are an excellent villain and one of the greatest contributions of The Next Generation TV series, along with all its elaboration on Klingon culture. Here the Borg are augmented by the introduction of a Queen (Alice Krige), which some feel detracted from the impersonal and eerie race while others think enhanced them. It makes no difference to me personally, but it fits the parallel of a queen bee in a honey bee colony. Besides, why wouldn’t there be a central intelligence? There are some gems to mine from the proceedings, like Cochrane's revelation of his carnal motivations for developing warp drive and Picard's hell-bent desire to annihilate the Borg. Speaking of Picard, Patrick Stewart carries the film with his unique star power, which is very different from Shatner, but just as effective. Interestingly, The Next Generation TV series never developed a prominent triumvirate like Kirk/Spock/McCoy, but rather a dyad, Picard and Data. Whereas this duo was core to the previous TNG film, "Generations" (1994) and the last one, "Nemesis" (2002), it's not as evident here until the last act when Picard attempts to rescue the charismatic android, but that's only because they get separated early on and Data ends up hanging out with the Borg Queen. By the way, Picard's self-sacrificial desire to save Data reveals a weakness in the script: After the Enterprise is set to self-destruct, Picard only has 15 MINUTES to rescue Data and escape the ship, but Picard is shown having a meaningful discussion with Lily (Woodard). _Why sure!_ Another gem of the film is the revelation of the alien race at the end, which prompts a "Wow" reaction to fans of Star Trek (although erudite Trekkers undoubtedly knew what was coming). There are other flaws, like the jarring, contrived excuse for going back in time and the questionable fiery confrontation between Picard and Lily. I say "questionable" because something about the sequence renders it somewhat shaky; it may be the acting, the writing or some combination, but they needed to work out the kinks. Still, that scene has some good aspects, like Picard's line: "The line must be drawn HERE!" and the build-up to it. While I favor 1994's "Generations" to "First Contact" because of the fascinating story elements, e.g. the Nexus, and the potent subtext (see my review), and even marginally prefer the underrated "Nemesis" (2002), this doesn't take away from the fact that "First Contact" is a quality installment in the series, which gets better with repeat viewings despite its weaknesses. The movie runs almost 111 minutes and was shot in the studio with location shooting at Angeles National Forest and Green Valley, Arizona (substituting for Montana). GRADE: B
Good watch, could watch again, and can recommend (at least for dedicated "Star Trek" fans). My favorites aspects of all of "Star Trek" are The Borg, and the artificial entities like Data. This movie potentially ruins both of them, depending on who you ask. Also, time travel is the worst. I would have been much happier if we hadn't bothered with time travel as that creates a lot of other questions about why The Borg haven't utilized it before if they had such technology. The investigation of humanity in The Borg and Data are pretty interesting though, seeing Data find what it is to FEEL is a great, but seeing The Borg personified into a single entity to which one can converse is odd, at best. Seeing the Enterprise defend against Borg assault was fun, but none of the "First Contact" stuff was compelling at all.
Really solid and suspense-filled Star Trek film. Seen this one once before and still holds up along with the visual effects which were decent for its time. This is also the first complete TNG feature and unlike Generations, did feel like a movie rather than two-part episode. 4.0/5
Interesting how this film divides opinion like no other from this franchise. It is my least favourite (except perhaps "The Final Frontier") as it does attempt to impose a morality that is well beyond the scope of the talent involved - both on screen and at the typewriter. The effects are certainly special, but even with the quirky contribution of James Cromwell I'm struggling to think of this as anything better than a longer episode of "Next Generation" with all of it's pseudo-intellectual idealism. Like so many films directed by and starring their stars; objectivity is sometimes first under the bus - I fear that is the case here.
Op and Ed, two adorable donut-shaped animals - flummels - accidentally time-travel from 1835 to modern-day Shanghai. There they discover traffic, trans fats, and worst of all, that flummels are now extinct. It's up to this bumbling pair to save themselves and their species...and, just maybe, change the course of history.
A researcher investigating a notorious serial killer who was hanged 20 years earlier seemingly becomes possessed by the long dead strangler.
On a volcanic island near the Kingdom of Hetvia rules Count Dakkar, a benevolent leader and scientist who has eliminated class distinction among the island's inhabitants. Dakkar, his sister Sonia and her fiance, engineer Nicolai Roget have designed a submarine which Roget pilots on its initial voyage just before the island is overrun by Baron Falon, despotic ruler of Hetvia. Falon sets out after Roget in a second submarine and the two craft, diving to the ocean's floor, discover a strange land populated by dragons, giant squid and an eerie undiscovered humanoid race.
A three-part episode from the TV series Rocky Jones, Space Ranger edited together and released as a feature for 16mm rental only. Season 1 episodes 21, 22, 23. Episode 21: Rocky saves a space station and his friends when they are trapped between gypsy moons. Episode 22: Cleolanthe tries to destroy one of the gypsy moons with a barrage of missiles. Episode 23: Rocky evacuates the gypsy moon Posetta and stops Cleolanthe's missile barrage.
A scientist engineers a group of genetically engineered cyborgs for use as "super soldiers" to fight U.S. wars in the Middle East. However, things get ugly when the cyborgs malfunction and turn on their creators.
Eiji and Ankh team up with Kotarou and Momotaros as they travel back in time to 1971 aboard the Den-Liner to stop three Mole Imagin. But Ankh’s desire to obtain Core Medals while in the past sets off a chain of events that alters the 40-year history of the Kamen Riders by allowing Shocker to take over the world. It’s up to OOO and New Den-O to restore the timeline!
Sebastiano teaches high school gym classes and coaches swimming. He’s got a job, a girlfriend, and a pretty normal life. But as young Martin starts to infiltrate Sebastiano’s life, his world will get turned upside down. Eerie from the first frame, this Hitchcockian thriller portrays sexual obsession with terrifying realism.
In New York City sometime in the near future, Z, the evil chairman of the Inteltrax Corporation, has taken a small army of cyborgs designed to perform hazardous tasks and altered them to kill humans for pleasure. The inventor of the cyborgs, Dr. Paul Haynes, is held captive, and his sister Darla seeks the aid of Matt Riker, an expert in high-tech weaponry and martial arts.
When plastic surgeon and mad scientist Don Brandon loses his pinup model wife Anitra in a tragic accident, he and his faithful humpbacked assistant Greg busy themselves experimenting with re-animation. Once ready, the good doctor begins luring young women back to the lab using hypnosis in order to gather select parts to create his wife anew.
A young hairdresser enters into the modeling world while fearing retaliation from her puritanical mother and stalker ex-boyfriend.