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**The never-ending struggle for women in the male dominated world!** This is a surprise film. Almost my favourite. Because I don't know when the last time I wetted my eyes. I'm not ashamed to say that I love sentimental films. This was not like a thorough tearjerker, but it gets there at some point. It was like I have been waiting for such film a very long time, so that I ended up liking it more than I was anticipating. An Irish-English language film with a wonderful cast. Because of those actors I have watched it, despite it was not promoted big like the Hollywood films. It's not in the mainstream films list. That's why not many people do not know about this film. Rooney Mara's one of the best performances. The remaining cast too had big roles, but was not powerful as hers. Films has genres, books has genres, but not all of those works converted to each other form works out. This is such a rare genre where both formats triumphs. Watching this film is almost as experience of reading the book. You know those literatures explaining the events, character deeply, emotionally, that's quite matching in this film with beautiful locations and nice background score. The suspense kept me expecting every moment of my watch. The end twist was not that difficult, but not all the viewers can predict it easily. It is a tale from the first half of the 20th century. But most of it was split into early and the later events. Overwhelmed by the flashback, the film reveals an old and a last woman in a mental asylum to evacuate the building to a new location. So those last moments of her stay in there, she explains why she's refusing to leave. > -xX] There's a sickness in people that stops them seeing the truth. [Xx- A doctor from another place is now reviewing her case, has to go through her story to understand the situation and act accordingly, that's accompanied by a nurse. So she reveals her secret romance when she was young, when the whole town turned against her. Particularly a young priest. How she had ended up in the mental hospital, and after 40 years, now denying to leave the building. The story ends emotionally. The film was like the mix of 'The Little Prince' and 'Neverwas'. Because the reality and the other way around were nicely put together. Only it all were told from the grown up's perspective. They are showing something means does not you have to believe it. So it all comes to the final twist, how it ends by revealing what. No doubt if it resembles someone's real life, perhaps in the past, because in the earlier centuries, such fate, particularly for women is so common. That's where it's heart-wrenching. A perfect title for what it narrated. The older version of the lead role was too well performed. The romance part was short, but mystery extended till the final scene. Overall, the focus given to what to narrate and what not were nicely done. A very satisfying film, glad that I saw it. I don't know everybody would like it as much I did, but surely worth a try. Since the story was told from a woman's point of view about her struggle in the men dominated world, they might like it better than others. Because, as I know in the recent, the women's empowerment rising to equal men than never before. All I say is, just watch it! _8.5/10_
Such a soul torments young composer Georg von Wergenthin, around whom the author creates a precise picture of the fin de siècle, its neuroses and its politics. Georg starts a relationship with a young singer, but does not confess to her in front of his friends, even when she becomes pregnant by him.
Out of love, young Corinna follows the plantation owner Mannsfeld to the Far East - where she has to realize that he is already married. A small consolation for her is the fact that Mannsfeld is not about a womanizer, but that he is serious about his love for Corinna. The only thing standing in the way of this love is his wife, who, despite the broken marriage, does not want to let Mannsfeld go. When the wife is murdered, this crime seems to bring dubious happiness to the two of them - but it doesn't last long.
Television adaptation of the novel by the Italian writer Italo Svevo. His hero is Zeno Cosini, the son of a merchant in Trieste. He is a type of useless person, defeated by life and incapable of action. The ironic insight with which the author draws a picture of the townspeople of Trieste at the turn of the century sounds like an accurate diagnosis of a social class that is doomed with its entire lifestyle and morality.
Lovestruck conservatory student Ariane pretends to be just as much a cosmopolitan lover as the worldly mature Frank Flannagan hoping that l’amour will take hold.
When Joshua moves to the outskirts of Auburn, he awakens the curiosity of the sleepy town. They don’t know who he is or where he came from, but no one can shake the feeling they’ve known him for years. Despite his benevolence and selfless work in the community, some remain suspicious. Just what exactly is Joshua up to?
In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.
An ambitious carnival man with a talent for manipulating people with a few well-chosen words hooks up with a female psychologist who is even more dangerous than he is.
Set in Edwardian England where upper lips are always stiff and men from the Colonies are not entirely to be trusted, Fisk Senior has little time or affection for his son, but when the pair visit an eccentric Indian, they start a strange journey that eventually allows the old man to find his heart.