Challengers 2024 - Movies (Apr 25th)
Madame Web 2024 - Movies (Apr 24th)
The Pod Generation 2023 - Movies (Apr 24th)
6 Hours Away 2024 - Movies (Apr 24th)
Food Inc. 2 2023 - Movies (Apr 24th)
Blackout 2023 - Movies (Apr 24th)
Mean Girls 2024 - Movies (Apr 24th)
Civil War 2024 - Movies (Apr 24th)
Hanky Panky 2023 - Movies (Apr 24th)
The Beekeeper 2024 - Movies (Apr 23rd)
Munch 2023 - Movies (Apr 23rd)
Drive-Away Dolls 2024 - Movies (Apr 23rd)
MR-9 Do or Die 2023 - Movies (Apr 23rd)
Justice League Crisis on Infinite Earths Part Two 2024 - Movies (Apr 23rd)
Accidental Texan 2023 - Movies (Apr 23rd)
Exhuma 2024 - Movies (Apr 23rd)
Arthur the King 2024 - Movies (Apr 23rd)
Monkey Man 2024 - Movies (Apr 23rd)
The Cost 2023 - Movies (Apr 23rd)
Dangerous Waters 2023 - Movies (Apr 23rd)
Downtown Owl 2023 - Movies (Apr 23rd)
Chucky - (Apr 25th)
All In with Chris Hayes - (Apr 25th)
Blood Free - (Apr 24th)
FBI- Most Wanted - (Apr 23rd)
X-Men 97 - (Apr 24th)
Star Wars- The Bad Batch - (Apr 24th)
Grand Cayman- Secrets in Paradise - (Apr 24th)
FBI - (Apr 24th)
The Valley - (Apr 24th)
Vanderpump Rules - (Apr 24th)
Moonshiners- Master Distiller - (Apr 24th)
Under the Bridge - (Apr 24th)
The Big Door Prize - (Apr 24th)
Little People, Big World - (Apr 24th)
Mud Madness - (Apr 24th)
For the Love of Dogs - (Apr 24th)
Accused - (Apr 24th)
Saving Lives at Sea - (Apr 24th)
Michael Palin in Nigeria - (Apr 24th)
Hannity - (Apr 24th)
Big-Top melodrama that's rich with easy on the eye formula. The Big Circus is directed by Joseph M. Newman and jointly written by Irwin Allen (who also produces) and Charles Bennett. It stars Victor Mature, Red Buttons, Rhonda Fleming, Kathryn Grant, Vincent Price and Peter Lorre. Plot sees Mature as Hank Whirling, the owner of The Whirling Circus, where, having seen his partner break away to form his own show, he finds he has to beg a loan off the bank to keep the Whirling show going. The bank agree to the loan but on condition that their financial whizz Randolph Sherman (Buttons) travels along with the show to keep an eye on the finances. He in turn hires publicity agent Helen Harrison (Fleming) to professionally sell the product, but both of them are not wanted by Whirling. However, there are more pressing concerns for the show, there is a saboteur at large and it seems whoever it is will stop at nothing to finish off the Circus. Looking for a Sunday afternoon time filler full of colour, vibrancy and delightful circus sequences? Then look no further than Irwin Allen's The Big Circus, an entertaining and tidy picture that seems to have been forgotten in the wake (fall out) of The Greatest Show On Earth. Making no bones about it, Allen follows the formula of the Cecil B. DeMille behemoth pretty much all the way, only the budget is considerably smaller so it obviously isn't as gargantuan as the 1952 Best Picture Winner. Fair to say there's some overacting, notably from Mature, but the mystery element is played close to the chest, with pretty much everyone under suspicion, and the high wire/trapeze antics are joyous. Nice cast, nice film and easy to recommend to the undemanding crowd. 6.5/10
**_The triumphs & tragedies of a big circus on tour in America in the late 50s_** After a huge circus splits into two factions, the one led by Hank Whirling (Victor Mature) quickly apprehends financial backing, but the bank insists on a troublesome financial accountant tagging along (Red Buttons) along with a press agent (Rhonda Fleming). As the circus travels the West into Texas & Eastern states, they enjoy sold out shows, but they’re hindered by a mysterious saboteur and other challenges on the road as they seek to make it to New York City ahead of their rival. An Irwin Allen production, "The Big Circus" (1959) is cut from the same cloth as Cecil B. DeMille’s "The Greatest Show on Earth" (1952), but isn’t as good, although it’s comparable in some ways. For instance, you can’t beat Vincent Price as the ringleader, yet his role is peripheral. Victor Mature is arguably just as formidable as Charlton Heston in the lead role and Gilbert Roland is no slouch as the trapeze leader (compared to Cornel Wilde). However, the female cast isn’t as good nor the female performers, not even close, although Kathryn Grant is winsome enough. Even the low-budget "Circus of Horrors" (1960) is more all-around entertaining, particularly for adults, but this one is effective enough if you’re in the mood for quaint family fare and appreciate circus/carnival flicks in general. My favorite is probably "Water for Elephants" (2011). "Roustabout" (1964) and "Circus of Fear" (1966), aka "Psycho-Circus," are also worth checking out. The film runs 1 hour, 49 minutes, and was shot at MGM Studios in Culver City, SoCal. GRADE: B-
It's night on a Paris bridge. A girl leans over Seine River with tears in her eyes and a violent yearning to drown her sorrows. Out of nowhere someone takes an interest in her. He is Gabor, a knife thrower who needs a human target for his show. The girl, Adele, has never been lucky and nowhere else to go. So she follows him. They travel along the northern bank of the Mediterranean to perform.
The story of five generations of the Austrian-Brazilian Knieps family, from the inauguration of their family-owned Great Mystical Circus in the 1910s up to the early 21st century, following both the family and the circus from their prime through to their decadence.
The hard-working owner of a circus, Euríspides Chamorro (Eugenio Retes), goes to Santiago in search of his son, a medical student, but finds to his surprise that he has dropped out of school and no one knows his whereabouts. To make matters worse, one of his employees snatches the circus from him, starting an adventure to recover everything and to convince his son to become a doctor.
A duo of acrobats go onstage one last time, united under the spotlights even as their harmony backstage is broken.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
Director Karl Brown's 1938 circus drama stars Marjorie Main as a tough, fur-coat-wearing circus boss who raises her orphaned niece to be a trapeze star.
A small circus has announced they are selling due to low concurrence now Jorge a clown that growed in the circus will fight so his home isn't closed down.
A young man seems to be dreaming of a reality different from the business he is about to take over and the married life that goes with it; he is drawn to the spicy life of a queer vaudeville troupe performing in his village.
Plauto, the clown, tells us the story of the Circo de las Alegrías. Doña Alegría, owner of the Circus is determined that her son Palevhi, maintain the classic line of the show, which begs for a complete renovation. During the last years, the Circus has been dragging like a dying man until the threat of bankruptcy and unemployment has led his workers to anguish. One night in September, Palevhi decides to inform the big family of the circus the final closure. Tears of frustration give way to the search for solutions.