The Birth of Punjabi Garage

‘Tangerine Dream is science fiction!’ declares band leader Edgar Froese who died in January, 2015 aged 70. For almost fifty years he and his band ‘Tangerine Dream’ explored sound and its effect on our emotions. This film about one of Germany’s first electronic bands kicks off with the young Berlin musicians who were as inspired by the space age of the 1960s, with its rocket launchings and visions of the future, as they were by their own heartbeat, on which Froese also based compositions. Aided by the Moog and other synthesisers Froese (and various band members) revolutionised popular music. His explorations took him into the worlds of classical, new and film music. He preferred to visualise moods rather than create clearly structured songs. A blend of amateur footage, interviews with band members, relatives, friends and colleagues such as Jean-Michel Jarre that creates a comprehensive portrait of an artistic pioneer.

A tropical fish shop in the East End of London, the last of what used to be many. Tiny, watery dramas inside fish tanks accompany the thoughts of local fish-keepers, while father and son Big Tel and Little Tel work to keep the shop alive.

Charting the untold story of the Balearic sound, and how hedonism gripped the hearts, minds and dance floors of the English Home Counties, fueled by the freewheeling party island of Ibiza.

1961 documentary about the history and seedy reality of the sex industry in London's Soho.

Aspects of a London day, including prostitutes on street corners, a striptease show and the 2i's Coffee Bar.

This documentary covers the acid house, rave and club culture revolution in the UK and of course the chemical Methylenedioxymethamphetamine or ecstasy. This era inspired the film 24 Hour Party people and sheds light on the forgotten counter culture movement.

And Those Who Dance it Surrender Their Hearts to Each Other is a portrait of Lone Piñon, a Northern New Mexican string band celebrating their region’s cultural roots. With fiddles, upright bass, accordions, vihuela, mandolin, guitars, jarana huasteca, and vocals in Spanish, English, Nahuatl and P’urepecha, they play a wide spectrum of the traditional music that is at home in New Mexico. The musicians have learned from elder musicians (such as Antonia Apodaca) who instilled in them a respect for continuity of the community based social and dance music. Noah Martinez, Jordan Wax, Leticia Gonzales and Greg Glassman have brought the language of New Mexico traditional music and related regional traditions back onto the modern stage, back onto dance floors, and back into the ears of a young generation.

Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.

London 1976: Between economic crises and the Silver Jubilee, something is brewing in the squats and basement clubs of West London: Punk. A promise, a new beginning. Punk meant self-empowerment, especially for the women in the scene. For the first time, women picked up guitar, bass and drums, formed bands and wrote their own songs.

Comprising new and archival footage, this film observes rituals performed by the South Asian, African, and Caribbean diaspora in Britain, demonstrating an appreciation of land, community values, and the universe we share with other species and planets.