Oklahoma City Bombing American Terror 2025 - Movies (Apr 18th)
Dead Mail 2024 - Movies (Apr 18th)
The Bunker Game 2024 - Movies (Apr 17th)
Harkness 2024 - Movies (Apr 17th)
Raqqa Spy vs. Spy 2024 - Movies (Apr 16th)
Unbankable 2024 - Movies (Apr 16th)
Beyond the Tree Line 2024 - Movies (Apr 16th)
Giroud 2024 - Movies (Apr 16th)
Hammer Heroes Legends and Monsters 2024 - Movies (Apr 16th)
Bottom Exposed 2024 - Movies (Apr 16th)
Paypigs 2025 - Movies (Apr 15th)
The Pilgrimage of Gilbert and George 2024 - Movies (Apr 15th)
The Painted 2024 - Movies (Apr 15th)
Eephus 2024 - Movies (Apr 15th)
Titanic The Digital Resurrection 2025 - Movies (Apr 15th)
Behind the Curtain Stranger Things The First Shadow 2025 - Movies (Apr 15th)
A Working Man 2025 - Movies (Apr 15th)
The Woman in the Yard 2025 - Movies (Apr 15th)
Warfare 2025 - Movies (Apr 15th)
Art Matters 2024 - Movies (Apr 14th)
Captain America Brave New World 2025 - Movies (Apr 14th)
Police 24/7 - (Apr 18th)
Tribunal Justice - (Apr 18th)
The Madame Blanc Mysteries - (Apr 17th)
Emergency Room 24 Hours - (Apr 17th)
Springtime on the Farm - (Apr 17th)
The Apprentice - (Apr 17th)
Dr Xands Con or Cure - (Apr 17th)
Bad Dog Academy - (Apr 17th)
Sydneys Super Tunnel - (Apr 17th)
Pound 4 Pound - (Apr 17th)
Imperfect Murder - (Apr 17th)
Kamen Rider Backwards-Kiva- Queen of the Demonic Castle - (Apr 17th)
Tonight - (Apr 17th)
Katy Tur Reports - (Apr 17th)
Interior Design Masters with Alan Carr - (Apr 17th)
Chris Jansing Reports - (Apr 17th)
Beyond the Gates - (Apr 17th)
The 11th Hour with Stephanie Ruhle - (Apr 17th)
American Pickers- Best Of - (Apr 17th)
Law and Order- Organized Crime - (Apr 17th)
Sitting in on a loved one’s death watch can be a trying time in more ways than one can count, circumstances that many of us can probably relate to all too well. It can be an especially stressful, even hostile, experience when incompatible family members are brought together for such an ordeal, one whose duration and developments are impossible to predict. That’s the scenario here faced by three very different (and often-contentious) sisters (Carrie Coon, Elizabeth Olsen, Natasha Lyonne) who begrudgingly join together for the waning days of the life of their father (Jay O. Sanders), who has been placed in home hospice care. During this reluctant, duty-bound “reunion,” tempers routinely flare in confrontations stemming from the rehashing of old, unresolved issues, disagreements about current responsibilities, and the seemingly endless waiting for the inevitable to arrive. These matters all wear on the distraught siblings as they struggle to sort out what’s transpiring and try to arrive at better, more civil understandings of one another. In his latest feature outing, writer-director Azazel Jacobs has created an authentic story about what often occurs under such difficult conditions, astutely blending intense drama, scathing personal interactions, dark humor and hopes for reconciliation against a backdrop of edgy anguish, searing emotional pain and pervasive uncertainty. The picture’s crisp writing and stellar performances (especially Lyonne’s stand-out portrayal) drive the unfolding of this gripping domestic saga, often leaving viewers uncomfortably squirming in their seats as raw, long-repressed feelings surface. To be sure, some of the transition sequences in the narrative could use better refinement to get the overall story on track for what follows, but, then, their handling in this manner could arguably be chalked up to the ubiquitous doubt lingering over this situation, a determination that audience members will have to make for themselves. Still, “His Three Daughters” is indeed one of the better releases of 2024 thus far, one that deserves serious consideration as awards season approaches, particularly in the writing and acting categories. It’s also a powerful cautionary tale for any of us who may be faced with having to undergo a scenario like this at some point, providing us with valuable insight into how we might want to conduct ourselves when these trying times arise.
FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/his-three-daughters-review-a-powerful-yet-bittersweet-performance-showcase-of-family-loss-and-healing/ "His Three Daughters is a deeply moving, human portrait that does justice to the extraordinary talent of its cast. By exploring the complexities of family dynamics and inevitable grief, the film has an overwhelming impact due to its intimate, emotionally honest story. It's a bittersweet, reflective, incredibly relatable journey, capable of touching on universal and personal issues with rare authenticity. Azazel Jacobs delivers one of the most memorable movies of the year, where Carrie Coon, Elizabeth Olsen, and Natasha Lyonne shine brightly, leaving a mark on the audience that will linger long after the final credits." Rating: A-
New York in the 1920s. Max Perkins, a literary editor is the first to sign such subsequent literary greats as Ernest Hemingway and F. Scott Fitzgerald. When a sprawling, chaotic 1,000-page manuscript by an unknown writer falls into his hands, Perkins is convinced he has discovered a literary genius.
Southern matriarch Madea has a lot on her plate. Her nieces, Vanessa and Lisa, have relationship troubles - Vanessa moves into Madea's house with her 2 young children and Lisa is engaged to a controlling man that her mother set her up with. In addition, Madea has just been court-ordered to become the guardian of Nikki, a rebellious runaway teenager. Madea must keep the peace and her family together while simultaneously planning her clan's reunion.
The life of a woman is transformed after she is diagnosed with a terminal disease, fired from her job and abandoned by her boyfriend. Given two months to live, she throws caution to the wind to pursue her dreams.
Three sisters share a connection to a violent incident from their childhood reunite to for the chance to come to terms with their past.
Two brothers' trip to the big city to do a little gambling results in a fateful turn of events.
In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership.
Seemingly mild-mannered businessman Edmond Burke visits a fortuneteller and hears a remark that spurs him to leave his wife abruptly and seek what is missing from his life. Encounters with strangers and unsavory people weaken the barriers encompassing his long-suppressed rage, until Edmond explodes in violence.
When she learns she's in danger of losing her visa status and being deported, overbearing book editor Margaret Tate forces her put-upon assistant, Andrew Paxton, to marry her.
John Reilly discovers that his family's newly inherited castle in Italy is haunted by a relentless bloodthirsty creature.