Breakaway Femmes 2025 - Movies (Jul 23rd)
Faith in the Flames The Nichole Jolly Story 2025 - Movies (Jul 22nd)
I Know What You Did Last Summer 2025 - Movies (Jul 22nd)
The Actor 2025 - Movies (Jul 22nd)
Jurassic World Rebirth 2025 - Movies (Jul 22nd)
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Trainwreck P.I. Moms 2025 - Movies (Jul 22nd)
40 Acres 2024 - Movies (Jul 22nd)
Daniela Forever 2024 - Movies (Jul 22nd)
Dangerous Animals 2025 - Movies (Jul 22nd)
Materialists 2025 - Movies (Jul 22nd)
Sunday Best The Untold Story of Ed Sullivan 2025 - Movies (Jul 21st)
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The Phoenician Scheme 2025 - Movies (Jul 21st)
Rust 2024 - Movies (Jul 21st)
Batman Ninja vs. Yakuza League 2025 - Movies (Jul 21st)
Thunderbolts* 2025 - Movies (Jul 20th)
Mongrels 2024 - Movies (Jul 20th)
The Bones 2024 - Movies (Jul 20th)
I Was Honey Boo Boo 2025 - Movies (Jul 20th)
Treading Water 2024 - Movies (Jul 20th)
The 11th Hour with Stephanie Ruhle - (Jul 23rd)
WWE NXT - (Jul 23rd)
Destination X - (Jul 23rd)
Americas Got Talent - (Jul 23rd)
Love and Hip Hop Atlanta - (Jul 23rd)
The Ultimate Fighter - (Jul 23rd)
The Nice Guy - (Jul 23rd)
The Amazing Race Canada - (Jul 23rd)
Caught in the Act- Double Life - (Jul 23rd)
Reminder - (Jul 23rd)
Customer Wars - (Jul 23rd)
Building the Band - (Jul 23rd)
Road Wars - (Jul 23rd)
The Secret of Skinwalker Ranch - (Jul 23rd)
Beyond Skinwalker Ranch - (Jul 23rd)
Low Life - (Jul 23rd)
Beyond the Gates - (Jul 23rd)
The 1 Club - (Jul 23rd)
The Snake - (Jul 23rd)
Countdown - (Jul 23rd)
Midnight Express is a harrowing story based on true events. Brad Davis delivers an outstanding performance with great supporting roles from John Hurt, Randy Quaid. It was an adapted Screenplay written by Oliver Stone which won him his first Oscar. Georgia Maroda (spelling)soundtrack is really riveting as the ‘chase’ scene unfolds. This is a movie that will stay with you for life. They say that ‘Midnight Express’ did to Turkeys tourism, what ‘Jaws’ did to bathing in the sea. Highly recommended.
Hmmm. I’m not sure time has been so kind to this, and as we look on it now it comes across as a rather condescending and stereotypical judgement of a Turkish penal system that dared to deal harshly with a drug smuggler. That character “Billy” (Brad Davis) doesn’t make it through immigration as he tries to leave Istanbul with loads of hashish strapped to his torso whilst sweating nervously. Initially, he is released on bail on the basis that he helps the authorities to trace his suppliers, but he decides to pull a fast one and that just ends up with him on the wrong end of a four year prison sentence. Now there’s no denying that life in the prison is brutal and the chief guard and slightly sexually ambiguous “Hamidou” (Paul L. Smith) has clearly got it in for the attractive young American and is aided and abetted by the odious prison Quisling “Rifki” (Paolo Bonacelli) who doesn’t much care for “Billy” either. Luckily, he does manage to make a few friends, not least the ailing Briton “Max” (John Hurt) and they manage to keep him on the straight and narrow for a while, but as some stomach-churning news reaches the young man on the verge of his release, it becomes clear that if he is to get out he is going to have to resort to more drastic action. What bothered me about this whole thing is that the entire premise seemed to be squarely attempting to illicit sympathy from us for this young man, even though he is undoubtedly guilty of his crime, by creating a culture amongst the Turks of obesity, brutishness, arbitrary violence and even a degree of depravity. At no point does Alan Parker make any effort to remind us that this real-life idiot was imprisoned because of his own actions - rather arrogant and selfish ones at that, too - and that perhaps the court was indeed trying to make an example of him to deter other likeminded individuals whose contempt for Turkey was just as culpable as his. Might we in the West not react the same if someone was caught here, and have we never seen films depicting atrocities in our own prisons? I don’t like being manoeuvred into a position where I’m encouraged to sympathise for a character just because of excess and exaggeration provided for creative licence. Davis, it also has to be said, looks easy enough on the eye but his acting prowess is ropey and inconsistent throughout. Indeed it’s really only Hurt and Bonacelli who can lay claim to any dramatic plaudits as this dark and gritty drama leads us by the nose. If you can’t do the time, don’t do the crime - even if you are an American!
The life story of Elvis Presley as seen through the complicated relationship with his enigmatic manager, Colonel Tom Parker.
Hoping to reclaim who she was before marriage and children, an empty nester retreats to Cape Cod where she embarks upon a quest to set herself free.
Based on the extraordinary true story of the European city’s 1973 bank heist and hostage crisis that was documented in the 1974 New Yorker article “The Bank Drama” by Daniel Lang. The events grasped the world’s attention when the hostages bonded with their captors and turned against the authorities, giving rise to the psychological phenomenon known as “Stockholm Syndrome.”
In Berlin in 1961, an American soldier and a German engineer join forces to build a tunnel under the Berlin Wall in order to smuggle out refugees, including the soldier's East German girlfriend.
While escaping from prison to be with her lesbian friend, a 19-year-old girl breaks her ankle and is picked up by an ex-con, with whom she begins a passionate affair. She finally turns to prostitution and robbery to support herself.
The true story of a white South African racist whose life was profoundly altered by the black prisoner he guarded for twenty years. The prisoner's name was Nelson Mandela.
Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.
The story of Salvador Puig Antich, one of the last political prisoners to be executed under Franco's Fascist State in 1974.
An exploration of the United States of America's war on drugs from multiple perspectives. For the new head of the Office of National Drug Control Policy, the war becomes personal when he discovers his well-educated daughter is abusing cocaine within their comfortable suburban home. In Mexico, a flawed, but noble policeman agrees to testify against a powerful general in league with a cartel, and in San Diego, a drug kingpin's sheltered trophy wife must learn her husband's ruthless business after he is arrested, endangering her luxurious lifestyle.
Schoolteacher Bertram Cates is arrested for teaching his students Darwin's theory of evolution. The case receives national attention and one of the newspaper reporters, E.K. Hornbeck, arranges to bring in renowned defense attorney and atheist Henry Drummond to defend Cates. The prosecutor, Matthew Brady is a former presidential candidate, famous evangelist, and old adversary of Drummond.
Ramón Sampedro is a ship mechanic and part-time poet left a quadriplegic following a diving accident. Ramón fought for 30 years for the legal right to end his own life. He develops close relationships with his long-term lawyer Julia and his friend Rosa, who tries to convince him that his life is worth living. Despite his situation, Ramón manages to inspire those around him to live life to the fullest.