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Old friends long separated are said to have a deeply rooted connection to one another that allows them to pick up where they left off no matter how long they’ve been apart. The same is arguably true for those who were once romantically linked but have been on their own for some time. And that heartwarming sentiment comes to life loud and clear in this touching but bittersweet new Italian love story about two young men (Andrea Di Luigi, Damiano Gavino) who meet in passing and briefly fall madly for one another, only to be separated by unforeseen circumstances not long thereafter. With no way to contact one another, they thus lose touch and go their separate ways, but their unspoken mutual passion never dissipates, as becomes apparent over the next 30 years until another chance encounter unexpectedly reunites them. But what are they to do then – pursue their hearts’ desire or remain committed to the new lives they’ve created for themselves? Those surrogate existences don’t possess the same passion as what they’ve held in their hearts for each other for so long, but can they realistically walk away from what they’ve built? In many ways, writer-director Ferzan Özpetek’s latest has a robust streak of romantic universality running through it, one whose essence extends beyond the scope of the LGBTQ+ community and effectively embodies the overarching notion that love is love, no matter what one’s sexual orientation might be. It’s also intriguing to note that the picture’s various segments poignantly echo elements of Italian culture and cinema that were in vogue during each of the time frames in which those sequences are set, capturing the look and feel of the periods ranging from the late 1970s to the present day. What’s more, the lives of the lovelorn partners are nicely supplemented by an array of colorful supporting players, giving the narrative a degree of depth and diversity that doesn’t place the story’s entire emphasis on the protagonists’ pining away for one another. In all, this is an ideal date night movie that lovers who are truly in love will be able to appreciate and enjoy. Sensitive viewers should be forewarned that there are a few explicit sexual sequences in this offering, but, given that this is a Netflix streaming release, that likely shouldn’t pose a problem for those watching in the comfort of their own homes (or bedrooms). Time and space may separate us, but they can’t take away what’s in our hearts, as “Nuovo Olimpo” so eloquently shows.
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
After sudden eviction by their prejudiced landlord, transwomen Laila and Roshni must put their wits together to find a home and reclaim their place in society.
The 1978 kidnapping and murder of Aldo Moro, president of the most important political party in Italy at the time, Democrazia Cristiana, as seen from the perspective of one of his assailants - a conflicted young woman in the ranks of the Red Brigade.
Elisa has lived with Manuela for five years but they have to separate. This is the last morning they spend together where they will try in vain to say goodbye. Naked, among the steam, they will go through the domestic fights, the affection, the anger, the guilt, the jokes and the sorrows; they will look at each other in detail, trying to capture the last fragments of a relationship that melts away, that goes with the water.
Young Ben is having boyfriend troubles again, so his grandma introduces him to Albert, an eccentric Glasgow painter who doubles as an unconventional, Jung-inspired psychotherapist. But their therapy sessions end up revealing as much about Albert as they do about Ben in this twisted, sexual comedy. Filmed on location in Glasgow, "Seat In Shadow" is the debut feature from writer/ director Henry Coombes. The film received its world premiere at Edinburgh International Film Festival and also played Berlin International Film Festival and BFI Flare. This is a witty study of social mores and sexual excess where the boundaries between doctor and patient, artist and muse become increasingly blurred.
Matt Travis is good-looking, popular, and his school's best competitive swimmer, so everyone is shocked when he inexplicably commits suicide. As the following year unfolds, each member of his family struggles to recover from the tragedy with mixed results.
A young teacher in Zurich in the 1950s falls in love with a transvestite star but is torn between his bourgeois existence and his commitment to homosexuality. He joins a gay organization that is eventually seen as the pioneer of gay emancipation in Europe.
Benin has left Adelaide for a new life in Sydney, but he will soon realize that there is only so much charm to a fresh start. The struggles of adulthood seem to escalate around him - a recent breakup, followed by a series of other failures, has cornered him into a dark state of mind. With some help from his friends, he'll have to strive for the obvious personal development needed in order to keep moving forward.
A novelist travels to the country to learn the problems of a friend's shy son and runs into an intruder.
Connor is on a hike with friends when he meets Adam who tries to seduce him. Connor finds he is less sure about his sexuality and masculinity than he previously thought.