A Haunting of Past Ink

The heterosexual man Axel is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.

While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.

In the middle of her husband’s funeral, Maritere (70) receives a visit from Angela (65), whom she hasn't seen in decades. Maritere reacts as if she has seen a ghost, and wards off all of Angela's approaches. Maritere's overprotective son, Fernando notices the strange interactions between the two women and assumes that Angela is one of his late father's mistresses. However, it is revealed that Maritere and Angela were intimate lovers a long time ago. Under pressure by Fernando who wants to throw Angela out of the house, Maritere will have to decide whether to continue her present life as a widow or give herself the chance to feel love again.

Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in taboo trysts and a tangled love triangle.

In 1970s Rome, a casual encounter between Enea and Pietro at a movie theater turns into an unforgettable romance — until destiny pulls them apart.

On an evening commute, Tye detects racism from another passenger's glance. In revenge, he decides to follow and confront the man. Tye's preconceived notion of race and sexuality are tested when he discovered that his younger brother is gay, and the victim is in fact his younger brother's lover.

The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is meant to illustrate who Hero Foltz is as a person and his struggles with self identity

Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteor-logical.

The exploitation of young men as prostitutes in the district around the Roman coliseum is the focus of Simon Bischoff's documentary and fiction piece that spares no close-up view of male anatomy. This latter trait reveals just as much about the tenor of this film as it does about the body. Several years earlier, Bischoff met the main 17-year-old protagonist here, "Er Moretto," when he was just a 13-year-old runaway. The intervening years show how he changed into a streetwise vendor of sex, and Bischoff also details how the 17-year-old is picked up by a middle-aged man to be his companion. Fiction segments do not fare as well as the documentary aspects of this work, which in the end, seems at least ambiguous, if not questionable, in its intent.

A little boy, named Prdelka, traveled with his father from Prague to the country during the Second World War. There, the boy became friends with a local fisherman and learned to catch the golden eels. Eventually, his father and mother were arrested by the Nazis and the boy stayed with the fisherman.

Daniel is respected by his village community as long as he bravely supports the fight for their affairs. He is in love with the boy next door, Olek, who is not ready to reveal his sexual identity. Their relationship develops in secret. When a teenage friend can no longer take homophobic attacks and commits a suicide, Daniel tries to convince the villagers to organise a service of the Stations of the Cross together for the intention of the victim.