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The most infamous serial killer of our time... is still out there. The Zodiac is directed by Alexander Bulkley who also co-writes the screenplay with his brother Kelley Bulkley. It stars Justin Chambers, Robin Tunney, Rory Culkin, Philip Baker Hall, Brad Henke, Marty Lindsey, Rex Linn and William Mapother. Music is by Michael Suby and cinematography by Denis Maloney. Story is based on the true events involving a serial killer known as The Zodiac who terrorised the San Francisco Bay Area in the late 1960s. He was never captured. There's a lot of scorn poured on Bulkley's movie, which on the surface is understandable given that it's neither an in-depth examination of the actual case or a terrifying serial killer thriller. It's cause isn't helped, either, by David Fincher's meticulous version that followed in 2007. Yet there's value in The Zodiac, even if it's difficult to recommend with confidence. The Bulkley's choose to focus primarily on one policeman and his family and how they are deeply affected by The Zodiac case. This involves Detective Matt Parish (Chambers) coming under increasing pressure at work, where his superiors are demanding a result, and at home, where his wife Laura (Tunney) grows frantic/frustrated by the day and his young son Johnny (Culkin) becomes unhealthily fascinated by the case. The director paints a very good period backdrop whilst deftly filling the narrative with a sense of paranoia that surely enveloped the Bay Area as The Zodiac enacted his crimes. The killer's face is rightly never seen, though we get POV shots from the killer and glimpses from afar or from behind him. While interestingly there's a link between The Zodiac and young Johnny as each go about their respective ways. The colour schemes used at various points of the story are well thought out, providing the film with a documentary feel for the exteriors and a saturated neo-noir universe for interiors. There's a spareness to the production that really aids the subject matter. Cast performances are fine, with Tunney really getting to grips with her character, and Suby's score rumbles along ominously. Not to be sought out by blood hounds or Zodiac historians, this is still a better than average picture that holds some interest as it rises above its modest budget limitations. 6/10
Barely coping with the end of her marriage, Tessa Connover learns that her ex-husband, David, is now happily engaged to Julia. Trying to settle into her new life after moving in with David, Julia believes she has finally met the man of her dreams, the man who can help her forget her troubled past. Soon, Tessa's jealousy starts to consume her, and she will stop at nothing to turn Julia's paradise into the ultimate nightmare.
Fresh out of university, a Turkish young man with literary aspirations returns to his home village, and to his father, a debt-ridden man with a gambling problem.
An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.
Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
Paris, 1960s. Momo, a resolute and independent Jewish teenager who lives with his father, a sullen and depressed man, in a working-class neighborhood, develops a close friendship with Monsieur Ibrahim, an elderly Muslim who owns a small grocery store.
14-year-old Joe is the only child of Jeanette and Jerry — a housewife and a golf pro — in a small town in 1960s Montana. Nearby, an uncontrolled forest fire rages close to the Canadian border, and when Jerry loses his job (and his sense of purpose) he decides to join the cause of fighting the fire, leaving his wife and son to fend for themselves.
Jarhead is a film about a US Marine Anthony Swofford’s experience in the Gulf War. After putting up with an arduous boot camp, Swofford and his unit are sent to the Persian Gulf where they are eager to fight, but are forced to stay back from the action. Swofford struggles with the possibility of his girlfriend cheating on him, and as his mental state deteriorates, his desire to kill increases.
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
In 1960s Wyoming, two men develop a strong emotional and sexual relationship that endures as a lifelong connection complicating their lives as they get married and start families of their own.
Teacher Suman is adamant in not allowing his daughter Kamariah to follow in his footsteps as the field did not bring him blessings.
