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The pursuit of happiness (and the display of happiness on social media!) has become a veritable cult. Happiness has become a social imperative, just like slimness, beauty and success. To better understand this obsessive quest for happiness, journalist Marie-Claude Élie-Morin takes an in-depth and personal look into this seemingly pervasive trend that sometimes leads to painful consequences.

Plugged In explores how social media and smart phone usage has an effect on our younger generations, those who are now born into a world technologically ready and know nothing else - and how hard it is to remove this element from their lives in these modern times. It looks into the design of social media being a purposeful tool used to keep people hooked in, taken away from face to face reactions and how the attitudes towards people through these mediums have become darker.

Dissecting one of the most influential platforms of the contemporary social media landscape, TikTok, Boom. examines the algorithmic, socio-political, economic, and cultural influences and impact of the history-making app. This rigorous exploration balances a genuine interest in the TikTok community and its innovative mechanics with a healthy skepticism around the security issues, global political challenges, and racial biases behind the platform. A cast of Gen Z subjects, helmed by influencer Feroza Aziz, remains at its center, making this one of the most needed and empathetic films exploring what it means to be a digital native.

Using local media footage from the London Borough of Southwark spanning the past 20 years, this documentary discusses complex social issues including gang violence, knife crime, and mental and sexual health.

From Rickrolling to viral conspiracy theories, explore how an anonymous website evolved into a hub for real-world chaos in this documentary.

This is a thoughtful and mature documentary that considers whether online rage has real-world consequences. Baddiel has experienced antisemitic abuse on Twitter, where he has 785,000 followers. He has had brushes with what is called “cancel culture” and “callout culture”, when users have criticised his use of blackface on TV in the 1990s, for which he has apologised. He is also a self-confessed social media addict – by which he really means Twitter, his primary focus here – and self-aware enough to admit that while he feels he needs it to promote his work, he also understands that he has a psychological need for an audience, and by extension, for audience approval.

Compulsive Twitterer, Elon Musk bought himself his favorite social network in 2022, and brutally shaped it according to his desires. This punchy investigation relates the stormy relations between the platform and the billionaire, and their impact on the public debate.

Using raw, firsthand footage, this documentary examines the disappearance of Shanann Watts and her children, and the terrible events that followed.

Examines Gabby's life through the curated lens she created and immerses the viewer in the world of social media sleuthing that was crucial to the case.

A reflection about memory, the digital world and the files that we generate daily through the audiovisual gallery of a mobile phone