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Piers Morgan Uncensored - (Apr 1st)
Katy Tur Reports - (Apr 1st)
Chris Jansing Reports - (Apr 1st)
Tipping Point - (Apr 1st)
The Cruise - (Apr 1st)
Escape to the Country - (Apr 1st)
Air Crash Investigation- Special Report - (Apr 1st)
American Idol - (Apr 1st)
Son of a Critch - (Apr 1st)
The Tommy Tiernan Show - (Apr 1st)
The Divorce Insurance - (Apr 1st)
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The Chase Australia - (Apr 1st)
After Midnight - (Apr 1st)
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The 11th Hour with Stephanie Ruhle - (Apr 1st)
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Those familiar with my writing know that I’m not much of a fan of horror films, though I have been somewhat encouraged by the emergence of “smart horror” releases in recent years – scary movies that seek to do more than just try to see how high they can get the body count by film’s end. So I was naturally intrigued by this debut feature by writer-director Michael Kovich Jr. which tells the story of a man (Bruno Sosa Bofinger) who unwittingly finds himself imprisoned in his own apartment, with massive chains covering his front door from the inside. Based on its impressive trailer, the picture suggests that it’s going to provide viewers with more than what they typically expect from such fare, thanks in large part to its stylish production design and gorgeous black-and-white cinematography. Regrettably, however, “The Apartment” doesn’t live up to that potential, mainly because its narrative is wholly predictable. It doesn’t take long to figure out what’s going on here (I called it after about 10 minutes into its 1:27:00 runtime), and that kind of predictability is, for me, the cardinal sin of filmmaking, no matter how elaborately the production may be dressed up. As a consequence, the film limps along with tedious pacing and tiresome redundant sequences, clearly padding a story that ultimately doesn’t have much substance going for it. It also suffers from an excess of scenes featuring graphic depictions of domestic violence, material that could have easily been scaled back without losing any meaningful impact. The bottom line is that this disappointing release represents a missed opportunity to help elevate a genre very much in need of new life. Instead, we’re left with an offering stuck in an old mold, despite an attempt to use upgraded aesthetics to make it more than it is. And there’s nothing frightening in that.
A couple begins to experience terrifying supernatural occurrences involving a vintage doll shortly after their home is invaded by satanic cultists.
In Japan, the vampire-hunter Saya, who is a powerful original, is sent by her liaison with the government, David, posed as a teenage student to the Yokota High School on the eve of Halloween to hunt down vampires. Saya asks David to give a new katana to her. Soon she saves the school nurse Makiho Amano from two vampires disguised of classmates and Makiho witnesses her fight against the powerful demon.
A group of Thai ghost legends have grown tired of haunting and move to the country to help humanity.
BJ Yagwang and PD Park broadcast a live stream themed around horror on AfreecaTV. They look for more provocative and fearful material for their program. One day, they receive a video which contains a female high school student disappearing. In the video, right before she disappears, the female school student was calling a ghost and playing hide-and-(go-)seek alone. While broadcasting live on AfreecaTV, BJ Yagwang goes to the abandoned building where the female school student went missing.
Tony loves singer Vina and helps financially support her even though she's already in a relationship. However, his jealousy eventually ends up getting the better of him and he accidentally causes Vina to crash her car and die. Her vengeful spirit later returns.
There is a local legend of a spirit known as Wewe Gombel, who can transform into a midwife to steal babies. Asih is pregnant and goes with her husband, Budi, a farming instructor, to a village. She is worried after hearing the local legend of Wewe Gombel. She wants to return to the city but Budi refuses... until a neighbor gives birth and the baby mysteriously vanishes. Will Asih be next?
Murti (Sally Marcelina), the daughter of bankrupt farmer Murdali (Wenda Wijaya), is offered up as a bride to relieve a family debt owed to loan shark Juragan Hamid (Mawardi Harland). Before the forced marriage occurs, Murti and her boyfriend Yusman (Johan Saimima) run off and marry one another is a mystic ceremony witnessed by the spirit of the dwarf shaman Mbah Jagaraga (El Koesno). After becoming married to the man she hates, Murti learns that Juragan Hamid is a fugitive convict so he kills her to secure his secret. Murti’s death disturbs another spirit and the two of them return as ghosts to haunt the village.
Ghosts wreak havoc at the old school, and a student communicates with the spirit while the team reckons with a power struggle.
When twin brothers find a mysterious wind-up monkey, a series of outrageous deaths tear their family apart. Twenty-five years later, the monkey begins a new killing spree forcing the estranged brothers to confront the cursed toy.
In a dismal and decadent world, a little Saint cares for various beings with suicidal tendencies. A strange visit warns the Saint not to interfere with the supreme order of things, whereby the natural law of martyrs takes precedence over kindness and affection
Aud and Yai, a gay couple in a big city, move to a remote town and reopen an old gas station. Yai has an affair with a local woman and Udd plots murder. Neither man knows the gas station is haunted and the spirits have plans of their own.