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Police- Suspect No.1 - (Mar 31st)
Katy Tur Reports - (Mar 31st)
Shed and Buried- Classic Cars - (Mar 31st)
Twitter- Breaking the Bird - (Mar 31st)
Cops Gone Bad with Will Mellor - (Mar 31st)
Piers Morgan Uncensored - (Mar 31st)
The Tucker Carlson Show - (Mar 31st)
Chris Jansing Reports - (Mar 31st)
Confessions of Octomom - (Mar 31st)
Panorama - (Mar 31st)
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Chateau DIY - (Mar 31st)
Tipping Point - (Mar 31st)
Alan Titchmarshs Gardening Club - (Mar 31st)
Escape to the Country - (Mar 31st)
Kiff - (Mar 31st)
Hamster and Gretel - (Mar 31st)
Teen Titans Go - (Mar 31st)
Big City Greens - (Mar 31st)
Family Feud Canada - (Mar 31st)
This movie was mostly a tough watch because it is something I lived with - the great and only part that deserves a view and that give to it a 3 stars is the performance of Ashley Judd and actress than than Jean and Marilyn series, didn't shine of so many movies. Her role is just pure anguish to someone that had similar diagnoses to the ones that her character pass on the movie (Major Depression with psychotic symptoms and a light bipolar disturb). Probably her best role in any work she had done, that shows easily the anguish, sometimes semeling without cause and the masks we have to use dya thought day to be in a "normal" life. Also it have and explanation as Judd (and multi-activist) herself had major depression thought her life that isn't something that you can "cure" overnight, you just learn to cope with it. She lived a troubled life thought her youth and entered major rehabilitation in 2006 - and now with the suicide of her mother in 2022 (yes, in many cases it is something that runs through the family). The major flaws probably are by Sandra Nettelbeck, the german writer and director - herself a depression survivor - mostly know by "Mostly Martha" (2001) and somelighter movies. The story could be a lot better written and the choice of Goran Visnjic (lately seen in some series and in Hellraiser remake) as a lovely husband that tries to cope with the situation isn't the best, and the choice of support that only someone that passed thought that can understand what it is is a partial true - because lot's of people can understand that by empathy even didn't really lived depression. As a whole it is something that I can only recommend to someone that wants to see what is to live with major depression (even if we don't "read" what is going inside the protagonist head) - painful to see as real as it can be. I imagine this TV movie (it seems to be because of some black screen change in some sequences) in the hands of a most skilled writer and director what t could be with Ashely and her acting. If taken most seriously it could be a contender for best actress. Overall for her work a 6,0 out of 10,0 / C+.
When a young boy makes a wish at a carnival machine to be big—he wakes up the following morning to find that it has been granted and his body has grown older overnight. But he is still the same 13-year-old boy inside. Now he must learn how to cope with the unfamiliar world of grown-ups including getting a job and having his first romantic encounter with a woman.
When Narcing brings home his wife Puring to their hometown Mulawin in the 1930s, it sets off a series of events that include parricide, infidelity, betrayal, guilt and redemption.
All that Maddy Hawkins has ever wanted was a family she could call her own. Even in 1959, the simplest things are difficult to find...Maddy, a street-wise teenage runaway, believes she has created this family with the women who live with her in an East Coast woman-only rooming house: Lulu, an eccentric silent-screen star; Claire, a beautiful, widowed French war bride; and Mary, a young artist.But as Maddy watches her newfound family fall apart, she begins to realize that some things in life are worth fighting for, and that the bonds of true friendship are the strongest bonds of all.
The classic story of Emma Bovary, the beautiful wife of a small-town doctor in 19th century France, who engages in extra marital affairs in an attempt to advance her social status.
Tells the story of Sadie and Bessie Delany, two African-American (they preferred "colored") sisters who both lived past the age of 100. They grew up on a North Carolina college campus, the daughters of the first African-American Episcopal bishop, who was born a slave, and a woman with an inter-racial background. With the support of each other and their family, they survived encounters with racism and sexism in their own different ways. Sadie quietly and sweetly broke barriers to become the first African-American home-ec teacher in New York City, while Bessie, with her own brand of outspokenness, became the second African-American dentist in New York City. At the ages of 103 and 101, they told their story to Amy Hill Hearth, a white New York Times reporter who published an article about them. The overwhelming response launched a bestselling book, a Broadway play, and this film.
A treatise on love and desire tainted by harsh reality of capitalism, in which submission to the laws of lust-as-commerce is played out by five prostitutes and their pimp, who pits them against one another so that they are incapable of standing up to him collectively.
Punk-rocker turned suburban mom, Kelly, is nostalgic for a life she can no longer have and uncertain of a future she doesn’t yet fit in. Seventeen-year-old Cal is frustrated at his lack of control over the hand he's been dealt. When the two strike up an unlikely friendship, it's the perfect spark needed to thrust them both back to life.
In order to be reinstated to the bar and recover custody of her daughter, a hotshot lawyer, now in recovery and on probation, must take on the appeal of a woman wrongfully convicted of murder.
When a car crash leaves Frannie immobilized, she is brushed off by everyone she can count on. With nowhere else to turn and desperate for help, she turns to an unlikely source, her ex Devon.