Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
The Most Beautiful Girl in The World 2025 - Movies (Feb 14th)
The Dead Thing 2024 - Movies (Feb 14th)
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La Dolce Villa 2025 - Movies (Feb 13th)
Christmas Cowboy 2024 - Movies (Feb 13th)
Captain America Brave New World 2025 - Movies (Feb 12th)
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The Simpsons The Past and the Furious 2025 - Movies (Feb 12th)
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The Influencer 2024 - Movies (Feb 11th)
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The Witcher Sirens of the Deep 2025 - Movies (Feb 11th)
Nickel Boys 2024 - Movies (Feb 11th)
Hard Truths 2024 - Movies (Feb 11th)
Bring Them Down 2024 - Movies (Feb 10th)
Becoming Led Zeppelin 2025 - Movies (Feb 10th)
First Dates Ireland - (Feb 14th)
The Repair Shop on the Road - (Feb 14th)
Robson Greens Weekend Escapes - (Feb 14th)
The Chase Australia - (Feb 14th)
The Chase - (Feb 14th)
Jesse Watters Primetime - (Feb 14th)
Outnumbered - (Feb 14th)
Special Report with Bret Baier - (Feb 14th)
The Five - (Feb 14th)
The Ingraham Angle - (Feb 14th)
The 11th Hour with Stephanie Ruhle - (Feb 14th)
Watch What Happens Live with Andy Cohen - (Feb 14th)
Australia on Fire- Climate Emergency - (Feb 14th)
Crime Nation - (Feb 14th)
Police 24/7 - (Feb 14th)
The One Show - (Feb 14th)
Tribunal Justice - (Feb 14th)
Teen Mom- The Next Chapter - (Feb 14th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Getting back in the dating scene after a long absence can be quite a challenge. With ever-changing conventions dictating what’s acceptable and what’s not these days, those who are out of practice can be left bewildered (especially those who were never particularly adept at modern-day courting to begin with). That’s very much the case with João (Artur Volpi), who just broke up with his partner of 10 years. He’s a nice guy, if a bit reserved and geeky, but certainly quite handsome and politely genial. Yet, even though he’s certainly open to getting back into the dating game, the ambitious Brazilian filmmaker is actually most anxious to begin work on directing a new arthouse movie from his own script. However, just as the production is about to launch, his funding gets pulled, forcing him to retool the screenplay for a potential new would-be backer. But, as he’s doing this, he develops writer’s block, unsure what kind of story he wants to tell. So, to occupy his time as he sorts out this issue, he investigates new dating opportunities, many of which prove to be more boldly “amorously assertive” than he’s accustomed to, revealing just how much he’s out of touch with current dating practices than he realized. In fact, when “hopeful” suitors discover that he makes movies, they suggestively approach him to put his talents to use for chronicling their erotic escapades – not with him but with other more willing participants. So, with no income in hand and in need of money, João relents, taking his filmmaking work in a decidedly different (and personally embarrassing) new direction. But this path gets him no closer to career or romantic fulfillment. So what’s he to do now? That’s what he needs to find out for himself. However, as promising as this premise might sound for a gay romcom/outrageous sex farce, writer-director Daniel Ribeiro seriously drops the ball by committing the cardinal sin of moviemaking in this genre – creating a picture that’s tediously dull. As this offering unfolds, it fails to generate giggles in either of the protagonist’s hapless undertakings, areas that should be rife with potential for yielding sidesplitting laughs. What’s more, for a movie that’s supposed to be heavy on eroticism, this release contains some of the most boring on-screen sex I’ve ever seen (explicit though some of it may be). And the picture’s lame attempts at incorporating supposedly creative narrative twists and more serious subject matter largely fall even flatter than its other failed material. The result is a finished product that fails to take advantage of the innate strengths it should have had going for it. It’s little more than a tiresome, uninteresting slog that seems far longer than its 1:40:00 runtime – and a seriously missed opportunity to make what easily could have been an admittedly cheeky but nevertheless uproariously funny comedy. So much for the perfect endings.
It's the second wave of the COVID pandemic in Rio de Janeiro. There's no water in Madá's old mansion, a sewing cooperative where sheltered LGBTQI+ young people live and work. Renê, one of the residents, paints the anguish of a mysterious spirit that haunts the shelter through the plumbing. Across town, a loner middle-aged plumber, Ismael, is tormented by the same curse.
Michael, a lonely gay singer-songwriter terrified of pursuing his musical dreams and exploring romantic intimacy, relies on his best friend and her girlfriend for support and affection. However, when he meets a newly open married couple seeking a casual encounter, the three men enter into a relationship that is more vulnerable than any of them ever expected.
Teenagers Nikki and Sam are in love and planning their future together — until Nikki's dangerous past returns to threaten everything.
After a painful journey through Europe, Aleksei, a Belarusian, joins the Foreign Legion in France and clings to a confused hope of a European identity. Jomo, a Nigerian, fights for the survival and durability of his people in the Niger Delta and is ready to die to defend his ideas. These two young people who are sacrificed and smashed together will, against all odds, meet and their destinies will merge to continue across borders, bodies, life and death...
Raphi, from France, fantasises about romances with princes, and about starting a traditional family. But in reality, things aren’t like that. She works in a call centre in Barcelona, struggles with at times embarrassing dates, and is diagnosed by her therapist as having gender dysphoria. During this confusing, yet valuable period, we follow this trans woman as she makes her transition, as well as in her everyday life. She talks candidly with colleagues, queer friends, and the men she meets through apps. In spite of all the advice she receives, it turns out that it is mostly time and experience that will help her embrace her place in this world.
Waiting for his big dream (a film role) to come true, Pablo works as a training actor in a patient-care programme at a medical faculty and a paid participant in group therapy sessions. To make ends meet, he sublets a room in his apartment in a suburb of Santiago de Chile. However, he seems to have lost control when his housemate departs, leaving him with rent arrears, a collection of plants, a dog, a woolly jumper, and... a house ghost. Pablo is 30, and when it comes to romance he is also chasing apparitions. He is secretly still in love with his ex-boyfriend, a popular YouTuber.
Pole - a mentally ill 17-year-old - lives in a luxurious estate, leads a profligate lifestyle and shows an unhealthy affection for his mother Sofia. Soon in the life of Pole and Sofia appear a young boy Antuan and his father Mark. Pole has a relationship with Antuan, and Sofia with Mark. But no matter how successful everything seems to be, the appearance of Antuan and Mark leads everyone to tragedy.
A gay gym teacher wants to be a father and when his boyfriend's sister, a former addict, comes back on the scene there is now a possible solution.
In a dark, velvety theatre, there is a first kiss between Pietro and Tommaso. When the lights come back on, however, the two students have different expectations of what might follow. The chaos of awakening desire in its complexity and sensuality is told and made almost physically tangible through looks and gestures, approach and retreat, hope and fear.
A marine biologist tasked to rehabilitate a fish sanctuary, falls for Dennis, his diving assistant. The situation takes an unexpected turn when Jason's wife, Abby, finds out of the clandestine relationship between Jason and Dennis.