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Tipping Point Australia - (Mar 28th)
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In this old classic John Wayne had not yet become the somewhat grumpy old tough guy as he is in many of his classical movies. He is somewhat younger and his character as Lt. Col. Kirby Yorke is a bit more emotional than the characters that he often played and there is a bit more romance in this movie as well. At least in my experience with John Wayne’s movies. I was not sure if I was going to like this movie so much since it is generally put in the Romance genre as well as the Western genre. However I can without a doubt say that I did indeed like it quite a lot. It is still a good old-fashioned Western movie with brawls, fistfights and a lot of shooting. John Wayne is great in his role and a lot of the supporting characters are very enjoyable. I especially liked the old Sgt. Major and I would have liked there to be a more official scene of forgiveness between Mrs. Yorke and him. There were a lot of nice interaction between the Sgt. Major as well as between other characters in the movie. At times the movie was really funny due to these interactions between several of the rather original characters in the movie. To my understanding John Ford was more or less forced by Republic Pictures into making this movie in exchange for his pet project, The Quiet Man, to be produced. I would say that this was a good move by the movie company even though the movie was produced as a low-budget movie even by the standards at the time. The only thing I feel sorry about is that it was shot in black & white. As is often the case in good old Western movies there are a fair share of lovely nature scenery and I think some of that would have been much better in full color. Oh by the way, one thing puzzles me. Why on earth did they make a movie poster with John Wayne without a mustache when he is having one throughout the whole movie?
More artistry from the maestro. The final piece of John Ford's cavalry trilogy is a fine portrait of the old west and the soldiers who operated at that time. Much like She Wore A Yellow Ribbon, this film continues with the central theme of human focus, getting close and real to what makes these folks tick, all laid out on Ford's wild frontier portrait. This offering throws up a number of emotions by splicing Western staple conventions. We have a special war time romance (the excellent John Wayne & Maureen O'Hara), a fair dash of humour (hats off to Ben Johnson), and some delightful tunes brought to us by Sons Of The Pioneers. But ultimately it's the realistic feel to the film that makes it so special. There is no overkill of the subjects, it is painted as hard grind, not all whooping in the air and shooting the enemy - with the camera work from Ford able to bring it all vividly to life. What we ultimately get is a post civil war tale that looks great and beats a sound and true heart. 8/10 Footnote: The whole trilogy isn't for those seeking out good old shoot 'em ups in the Wild West, it is for those looking for involvement into a past that has long since gone, but thankfully one that is kept vividly alive by such directing masters like Ford.
A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.
While crossing the desert, a frontier scout, Jess Remsberg, rescues Ellen Grange from a pursuing band of Apaches, and returns her to her husband, Willard Grange. He is contracted to act as a scout for an Army cavalry unit. Willard, Ellen, and her infant son are along for the ride, as is horse trader Toller, a veteran of the 10th Cavalry. The party is trapped in a canyon by Chata, an Apache chief and grandfather of Ellen's baby. Willard is captured and tortured. Jess sneaks away and brings reinforcements just in time to save the day. Jess learns that the man he has been hunting is none other than Willard Grange.
A fatally wounded white man is found by an outcast Native American who prepares him for the afterlife.
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.
Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.
The sheriff of a small town in southwest Texas must keep custody of a murderer whose brother, a powerful rancher, is trying to help him escape. After a friend is killed trying to muster support for him, he and his deputies must find a way to hold out against the rancher's hired guns until the marshal arrives. In the meantime, matters are complicated by the presence of a young gunslinger - and a mysterious beauty who just came in on the last stagecoach.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
A couple of Confederate soldiers, returning home from the Civil War, find Texas transformed into an armed camp with a quasi-dictator gathering up land and power as fast as he can. The two former Rebels take on this despot each in his own way.
When power-hungry Faulkner and Leroux want to divide Texas into smaller sections, instead of allowing it to enter the Union as a single state, Gary Conway and the Texas Rangers must step in to thwart their chicanery.
A homesteading family in 1867 Wyoming faces a crisis when the husband is killed and the wife must decide whether to remain or take her son and daughter back East.
Headstrong Thomas Dunson starts a thriving Texas cattle ranch with the help of his faithful trail hand, Groot, and his protégé, Matthew Garth, an orphan Dunson took under his wing when Matt was a boy. In need of money following the Civil War, Dunson and Matt lead a cattle drive to Missouri, where they will get a better price than locally, but the crotchety older man and his willful young partner begin to butt heads on the exhausting journey.