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A little all over the place, granted, but I still felt entertained by 'Throw Momma from the Train'. Danny DeVito stars in what is his theatrical directorial debut. I chose to watch this because of him being in it, as I want to watch more of his stuff, and he is the film's strongest element, I'd say. Billy Crystal is good too, him and DeVito work nicely together throughout. Anne Ramsey's character annoyed me a lot, I can't lie. I'm actually flabbergasted to read that the performance got Ramsey an Oscar nomination - 1987 must've been a slow year for Best Supporting Actress. No hate for Ramsey though, btw - happy for her! I know Momma is supposed to be annoying, but she's way too far along that particular scale for me. The aforementioned is my only complaint, however. It's a good time otherwise, even if I feel like it meanders here and there in setting up each part of the story. It's all worthy of your time, mind.
Though she doesn't really feature enough, Anne Ramsey does steal the show with her scenes as the mother whom henpecked son "Owen" (Danny DeVito) wants to chuck from the train! Meantime, stagnating author "Larry" is shouting as the television whilst his ex-wife "Margaret" (Kate Mulgrew) is doing the chat show circuit with a book he claimed to have written. He would cheerfully see her dead, and that's exactly what happens when his student "Owen" takes advantage of a scenario on a luxury yacht. Thing is, he owns up to "Larry" and demands - à la "Strangers on a Train" (1951) - a quid pro quo. "Larry" isn't keen on becoming a murderer though, but having encountered the harridan mother first-hand and having become a police suspect in the demise of his former wife he might find his options limited! I'm not really a lover of buddy comedy as such. Usually the scenarios are so obviously contrived to get a series of laughs before a dead cert conclusion that you could have written them yourself. This one isn't really very different on that front, but DeVito and Crystal do work well together keeping the story from becoming too formulaic and at times it provides quite a poignant assessment of friendship and marriage. I had forgotten just how big Oprah's hair was in the 1980s!
A man on the run takes another man's passport, only to find himself stuck with the identity of a street hustler.
It sounds like a budding writer's dream: a bestselling first novel, a luxurious house in Malibu, and a trophy wife... But it all unravels when writer's block and a failed marriage send Richard McMurray out into the streets.
An English mystery novelist invites a medium to his home, so she may conduct a séance for a small gathering. The writer hopes to gather enough material for the book he's working on, as well as to expose the medium as a charlatan. However, proceedings take an unexpected turn, resulting in a chain of supernatural events being set into motion that wreak havoc on the man's present marriage.
On a train headed for England a group of travelers is delayed by an avalanche. Holed up in a hotel in a fictional European country, young Iris befriends elderly Miss Froy. When the train resumes, Iris suffers a bout of unconsciousness and wakes to find the old woman has disappeared. The other passengers ominously deny Miss Froy ever existed, so Iris begins to investigate with another traveler and, as the pair sleuth, romantic sparks fly.
During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.
In an effort to prevent family history from repeating itself, meddlesome mom Daphne Wilder attempts to set up her youngest daughter, Milly, with Mr. Right. Meanwhile, her other daughters try to keep their mom's good intentions under control.
Harold Crick is a lonely IRS agent whose mundane existence is transformed when he hears a mysterious voice narrating his life.
Three American brothers who have not spoken to each other in a year set off on a train voyage across India with a plan to find themselves and bond with each other - to become brothers again like they used to be. Their "spiritual quest", however, veers rapidly off-course (due to events involving over-the-counter pain killers, Indian cough syrup, and pepper spray).
On the eve of World War II, zany heiress Amanda Kelly travels by train to Switzerland. While passing through Germany, she meets a sweet elderly lady, who suddenly vanishes. Distraught, she questions her fellow passengers who claim that the woman was never there. Unsure if it's all in her mind or if there's a more sinister plot afoot, Amanda teams up with photographer Robert Condon to discover the truth.
Odd Horton is dependable and contained: he's a train driver retiring after 40 years of service, living a simple life. His idea of adventure is to fly from one city in Norway to another. Starting on the night of his retirement dinner, Odd has a series of dislocating experiences: a boy insists that Odd sit by his bedside while he falls asleep; misadventure causes Odd to miss his last run; he witnesses an arrest; he assists an old man and makes a friend; he takes a trip with a blindfolded driver; he adopts a dog; he takes stock late one night at the roundhouse; he revisits his mother's disappointment in him. How should he live the rest of his life?
Millie Martin falls for falsely accused Joe Turner on a train where he is masquerading as a doctor. When Millie feigns illness to get closer to Joe things get complicated.