Incandescence 2024 - Movies (Mar 29th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Sex-Positive 2024 - Movies (Mar 27th)
Flight Risk 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
- (Jan 1st)
Neighborhood Wars - (Mar 29th)
Customer Wars - (Mar 29th)
Space Invaders - (Mar 29th)
Casualty - (Mar 29th)
Isekai Onsen Paradise - (Mar 29th)
NiziU’s Rural Getaway - (Mar 29th)
The 11th Hour with Stephanie Ruhle - (Mar 29th)
The Weekly with Charlie Pickering - (Mar 29th)
MotoGP Unlimited - (Mar 29th)
Masters of Illusion - (Mar 29th)
Penn and Teller- Fool Us - (Mar 29th)
Crime Beat - (Mar 29th)
Buried Hearts - (Mar 29th)
Gardeners World - (Mar 29th)
Deadline- White House - (Mar 28th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Unreported World - (Mar 28th)
Four in a Bed - (Mar 28th)
The Last Leg - (Mar 28th)
Director Angus Benfield Cast Angus Benfield (Inventing Anna), Brian Doyle-Murray (Caddyshack), Kathy Garver (Family Affair), Plastic Martyr (Battle for Pandora), Melissa Disney (Superman vs The Elite) "Synopsis: In the style of The Office and Schitt’s Creek comes a fun new comedy about searching for happiness, “Yellow Bird.” This heartfelt film, set in a small country-town grocery store named "The Yellow Bird," is centered around once successful PR specialist Jake (Angus Benfield), now a stock boy in his mid-forties, struggling with his sobriety, and his conscience in the guise of a gnome (Brian Doyle-Murray) who is determined to remind Jake of all his failings, including his marriage. Jake’s mother, Rachel Rush (Kathy Garver), is struggling with Alzheimer's and is living in an RV. Rachel is holding onto a past she remembers as much more adventurous and exciting than this life and is determined to find it once again, and Scotty, the protagonistic store manager who is stuck in a job his father wants him to be in, and so makes all the fun and quirky employees at “The Yellow Bird” miserable in return." Yellow Bird is among the recently selected catalog at this year's Los Angeles Film Festival - Independent Film Showcase. There are points where Yellow Bird begins to flow toward a direction but seemingly stumbles into the plot as it continuously fails to recognize itself; does it want to convey an overall positive message? It's clear that the goal was to convey a positive message but the attempt gets lost in translation, drowned out by the way body & age shaming is rampant throughout, with women being the primary target. The positive representation of women in the story sees them serve as props & plot devices, they essentially serve as mirrors for our protagonist to prove to us that he in fact, is a good man. The talking garden gnome, voiced by Brian Doyle-Murray, is treated more as an afterthought which makes less sense as the story continues on, leaving an uncomfortable space between what was intended to be funny & a strange choice to utilize an unnamed mental illness and call it his conscience. At the end I was left asking these questions: Did happiness cure his budding schizophrenia? Was it schizophrenia? What other illnesses cause a person to believe a ceramic garden gnome is verbally abusing them? There was no sense of closure there. As far as production value, the camera, audio, & acting were quite good. Jake (Angus Benfield) does seem like a kind person in a rotten stitch, who also happens to be quite misogynistic. Jake’s mother, Rachel Rush (Kathy Garver) is one of the major highlights of this viewing experience, she pulls in the wholesome element quite well. I want to travel with her in her RV. Scotty (Michael Maclane) is the nepo son of the company, it was hard to watch a lovely gay coded character be portrayed as the antagonist, and much like his father Lawrence (Scott King) the story had them changing moods so often that I marveled at the acting prowess of both, as the balancing act felt almost vaudevillian on their part. Krystal (Plastic Martyr) is a shining beacon in this story, taking a character that was seemingly written to be a support beam for the protagonist, managing to bring her to life in such a way as to bypass the limitations that her dialog presented. Her performance granted us time with a beautiful human who deserves a story of her own. I did fanboy for a beat when Melissa Disney graced the screen as the hairstylist. Though I am admittedly biased, it seems almost criminal to have underutilized such an incredible talent. Overall it makes perfect sense that Yellow Bird has achieved recognition in film festivals, it has a budget, the actors all bring something to the story that keeps the characters from becoming empty caricatures, and the crew did their jobs well.
A film about a pair of sisters, whose parents are divorcing after their father leaves their mother for a younger woman, and who plot together to try to repair their fractured family.
Elisabeth and Gudrun are two Swedish divorcées, both over 40, who meet when Elisabeth parks her car on a loading zone and is ticketed by Gudrun. Despite this shaky start, a friendship grows between the two. Elizabeth, a gynecologist, is sexy and confident. She leads the shy Gudrun through the dangerous waters of single life. But as they cavort through the dance floors and bars of Stockholm's nightlife they are led to a deeper examination of the relationships with men.
Convenience and video store clerks Dante and Randal are sharp-witted, potty-mouthed and bored out of their minds. So in between needling customers, the counter jockeys play hockey on the roof, visit a funeral home and deal with their love lives.
The story of hard-luck Melvin Dummar, who claimed to have received a will naming him an heir to the fortune of Howard Hughes.
A private eye investigates the apparent suicide of a fading porn star in 1970s Los Angeles and uncovers a conspiracy.
An ambitious New York socialite plans an extravagant dinner party as her businessman husband, Oliver, contends with financial woes, causing a lot of tension between the couple. Meanwhile, their high-society friends and associates, including the gruff Dan Packard and his sultry spouse, Kitty, contend with their own entanglements, leading to revelations at the much-anticipated dinner.
When a major newspaper accuses wealthy socialite Connie Allenbury of being a home-wrecker, and she files a multi-million-dollar libel lawsuit, the publication's frazzled head editor, Warren Haggerty, must find a way to turn the tables on her. Soon Haggerty's harried fiancée, Gladys Benton, and his dashing friend Bill Chandler are in on a scheme that aims to discredit Connie, with amusing and unexpected results.
To be closer to his children following his divorce, Laurent Monier, a history and geography teacher in a peaceful provincial high school, accepts a position in a sensitive college in the Paris suburbs. He is assigned the hardest class, the fourth techno, and he finds an apartment in the Cité des Muriers, a particularly difficult district.
After years of helping their hubbies climb the ladder of success, three mid-life Manhattanites have been dumped for a newer, curvier model. But the trio is determined to turn their pain into gain. They come up with a cleverly devious plan to hit their exes where it really hurts - in the wallet!
When their regal matriarch falls ill, the troubled Vuillard family come together for a hesitant Christmastime reunion. Among them is rebellious ne'er-do-well Henri and the uptight Elizabeth. Together under the same roof for the first time in many years, their intricate, long denied resentments and yearnings emerge again.