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Stanton Carlisle (Bradley Cooper); is a man trying to get by in late 1930s America in the new film "Nightmare Alley". Our first introduction to Stanton is less than flattering and he soon finds himself employed at a Carnival after coming upon it by chance. The eager Stanton is given advice and tools of the trade by his boss Clem (Willem Dafoe) as well as the mystic Zeena (Toni Collette) and Stanton eagerly wants to get ahead. While striking a friendship with fellow employee Molly (Rooney Mara); Stanton learns that Zeena's older and alcoholic husband has a skill from a former act where he learns to read people and use verbal cues to appear to have the power of clairvoyance. Eventually, Stanton seeks bigger opportunities and leaves with Molly for the city where they in time develop a successful act that offers them two shows a night at a fancy hotel and some of the finer things in life. Unwilling to be content with what he has; Stanton becomes involved with a Psychologist named Lilith (Cate Blanchett) and uses her knowledge to set up higher-profile marks who will pay well for his supposed abilities and in doing so; sets a dangerous chain of events into motion. The film is based on the 1946 book of the same name and an earlier 1947 film, and while it does an amazing job with the visuals and moody atmosphere of the era; it is a very long and slowly-paced film. The movie is over 2.5 hours long and comes across as overly long and self-indulgent as Director Guillermo del Toro could easily have shaved 30-45 minutes from the film and told the story without losing much. The cast and performances are very good but a slow-paced and dour film is not an ideal way to spend 2.5 hours at the movies no matter how much it has going for it. The movie does have some good points but I think it will do much better on streaming and home video where audiences can pause and take a break. If you are a fan of the Noir style of old; then this may be just what you are looking for, but I think it should have been so much more. 3.5 stars out of 5.
The duration of _Nightmare Alley_ may seem like a slog even as you’re watching it. On one hand, your mindset is essentially, “How many times do I have to watch Bradley Cooper read a book and point at his temple over and over for two and a half hours?” But _Nightmare Alley_ is expertly crafted in a way that every sequence feels relevant later on and it leaves you with a lot to ponder after it ends. It’s a beautiful film with an incredible cast full of strong performances from del Toro regulars. It may feel like an extreme case of a slow burn, but it’s also a rare instance where it’s worth your valuable time and the investment. The audience being in on the con from the start makes you feel like part of the carny family. At this point in his illustriously hellish career, _Nightmare Alley_ is arguably Guillermo del Toro’s best written film. **Full review:** https://boundingintocomics.com/2021/12/13/nightmare-alley-review-a-murky-noir-that-tinkers-with-greatness/
This is great! I loved it! 'Nightmare Alley' is a superb watch! I particularly enjoyed the beginning and end, which are truly excellent; the middle part isn't as strong, but is still top notch in its own right. I love the dark atmosphere it sets from the get-go, the sound design is outstanding - some bits are so striking and I love it! It has a quality, engrossing story to boot. Bradley Cooper leads the cast with quality, though he isn't even the sole standout of the film. He is joined by a whole host of terrific performers: Cate Blanchett, Rooney Mara, Toni Collette, Willem Dafoe, Richard Jenkins, David Strathairn ... I could go on, simply phenomenal casting! I wanted more of them all, and yet felt I got the perfect amount too. The 150 minute run time went by incredibly quickly for me; if I hadn't known it was on for that long, I would never have guessed its length to be anywhere near that. It's a slow burn, but a slow burn done tremendously. Guillermo del Toro - this is the first film of his I've seen - & Co. did a super job, I have no complaints at all. I was toying for ages between a 9 or a 10 rating, it just about creeps its way into the latter. Just brilliant. Go watch!
Full review: https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/the-spook-show-must-go-on-nightmare-alley-review Writer and director Guillermo del Toro has built his career on monster movies. He’s filled them with the Pale Man, the Crimson Woman, a fish man, all creatures you don’t want to find yourself alone with at night. And yet, time and again, del Toro shows us that the real monsters, the things that should scare us the most, are our fellow humans.
