Box Cutters

An alien being fights to complete an impossible task. A metaphor for the emotional weight one carries within, and the hardships when striving to rid oneself of it.

George and The Man In The Yellow Hat are having a merry time counting down to Christmas. But neither can decide what to give each other. Will they find the answers before Christmas morning?

A film about an unhappy man who catches his wife with a lover. He leaves to buy a gun, while plotting to kill the wife and the lover. Based on a short story by Anton Chekhov.

One summer afternoon in 1907, Abel and his wife (both mice) are picnicking, when they become separated during a violent rainstorm. After flying some distance, Abel discovers himself alone on a river island, unable to swim due to the powerful current. Abel periodically attempts to leave the island by various means: flying on a leaf, rowing a crudely fashioned boat, etc. Meanwhile, he tries to create a normal life of sorts, even learning to enjoy a new hobby: sculpture. Still, Abel's goal is to escape the island and rejoin his wife in the city.

Hykade's third and final part of The Country Trilogy. The once dead father of "We Lived in Grass" returns. "I give you the runt," he says. "But you take care of it and you kill it next year."

The animation was produced for the Tezuka Osamu Manga Museum, thus it features scenes from the "life and nature" of Tezuka Osamu's childhood, themes that are central to the museum as a whole, through exchanges between the boy Osamu and the carabid beetle (Osamushi) who provided the origin for the artist's name.

The film expresses the sense of being left behind. It stems from the realities of my childhood and how they did not match up with what I was feeling back then.

The fourth-grade protagonist is going through physical and emotional changes and feels awkward as she can't help but compare herself to her friends. One day, she is blown away by her classmate Aya's swimming and realizes that she has feelings for her.

Even though I feel like I'm living in the now, here, I think I just end up being in nowhere all the time. And in the nowhere, I find the now and the here.

The elderly at the nursing home have their heads shaved. The protagonist who works there sees them but can't read their expressions. However, from one instance, he finds himself looking closely at their faces.

A deadpan sci-fi, interweaving moments of familiar routine with esoteric messages from deep space.