Everyone has Halloween, but in Yorkshire, they have Mischief Night, where madness and mayhem rule. In the course of one night, the barriers that separate two families—one white, one Asian—come tumbling down in a blaze of crime, clubbing, love and fireworks—changing all their lives forever.
Movie Star Rating : 5.4 Read More
Mona Bergström is a sweet eurovision-obsessed woman in her 30s. She is married to a lazy husband and has four children, all named after her favorite Swedish Eurovision popstars. Her brother is a crossdressing guy self-titled "Candy Darling". Mona works in a retirement home for disabled people, where she is responsible for taking care of a young man named David who suffers a movement-restricting disease forcing him into a wheelchair. David's parents have abandoned him, as they wanted a normal child. Mona holds a big place in David's heart, and vica versa. David's goal is to get his parents to come and visit him, and he wants to show them that he is a great person, despite his handicap. Therefore he works with music on his computer, and his goal is to create a song, send it to "The Cardigans", a famous Swedish band and have them play the song and credit him, hoping his parents would spot it and want to visit him.
Movie Star Rating : 4.4 Read More
Lola is a striking teenaged girl who is on the cusp of adulthood and longs to rush into the adult world of independence, freedom and sexual exploits, but is tenaciously held back by her mother.
Movie Star Rating : 6.5 Read More
Katya Livingston, a self-centered, obnoxious and conceited 28-year-old ad sales exec, won't let anything or anyone stand in her way in getting to the top of the San Francisco social ladder. When tax inspectors question her claims Katya is forced to keep a financial diary and finds time to add details about her friends, enemies and lovers all from her unique point of view.
Movie Star Rating : 4.3 Read More
Jack longs to escape his monotonous routine, but obedience to society and fear of change leave him with more of the same: a busy, yet unfulfilled existence. In this off-kilter world, a group of extractors are targeting those who have neglected to truly live. Jack is next.
Movie Star Rating : 0 Read More
Priest, a suave top-rung New York City drug dealer, decides that he wants to get out of his dangerous trade. Working with his reluctant friend, Eddie, Priest devises a scheme that will allow him to make a big deal and then retire. When a desperate street dealer informs the police of Priest's activities, Priest is forced into an uncomfortable arrangement with corrupt narcotics officers. Setting his plan in motion, he aims to both leave the business and stick it to the man.
Movie Star Rating : 6.3 Read More
A Glasgow woman inherits a house in Berlin and has her eyes opened
Movie Star Rating : 0 Read More
When Jill Godmilow’s movie Roy Cohn/Jack Smith premiered at the 1994 Toronto International Film Festival, the number of AIDS-related deaths was reaching an all-time high in the United States (over 270,000). In New York City, the epicenter of the AIDS epidemic, many artists and filmmakers were grappling with the disease. While Broadway was hosting the second part of Tony Kushner’s award-winning play Angels in America, downtown New Yorkers were fondly recalling another recent production, Ron Vawter’s one-man show Roy Cohn/Jack Smith, in which the actor, who died of AIDS in April 1994, performed two monologues, first as Cohn, the conservative lawyer, and secondly, as Smith, the flamboyant experimental filmmaker—both of whom died of AIDS-related causes in the late 1980s.
Movie Star Rating : 0 Read More
Four fragile young people flee London to start an unconventional utopia, creating a world of fantasy that overwhelms them.
Movie Star Rating : 4.8 Read More
Spike, an aspiring rapper, gets sucked into a criminal environment and ends up in jail for smuggling drugs.
Movie Star Rating : 5.5 Read More
The story of a young girl who escapes her reality by immersing herself in a watery version of the world.
Movie Star Rating : 4.4 Read More
Definitely not a Rom-Com. (And that's a good thing.) - Some false advertising with this one. There's romance, yes. There are a few laughs, yes. This, however, is not a romantic comedy. What it is is a two-hour philosophical journey on the themes of self-worth, value, and materialism through the lens of three very flawed characters. As a cynic, I appreciated that. With such beautiful principal actors it would be very easy to gin up a 90's or 00's type of rom-com, but this was exceedingly more thoughtful and interesting. If I have any complaint at all, it's the ending, which (IMHO) did not fit with the overall theme of the story and a little forced. But still, very good. 9/10 stars.
Celine Song's Materialists is a stunningly mature, emotionally intelligent romantic drama, one that redefines the very concept of modern love without falling into the usual pitfalls of the genre. Anchored by three outstanding performances, Dakota Johnson, Chris Evans, and Pedro Pascal share extraordinary chemistry that feels raw, layered, and heartbreakingly authentic. Song's screenplay dissects with surgical precision the transactional nature of today's dating world, where intangible values like affection and vulnerability often struggle against the ever-growing checklist of material, social, and political boxes. Money, body image, height, political leanings - even something as seemingly trivial as the texture of one's hair - are thoughtfully explored as factors that, in theory, should dictate compatibility. But through intimate silences, aching glances, and conversations that pierce right through the soul, Song reminds us that love, in all its flawed, inexplicable glory, cannot be quantified. Technically, Materialists is a masterclass in restraint. There's barely a musical score to be found, allowing every silence, every breath, and every hesitant word to carry the full weight of the characters' feelings. The cinematography makes the bold, unconventional choice to focus on the listener rather than the speaker, granting the audience rare insight into the unsaid, the reactions that words alone can't convey. Lingering shots in moments of silence exude not only tension but a rare, electric chemistry between the characters. The film crafts its emotional crescendo without a single moment of forced dramatization, making the eventual choices of Johnson's character feel entirely organic. Song bravely avoids providing easy answers: there's no judgment, no clear winner in the love triangle. Whether one follows love with all its imperfections, as in the Dakota-Evans connection, or chooses the materially perfect partner lacking in emotional spark, as represented by Pascal's character, Materialists argues that either path is valid - and equally human. If there's one area where Song perhaps leans too heavily, it's in the recurring client interviews of Johnson's character, which, while often sharp and humorous, begin to border on repetitive. The thematic point about society's shallow dating expectations lands early on, and a couple of these scenes feel like they're spelling out what the rest of the movie has already conveyed so gracefully. But this minor excess does little to detract from the overall impact. Materialists stands as one of the finest romantic dramas in recent memory, brilliantly avoiding the traps of cliché and formula. It's a profoundly insightful exploration of why we fall in love, and how that choice - no matter how irrational, imperfect, or impractical - might be the truest thing about us. Rating: A-
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