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A moving picture! I pretty much went into the cinema with 'That They May Face the Rising Sun' totally blind in terms of what to expect, just the way I like it mind you. All I knew was that it was outta Ireland and based on a book, which I evidently hadn't heard of. I'm pleased to say what greeted my eyes was a very splended movie. The story is simple, one that holds no bells and whistles. I don't mean that in a negative way whatsoever, as it is the film's greatest element. It's all very grounded, which allows the acting talent to shine. Though, the cinematography is exquisite. It is also paced to perfection, in that regard I was kinda caught off guard when the credits appeared! Barry Ward and Anna Bederke are the cover stars and are worthy in their roles of Joe and Kate, I enjoyed them both. However, those behind them are the standouts for me. Lalor Roddy is fantastic as Patrick, so much emotion (and humour!) delivered from him throughout. Brendan Conroy does a lot with relatively little, similarly (first time actor, so I read?!) Phillip Dolan and Sean McGinley (esp. at the end). It's all extremely touching. Safe to say, I'd highly recommend this!
There's something very potent about the Celtic habit of understating things. A few choice words, a bit of sarcasm or invocation of nature or, occasionally, religion coupled with some perfectly judged facial expressions or shrugs! It can be used to really good comic effect and to illustrate entertainingly just how folks live their lives and deal with death. "Joe" (Barry Ward) and wife "Kate" (Anna Bederke) live in their rural home where he is trying to put together his latest book and she juggles her time between running a gallery in London and living the dream amidst a remarkably dry Ireland. The film essentially plonks us in their home for a few days as we watch a variety of local souls pop in for tea, whiskey and chat. What's quite striking about this community is the lack of the young. Everyone here is nearer the end than the beginning, and with the vacillating character of "Patrick" (Lalor Roddy), the returning from Britain "Johnny" (Sean McKinley), his brother "Jamesie" (Phillip Dolan) and the curmudgeon that is "Bill" (Brendan Conroy) making up the characterful sextuplet of regulars we are presented with a glimpse at a perfectly plausible day in the life sort of thing... The "Patrick" character is probably the most interesting, flawed and decent, angry yet caring; but the others all fit into this sympathetically filmed jigsaw puzzle of what goes around comes around nicely. Don't expect lots to actually happen, but do expect to smile quite a bit and think a little, too.
Pat Collins’ first narrative film largely, refreshingly, lacks a conventional narrative. Adapted from John McGahern’s final novel, it reveals the director’s considerable skill with both sight and sound, a fine cast, and a surprisingly explicit wink to Ozu. Collins lovingly frames a hallowed rural Irish community of a half-century ago, whose religion and traditions provide order, and hope, but are nevertheless already significantly hollowed out. Indeed, for all of the film’s prose-tinted passion, it has an unmistakably funereal feel. Its people, and those like them, are buried in their stony grey soil, the bones on which today’s Ireland are built. [For more on McGahern, see his entry in _The Dictionary of Irish Biography_ at https://www.dib.ie/biography/mcgahern-john-a9414.]
In 1964, atomic war wipes out humanity in the northern hemisphere; one American submarine finds temporary safe haven in Australia, where life-as-usual covers growing despair. In denial about the loss of his wife and children in the holocaust, American Captain Towers meets careworn but gorgeous Moira Davidson, who begins to fall for him. The sub returns after reconnaissance a month (or less) before the end; will Towers and Moira find comfort with each other?
A lighthouse keeper and his wife living off the coast of Western Australia raise a baby they rescue from an adrift rowboat.
Based on the experiences of Agu, a child fighting in the civil war of an unnamed, fictional West African country. Follows Agu's journey as he's forced to join a group of soldiers. While he fears his commander and many of the men around him, his fledgling childhood has been brutally shattered by the war raging through his country, and he is at first torn between conflicting revulsion and fascination.
The hidden memoir of an elderly woman confined to a mental hospital reveals the history of her passionate yet tortured life, and of the religious and political upheavals in Ireland during the 1920s and 30s.
Barney Thomson, awkward, diffident, Glasgow barber, lives a life of desperate mediocrity and his uninteresting life is about to go from 0 to 60 in five seconds, as he enters the grotesque and comically absurd world of the serial killer.
The amazing true story of Billy Moore, an English boxer incarcerated in Thailand’s most notorious prison. Thrown into a world of drugs and violence, he finds his best chance to escape is to fight his way out in prison Muay Thai tournaments.
A successful writer of children's books, Stephen Lewis is confronted with the unthinkable—he loses his only child, four-year-old Kate, in a supermarket. In one horrifying moment that replays itself over the years that follow, Stephen realises his daughter is gone. Kate's absence sets Stephen and his wife on diverging paths as both struggle with an all-consuming grief.
The rocky marriage of famous London playwright and his wife takes an unexpected turn when they travel to a remote Greek island.
A dying girl meets a nonchalant boy who found out her secret. She decided to fulfill her bucket list with none-other-than the boy who couldn't care less about the world.
Everyone deserves a great love story, but for 17-year-old Simon Spier, it's a little more complicated. He hasn't told his family or friends that he's gay, and he doesn't know the identity of the anonymous classmate that he's fallen for online.
Tokunaga is an unpopular comedian. He meets a senior comedian, Kamiya, who holds a strong faith in comedy. They struggle to move forward as comedians.