The Resurrection of a Nation

The documentary film is not a search for the survived truth of the inhabitants of the Ruthenian village Ladomírová. It captures their subjective memories, often frozen in time and in everyday life. Only strong impressions of sadness, joy, suffering, which reflect the great history of the 20th century. There is no truth about the past, it is only the human mind that actually makes morytates - bloody enlightening stories and legends.

Dedicated to the Lemkos, who through their extraordinary love for the country overcame the trauma of massive deportations during the "Operation Vistula" and managed to return to their homeland. This film is a story about the fate of people from the annihilated Długie village, and it talks about Małastów village, where Lemkos, originally the dominant group, were transformed into a defenceless minority. Today, with admirable perseverance, they continue to fight for their rights. Above all, this is a film about love, which is the most precious thing.

“The Carpathians are medieval!” one character bellows, and this tale of the tree-chopper Petro, his faithless wife Marijka, and various scheming businessmen and foremen does little to disprove the assertion. Interestingly filmed with a nonprofessional cast recruited from the region, Faithless Marijka may have a neorealist conceit, but its direction is utterly futuristic, filled with the lightning-fast montage techniques and low-angle camera of the Soviet avant-garde (along with its invigorating agitprop).

In the Carpathian Mountains of 19th-century Ukraine, love, hate, life and death among the Hutsul people are as they’ve been since time began. Ivan is drawn to Marichka, the beautiful young daughter of the man who killed his father. But fate tragically decrees that the two lovers will remain apart.

In the dark days of Nazi occupation, a young Hutsul girl native to the Carpathian mountains falls in love with a wounded Soviet partisan. Their affair sets in motion a tragic chain of events, as her family turns against her with shocking results.

In a mountain village one woman's beauty and popularity with the men incurs the wrath of the others. AKA The Stray.

A celebration of Stanley Kramer's life and career, featuring interviews with Karen Sharpe, his widow, and screenwriter Abby Mann.

Abby Mann discusses his Oscar-winning screenplay and his inspirations.

In recent years, stories of older British women hooking up with younger Gambian men have made news headlines, from one-night stands to whirlwind weddings. But what's the truth behind the stories? Seyi Rhodes investigates.

The actor and the writer reminisce about working on both the Playhouse 90 and Stanley Kramer versions of "Judgment at Nuremberg."

Marc Chagall was an artist caught between two worlds, between traditional art and modernism, figuration and abstraction. The film accompanies him on an important stage of his life from 1910 to 1930, between Paris and Vitebsk. Chagall's home town was a laboratory for the artistic avant-garde in Belarus, while Paris was the center of modern art movements.