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Jean-Pierre Meville's 1970 film Le Cercle rouge (The Red Circle) is a crime caper based on the interplay of several initially unacquainted individuals. As Melville's fake quote from the Buddha that serves as the intertitle goes, "When men, even unknowingly, are to meet one day, whatever may befall each, whatever the diverging paths, on the said day, they will inevitably come together in the red circle." These men are Corey (Alain Delon), who has just been released from prison, Vogel (Gian Maria Volonté), who has escaped from his police guard before he could even reach prison, and the alcoholic marksman Jansen (Yves Montand). In the jewelry heist that these desparate lowlifes plan together, they are pursued by the detective Mattei (André Bourvil). Meville's pacing is extremely slow – it has to be in order to ensure that the audience understands the complex relationships of who knows who – and suffice it to say, people who don't already like mid-century French auteur films may find this intolerable. However, if you are a fan of the French New Wave, you may find Meville's ability to sustain suspense a delicious torture. This viewer was on the edge of his seat the whole time waiting to find out what would happen next. Melville's visual aesthetic is also consistently attractive: muted colours, careful shots of the characters faces at a couple of key moments, and a striking constrast between the quiet world of these criminals and the bustle of everyday Paris. I must admit that I was prepared for some disappointment, as this was Meville's third film of criminal conspiracy in three years (preceded by the hitman drama Le Samouraï and the French Resistance saga L'Armée des ombres). However, in spite of Meville's continued interest in the genre, Le Cercle rouge offers something fresh and individual. There are a couple of intertextual looks back to Le Samouraï in the sets, but Meville shows how talented his favourite actors were by having a couple of good guys in that film play baddies in this one and vice versa. All in all, this is not a must-see, life-changing film, but certainly a classic film that has stood the test of time and well worth seeing.
Though it takes quite a while to get going, and I constantly wanted to rub that annoying moustache from the face of Alain Delon ("Corey") I really rather enjoyed this crime caper. Delon recruits the dapper ex-cop with a drink problem - "Jansen" (Yves Montand), and the recently escaped "Vogel" (Gian Maria Volontè) into his plan to rob an exclusive Parisian jewellers. Situated on the top floor of a town house with state of the art security, they must recce the scene and use all of their initiative and ingenuity to crack the systems and pinch - and dispose of - $20 million worth of loot. Simultaneously, a couple of hoodlums are chasing "Corey" after he relieved his former boss of some cash, and the police - led by accomplished copper "Mattei" (André Bourvil) are on the hunt for "Vogel". I can't say the acting set the thing on fire for me, it is certainly "cool" but you can over-do that, and at times these three men are pretty devoid of much depth to their characters. I could also have been doing with more going on in the first hour; the plot establishment all takes too long - but once Jean-Pierre Melville gets his ducks in a row and the film has a clearer focus, then the pace picks up nicely and there is quite a decent degree of tension peppered with the odd bit of dark humour. Not mad keen on the ending, but hey - that'd be telling.
Less than 24 hours into his parole, charismatic thief Danny Ocean is already rolling out his next plan: In one night, Danny's hand-picked crew of specialists will attempt to steal more than $150 million from three Las Vegas casinos. But to score the cash, Danny risks his chances of reconciling with ex-wife, Tess.
Danny Ocean reunites with his old flame and the rest of his merry band of thieves in carrying out three huge heists in Rome, Paris and Amsterdam – but a Europol agent is hot on their heels.
An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.
When two poor Greasers, Johnny and Ponyboy, are assaulted by a vicious gang, the Socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
Rusty James, an absent-minded street thug, struggles to live up to his legendary older brother's reputation and longs for the days when gang warfare was going on.
Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.
After a young man is murdered, his spirit stays behind to warn his lover of impending danger, with the help of a reluctant psychic.
An adaptation of the classic Dickens tale, where an orphan meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.
A young woman studying the habits of webcam chat users from the apparent safety of her apartment witnesses a brutal murder online and is quickly immersed in a nightmare in which she and her loved ones are targeted for the same grisly fate as the first victim.
In the year 2035, convict James Cole reluctantly volunteers to be sent back in time to discover the origin of a deadly virus that wiped out nearly all of the earth's population and forced the survivors into underground communities. But when Cole is mistakenly sent to 1990 instead of 1996, he's arrested and locked up in a mental hospital. There he meets psychiatrist Dr. Kathryn Railly and the son of a famous virus expert who may hold the key to the Army of the 12 Monkeys; thought to be responsible for unleashing the killer disease.