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The Playboy Murders - (Jun 3rd)
The Cook Up with Adam Liaw - (Jun 3rd)
The Derbyshire Auction House - (Jun 3rd)
The Mighty Ducks- Game Changers - (Jun 3rd)
Kill Lupercal - (Jun 3rd)
Raw - (Jun 3rd)
Lets Make a Deal - (Jun 3rd)
The Rachel Maddow Show - (Jun 3rd)
The Last Word with Lawrence ODonnell - (Jun 3rd)
Have I Got News for You - (Jun 3rd)
Night Coppers - (Jun 3rd)
Springwatch - (Jun 3rd)
90 Day- Hunt For Love - (Jun 3rd)
The Last American Vagabond - (Jun 3rd)
Piers Morgan Uncensored - (Jun 3rd)
Bargain-Loving Brits in the Sun - (Jun 3rd)
Deadline- White House - (Jun 3rd)
Best of The Beat with Ari Melber - (Jun 3rd)
The Price Is Right - (Jun 2nd)
The Bold and the Beautiful - (Jun 2nd)
This is a bad joke without a punch line. The Killing is directed by Stanley Kubrick who co-adapts to screenplay with Jim Thompson from the novel Clean Break written by Lionel White. It stars Sterling Hayden, Marie Windsor, Elisha Cook Jr, Vince Edwards, Jay C. Flippen and Coleen Gray. Music is by Gerald Fried and cinematography by Lucien Ballard. Ex-con Johnny Clay (Hayden) has a plan to make a killing at the racetrack, with some special inside help he plots to nab $2 million in an intricate robbery. It looks a good thing, the right people are in place, but there's a potential spanner in the works in the shapely form of Sherry Peatty (Windsor), the unfaithful and devious wife of one of the robbers. Cheaply made by Kubrick and his producer partner James B. Harris, The Killing is a lean and mean mid 50's film noir. Poorly received at the box office and met with indifference by critics upon release, it's a film that has come to be noted as hugely influential - more so as Kubrick's reputation has grown over the passing years. Clocking in at under 85 minutes, film is told in a fractured narrative structure that at the time was viewed as an oddity. Story is constructed around crosscut flashbacks as the robbery is planned and then executed, with Kubrick's direction as meticulous as the actual robbery itself. It's not hard to understand why confusion was an issue back upon its release, but this is something that now comes off as something of a masterstroke, and this even if Kubrick was forced to tinker with the final product where it was decided to add in a voice-over to aid those troubled by the nonlinear narrative (which the director despised). In spite of some problems, such as the cheapo sets and some stiff performances from secondary characters, The Killing is quintessential film noir. Kubrick thrives on filming his characters in cramped surroundings, the use of angles very effective, and Ballard photographs superbly for the low-key interiors, thus the mood is perfectly set. Story is filled out with hapless characters, where destinies are defined by greed, betrayal and the devils trump card - that of bad luck. As is normally the case with the best film noir, it's a dame who holds the key to the misery here. Sherry Peatty (Windsor excellent) is cold and utterly bitch like. She has a hold over her cuckolded husband George (Cook Junior never better) that would be easy to detest, that is were it not for the fact George is so pitifully weak! From that coupling bursts a doom and bleakness that underpins the story, rendering the film with a fatalistic sheen. The Killing does have a dated feel to it, but only slightly (and not remotely irritatingly) so. While there's no denying that the budgetary restrictions - the voice-over and some less than good performances - stop this being the masterpiece of the crime genre some of us want it to be. However, it's a damn fine film, that's tense, exciting and very compelling, and it does deserve to warrant a place on a favourite list of any self respecting film noir fan. 8/10
Though it's Sterling Hayden who takes top billing here, it's actually Marie Windsor who steals the show as "Sherry". She is the rather money-grabbing, bullying, wife of "George" (Elisha Cook Jr). Now he works in the cashier's office at the local racetrack where "Mike" (Joe Sawyer) works behind the bar. These two are to be lynch pins in a daring plan to rob the place of two million dollars as it's feature race brings in the punters. Ex-con "Johnny" (Hayden) is the brains behind the scheme that also includes a bent cop "Randy" (Ted de Corsia), marksman "Nikki" (Timothy Carey) and financier "Unger" (the familiar face of Jay C. Flippen). Meticulous planning is required, diversions are created and it all looks set fair. Except, that is, for the blabbermouth "George" who tells his wife - in a bid to retain her love for him (and money) - who proceeds to tell her lover "Val" (Vince Edwards) and so a bit of double-play is soon on the cards too. It's constructed almost like a jigsaw puzzle, this film. We do a little bit of work on one aspect of the story, then move timelines and/or locations to another, or to another character before it all gradually comes together delivering a really effective eighty minutes of crime drama. Although I thought the ending just a little bit of a let down, there are strong performances across this tautly directed and effectively scored story. There's quite a lively bit of action from strongman Kola Kwariani in here too that's quite entertaining. Well worth a watch.
Get Outta Dodge is the dramatic, brutal story of Alex, a new FBI agent whose first assignment is to infiltrate an organized crime family in efforts to bring the crime family's boss to justice.
Coming from the London bourgeoisie, the Nosferat (this time, with the vampire taking on the role of the famous serial killer who raged in the London district of Whitechapel in 1888), reforms bourgeois morality by reducing its puritanical contradictions. He executes prostitutes “in the name of Virtue, Morality and order”, as a result of a repressive education he received, especially on the sexual level...
A criminal known as Thunderbolt is imprisoned and facing execution. Into the next cell is placed Bob Moran, an innocent man who has been framed and who is in love with Thunderbolt's girl, without knowing of their relationship. Thunderbolt hopes to stave off the execution long enough to kill young Moran for romancing his girl.
A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.
Bahiya decides to take revenge after her brother's death at the hands of a drug gang. She exploits the love of Sayed, a gang member, to achieve her revenge, but the gang leader, Shukoura, stands in their way.
A hard-boiled female detective has to solve a murder plot orchestrated by vampires.
A damsel in distress agrees to run away with her wealthy lover in order to escape from her abusive husband. But all is not as it seems in this 1940s film noir.
Monique is a 35 year old French woman, living in New York. The daughter of a French diplomat who has remarried, Monique has no financial worries, and holds a good job with a publishing firm. She finds relationships difficult, and frequently suffers acute depression. Her nights are filled with strange dreams, and apparitions of flashing lights.
Made-for-TV drama about one of the largest crimes in history—the 1980 robbery of the Boston Depositors Trust by a group of policemen. Capt. Gerry Clemente is the leader of a gang of rotten cops who take their piece of Boston's criminal offerings. The crimes are petty at first, but soon, Clemente sets his sights on a bank that promises a big score. Can the gang pull it off before a case is built against them?