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Dark Matter - (May 29th)
WWE NXT - (May 29th)
The Big Valley - (May 29th)
Police 24/7 - (May 29th)
Hostage Rescue - (May 29th)
Ghost Ships - (May 29th)
Secrets of The Lost Liners - (May 29th)
Deadman’s Curse - (May 29th)
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Rip Off Britain - (May 29th)
Americas Got Talent - (May 29th)
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Vanderpump Rules - (May 29th)
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Clive Myrie’s Caribbean Adventure - (May 29th)
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In a bold and original approach to memory, this Lettrist-inspired film maps an anxiety-ridden plane journey from Tokyo to Helsinki without the aid of photographic images. A variety of interventions on the film strip are combined with an atmospheric sound design to create a subjective story of displacement and containment. In an age when experience is increasingly mediated through digital technologies, Taanila seeks out an alternative language in the sensuous surfaces of the celluloid material.
The story of a baker named Allyson who, with the help of a little bit of magic, realizes that love knows no gender, race, or orientation.
One starry night, a little girl chases a star streaking across the sky in the hopes of capturing it in her jar so that she may make one more wish.
Caro Comes Out is a queer torture experiment, but also a comedy, but also a short film about coming out to your entire Cuban family.
Civil discourse is vanishing from modern society. Improv comedians heal the divide in this documentary feature film starring Colin Mochrie (Whose Line is it, Anyway?) that explores the use of improvisation for conflict resolution. Republican Karl Rove performs improv with Colin Mochrie and endears himself to a room half-full with Democrats. Police officers do improv with local youth in order to learn listening skills. Dr. Daniel J. Wiener brings couples back from the brink of divorce using improv. Dr. Charles Limb places Second City improv comedians in a functional MRI machine to see what happens in the brain when we improvise.
Dust, a split-personality cyborg of fluid gender, zooms through time and space in search of his/her own memories and a sense of understanding. S/he travels from the Planet of White Dust where war is constant, to the Planet of Blood and Swelling, a hybrid of his/her father’s body.
THE PEARL is a cinematic and intimate portrait of four transgender women who come out in their senior years. Set in logging towns in the Pacific Northwest, the visceral, observational story explores what it means to leave behind presenting as a man.
NYC Drag Queen Blackie O opens up about his own mental health and the wider drag community's.
What if the world told you that you do not exist? This is the reality for Lauren: a person in their mid-twenties who identifies as gender neutral. Lauren's story chronicles their entire life—from early childhood, to a near death experience, to living in the depths of the rain forest—capturing the physical, emotional, and mental obstacles Lauren must face just to get to say, "I exist."
A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.
The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.