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'The Monkey' has a great concept and I enjoyed the wacky nature of it, I did almost lose interest in the human characters towards the end though. That isn't the best sign given the short 90 minute run time, but the end does come when desired so that saves it. Theo James is pretty good in this, for sure the most I've liked seeing him. I haven't seen him act much (five films now), my main thought of him is actually with human excrement up his nose (yep) in 'The Inbetweeners Movie'... hopefully this performance will override that memory (it won't). The gore shown for all the titular character's escapades is very cool and rather creative to be honest, the 'freak accident' angle is a fun one to watch play out onscreen. Everything with the red-eyed fellow is definitely what makes this movie, as it ought to really. A stronger overall story and I probably would've loved it.
FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/the-monkey-review-a-chaotic-blend-of-tones-and-genres-that-misses-the-mark/ "The Monkey teeters between ingenuity and frustration. Osgood Perkins crafts moments of inspiration and gets the best out of a solid cast, but the lack of a cohesive identity prevents its erratic blend of tones and genres from reaching its true potential. For some, this chaotic, blood-soaked mix of horror, satire, family drama, and comedy will feel refreshing and daring; for others, it will be simply exasperating and disorienting. Personally, it didn't work... at all." Rating: C-
This takes for ever to get going and once it does, it’s really an unoriginal semi-comedic horror drama centred around yet another not-so-menacing puppet. This time, it’s squabbling brothers “Hal” and “Bill” who discover an old hat box after their father dies and in it is what looks like a toy monkey. They wind it up and next thing, their babysitter is no more and that’s the just the start of it’s malevolence. Putting two and two together, they decide it’s best to drop the thing down a well and get on with growing up. Scoot on years later and now “Hal” (Theo James) has a son of his own “Petey” (Colin O’Brien) and is trying to rebuild some bridges with him after his marriage collapsed. Equally estranged is his twin, so he’s not impressed when, out of the blue, he is called and told their aunt has died. He now has to drag the reluctant lad along to the home they grew up in and guess what is in the wardrobe? At times it’s quite funny, but I’m not sure how intentional that is as James delivers a seriously flat performance and the epitome of sibling rivalries involves a frankly risible degree of menace. It’s not that the idea is rubbish, though it is derivative, it’s that the acting and writing are poor and the scenarios - familial discord, new stepdad (Elijah Wood) etc. are all just too predictable and it provides virtually nothing new over a lacklustre one hundred minutes. I could certainly think of a few good uses for the chimp, though!
When a vintage Jack-in-the-box is un-earthed and opened, it's new owners soon have reason to believe the creepy clown doll within has a life of its own.
One of the sons of late Dr. Henry Frankenstein finds his father's ghoulish creation in a coma and revives him, only to find out the monster is controlled by Ygor who is bent on revenge.
A runaway heiress makes a deal with the rogue reporter trailing her but the mismatched pair end up stuck with each other when their bus leaves them behind.
Baron Victor Frankenstein has discovered life's secret and unleashed a blood-curdling chain of events resulting from his creation: a cursed creature with a horrid face — and a tendency to kill.
Joey Boca is the owner of a pizza parlour, and has been married to Rosalie for years. When Rosalie discovers that Joey is a womanizer and has been cheating on her for a long time, she goes to extreme lengths to punish him.
A deformed tormented girl drowns herself after her lover is framed for murder and guillotined. Baron Frankenstein, experimenting with the transfer of souls, places the boy's soul into her body, bringing Christina back to life. Driven by revenge, she carries out a violent retribution on those responsible for both deaths.
The Chipmunks work in an amusement park attraction. After Alvin drives a crazy tour group, they miss their next performance and are locked in the park after closing time. Little do they know that the real Dr. Frankenstein has been hired in a new attraction called, "Frankenstein's Castle"; figuring that the castle isn't scary enough, the mad scientist recreates the real Monster.
Rescued from the guillotine by his devoted dwarf Fritz, the Baron relocates to Carlsbruck, where he continues his gruesome experiments.
Young Victor Frankenstein returns from medical school with a depraved taste for beautiful women and fiendish experiments.
After the death of Victor Frankenstein, two figures vie for control of his monster and the radical technology that created him: the scientist's daughter, and an immortal wizard assisted by a blind bird-woman with an unquenchable thirst for blood.
