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Big-Top melodrama that's rich with easy on the eye formula. The Big Circus is directed by Joseph M. Newman and jointly written by Irwin Allen (who also produces) and Charles Bennett. It stars Victor Mature, Red Buttons, Rhonda Fleming, Kathryn Grant, Vincent Price and Peter Lorre. Plot sees Mature as Hank Whirling, the owner of The Whirling Circus, where, having seen his partner break away to form his own show, he finds he has to beg a loan off the bank to keep the Whirling show going. The bank agree to the loan but on condition that their financial whizz Randolph Sherman (Buttons) travels along with the show to keep an eye on the finances. He in turn hires publicity agent Helen Harrison (Fleming) to professionally sell the product, but both of them are not wanted by Whirling. However, there are more pressing concerns for the show, there is a saboteur at large and it seems whoever it is will stop at nothing to finish off the Circus. Looking for a Sunday afternoon time filler full of colour, vibrancy and delightful circus sequences? Then look no further than Irwin Allen's The Big Circus, an entertaining and tidy picture that seems to have been forgotten in the wake (fall out) of The Greatest Show On Earth. Making no bones about it, Allen follows the formula of the Cecil B. DeMille behemoth pretty much all the way, only the budget is considerably smaller so it obviously isn't as gargantuan as the 1952 Best Picture Winner. Fair to say there's some overacting, notably from Mature, but the mystery element is played close to the chest, with pretty much everyone under suspicion, and the high wire/trapeze antics are joyous. Nice cast, nice film and easy to recommend to the undemanding crowd. 6.5/10
**_The triumphs & tragedies of a big circus on tour in America in the late 50s_** After a huge circus splits into two factions, the one led by Hank Whirling (Victor Mature) quickly apprehends financial backing, but the bank insists on a troublesome financial accountant tagging along (Red Buttons) along with a press agent (Rhonda Fleming). As the circus travels the West into Texas & Eastern states, they enjoy sold out shows, but they’re hindered by a mysterious saboteur and other challenges on the road as they seek to make it to New York City ahead of their rival. An Irwin Allen production, "The Big Circus" (1959) is cut from the same cloth as Cecil B. DeMille’s "The Greatest Show on Earth" (1952), but isn’t as good, although it’s comparable in some ways. For instance, you can’t beat Vincent Price as the ringleader, yet his role is peripheral. Victor Mature is arguably just as formidable as Charlton Heston in the lead role and Gilbert Roland is no slouch as the trapeze leader (compared to Cornel Wilde). However, the female cast isn’t as good nor the female performers, not even close, although Kathryn Grant is winsome enough. Even the low-budget "Circus of Horrors" (1960) is more all-around entertaining, particularly for adults, but this one is effective enough if you’re in the mood for quaint family fare and appreciate circus/carnival flicks in general. My favorite is probably "Water for Elephants" (2011). "Roustabout" (1964) and "Circus of Fear" (1966), aka "Psycho-Circus," are also worth checking out. The film runs 1 hour, 49 minutes, and was shot at MGM Studios in Culver City, SoCal. GRADE: B-
A spirited young woman finds herself destitute and on the streets before joining a traveling carnival, where she meets a vagabond painter.
Set in a 1910 circus, young Charlotte travels from city to city with her acrobat family who perform on the Trapeze. With her training almost complete, she already takes on the daring Blindfolded trick. Despite never having successfully completed the trick, Charlotte is determined to do the trick at the upcoming performance. But worries about that take a back seat when Charlotte learns about the circus potentially going out of business. She's determined to find the truth about whether or not she- and her daring Trapeze act- are the secret to saving the circus. But to do that, she will have to get into the Forbidden Train Car Z.
After Clown Teddy lost his son, he lost his gift for laughter. He opened a joke shop and lives above the shop. His landlady has had a foster son since birth, and Teddy decides to raise the child, who always believed that Teddy was his father. When the mother suddenly appears five years later and wants her son, Teddy decides to run away with the child and goes back onstage with his son. Will the family catch up with them, or will the mother never get her son back?
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
Post-war Germany 1945: Two rival gangs of uprooted boys fight each other in the ruins of Berlin, whose business is the black market out of necessity in order to survive. Their respective leaders are Gerhard and Dietrich. A pretty young circus artist named Corona comes to the destroyed city with a traveling circus. She immediately caught the boys' attention. When the latter notice that the circus director is abusing the girl, the two gangs join forces and plot an act of revenge against the tyrant. But with the hustle and bustle caused by this, Corona falls from the trapeze and is seriously injured. When the circus moves on, the boys organize a doctor for the sick artist who has been left behind. Their collectively concern for the blonde beauty makes them forget their enmity. This welds the troops closer together and sets the course for a common, meaningful future.
It's night on a Paris bridge. A girl leans over Seine River with tears in her eyes and a violent yearning to drown her sorrows. Out of nowhere someone takes an interest in her. He is Gabor, a knife thrower who needs a human target for his show. The girl, Adele, has never been lucky and nowhere else to go. So she follows him. They travel along the northern bank of the Mediterranean to perform.
The arrival of a travelling circus sends ripples through the inhabitants of a remote Keralan village.
A snake-charmer falls in love with a circus trapeze artist who trains her and has her debut in this discipline.
Steve Carris, a medical student, is expelled from college, disowned by his father and joins a circus.
Director Karl Brown's 1938 circus drama stars Marjorie Main as a tough, fur-coat-wearing circus boss who raises her orphaned niece to be a trapeze star.