Bradley Cooper picks up the baton from Tyrone Power (1948) as the ambitious "Stanton Carlisle", a shrewd young man who works the travelling shows with an eye for the main chance. That chance comes when he hooks up with Toni Collette's "Zeena", who shows him the tricks of their mentalist trade. Pretty soon they are fooling the great and the good - and he meets "Dr. Ritter" (Cate Blanchett). She is a psychiatrist, every bit as ambitious and ruthless as he and is content to share some of the innermost secrets of her clients with him so he can exploit their suffering. To the top of their list goes sceptical millionaire "Ezra Grindle". Together they conjure up one hell of a sting on this man - but can they succeed? This film looks great, but I found it took too long to become interesting. Cooper is handsome, but struggles with the unscrupulousness that the part needed to convey, and his scenes with Blanchett lack chemistry, indeed it is Collette who really steals the few scenes she is in - especially towards the rather twisted end of the tale. It is good, but maybe just had too much time and money and the story sacrificed some of it's soul here.
**RUN! Save yourselves!** The cinematography makes this movie lovely to watch while being miserable to experience. Filled with amazing actors trying to make sense of a film riddled with plot holes and disappointment. I was hoping for a good Del Toro horror movie and sadly was met with a poorly executed mystery romp... spent the whole movie hoping the ending would somehow save it... and sadly, it did not.
A fencing master in pre-revolution Spain is hired to teach fencing to a beautiful young woman. Although he has never taught a woman before he is fascinated by her and agrees. She wishes to learn a particular thrust which he is famous for. When a local nobleman becomes involved with her the intrigue begins.
Brother and sister Enrique and Rosa flee persecution at home in Guatemala and journey north, through Mexico and on to the United States, with the dream of starting a new life.
A story of Naoufel, a young man who is in love with Gabrielle. In another part of town, a severed hand escapes from a dissection lab, determined to find its body again.
September 1989 in the GDR. With the change of the general mood in the country, the life of 12-year-old FRITZI changes as well. Her best friend Sophie has fled with her mother through Hungary to West Germany and the only thing Fritzi has left is Sophie's little dog Sputnik. But Fritzi misses Sophie just as much as her little four-legged friend does. Therefore, she decides to bring Sputnik to Sophie. But there is only one way to get there: over the strictly guarded border. A very dangerous adventure for a 12-year-old girl and a small dog...
As they travel around the country, a singer-songwriter duo's love triangle with their roadie jeopardizes their unannounced farewell tour.
A beautiful, but naive, young woman kills a rapist in self defense. But her degenerate, crippled uncle, senses an opportunity and weaves a complex web of blackmail around her to steal a stash of diamonds.
Joe Dallesandro plays a hungry young buck who aspires to be a career criminal. He starts out working at a warehouse for a gangster where he helps to relocate illegal contraband, and because of his ruthlessness and dependability he begins to ascend the ladder of organized crime. Of course, the more powerful he becomes, the more "Climbers" come out of the shadows to take his place.
Convict Roberto murders a guard and escapes from jail with his cellmate. Once free he joins a group of gangsters and becomes a professional hitman. The gang abduct a young woman and when one them attacks her, Roberto shoots him and takes her to an abandoned farm house…..
Jungle Love follows a handful of people who have disappeared into the jungle: a woman who has kidnapped her sister's child; an urbane couple and their indigenous guide; a bored and horny platoon; and a nameless tribe. Disappearance has another meaning in Sanchez’s native Mindanao, where a decades-old conflict between the government and secessionists fighting for an Islamic state has made the region infamous for its kidnappings. Sanchez took inspiration from an incident in which a friend living abroad visited an exhibition, and found a photo of him labeled as one of the disappeared. Jungle Love is permeated with this sense of the uncanny, as narratives and identities fracture and fuse into one another in the reckless, lonely places people go to escape themselves.
Paco, a middle-class young man, tells his lover the shady story of his cousin Montse, a social worker.
The Canadian policeman Louis Burke is assigned in a jail to investigate the murders of prisoners and jailors. When in jail, Louis, using his outstandings martial arts skills, is able to save his life and make himself respected in that violent world. At least, helped by two another prisoners, he succeded in finding the truth about the dreadful crimes. In a violent and corrupt prison, decorated cop Louis Burke must infiltrate the jail to find answers to a number of inside murders. What he finds is a struggle of life and death tied in to his own past.