Married at First Sight - (Mar 16th)
Incredible Northern Vets - (Mar 16th)
48 Hours To Buy - (Mar 16th)
New York Homicide - (Mar 16th)
The Only Way Is Essex - (Mar 16th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
Unsolved Mysteries - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
All Elite Wrestling- Collision - (Mar 16th)
A waitress and expert pie-maker dreams of a way out of her small town and rocky marriage.
The Boston Pops performs Ragtime: The Symphonic Concert, prepared by the original creators Terrence McNally, Lynn Ahrens, and Stephen Flaherty especially for the Pops. Based on the 1975 novel by E.L. Doctorow, Ragtime weaves together the stories of three intersecting groups in the U.S. in the early 20th century: Eastern European immigrants, the African American community in Harlem, and an upper-class white family. Together, they confront history's timeless tensions of wealth and poverty, freedom and prejudice, hope and despair.
In Ancient Polynesia, when a terrible curse incurred by Maui reaches the island of an impetuous Chieftain, his willful daughter answers the Ocean's call to seek out the demigod to set things right.
Set in 1301 at the end of Medieval times, our most famous star-crossed lovers turn the tides on the history Shakespeare based his own story on, as they reveal the truth to the very future of the Empire. But the biggest twist in this most beloved of tales, is leaving the poetry of Iambic Pentameter in the past, for the original pop music that rockets these ever-present themes right to the heart of our characters in the most surprising, and perhaps most powerful way that has ever been seen, or heard, before... The greatest love story of all time, set to the greatest music of our time.
Mexico's response to the French film Emilia Pérez. The real life of French people in a musical made by people in Mexico. It tells the epic tale of baguettes, croissants, stinky cheese, and the difficulties of not taking daily showers.
Mad scientist Prospero runs away with his blind daughter Miranda to Tromaville, hiding from evil pharmaceutical execs, including his own sister Antoinette who ruined his career after he found the cure against opioid addiction. With the help of a handicapped crack-whore, he releases a massive amount of laxative to whales, while his enemies are on a cruise ship to North Korea. A humongous shitstorm washes the boat away and brings them to Tromaville, where Prospero can now fully realize his ultimate vengeance.
Based on the 80s Israeli rock opera “Mami” that generated a cult following. This is the story of Mami, a young woman who was born and raised in a small impoverished town down south. She works at the snack bar at the local gas station and is in love with Nissim, her neighbor. Nissim falls into a coma, but Mami doesn’t give up. Eventually her brain gets rewired by eccentric inventor and she becomes a media superstar. Mami establishes a satirical circus and new political party.
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.