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This is terrific. 'Two Mules for Sister Sara' is highly enjoyable. I have many positives. Clint Eastwood is tremendous in one of the two lead roles, I know he seemingly plays this sorta character a lot, at least early on in his career, but man is he quality at it. Shirley MacLaine is great alongside Mr. Eastwood, she suits and plays her character extremely well. The two have excellent chemistry. Elsewhere, Manolo Fábregas spearheads the rest. How about that score? I love it! Impossible not to tap along to whenever the main title is used and every single time it sounds so, so good. Ennio Morricone, what a ledge! The humour in this 1970 film is also top notch, while the pacing and editing is also on point. I really enjoyed the journey that the plot takes, it's simple and there's a clear beginning, middle and end but it's all supremely entertaining. I will no doubt be revisiting this!
**_One of Eastwood's top Westerns_** In Mexico during Maximilian's brief reign (1864-67), a nun named Sara (Shirley MacLaine) is rescued from three rowdy rapists by a loner named Hogan (Clint Eastwood). The pair team-up and assist the Juaristas in their fight to free Mexico from French rule. Manolo Fábregas plays the colonel of the Juaristas. Released in 1970 and directed by Don Siegel, "Two Mules for Sister Sara" is superior to Eastwood's first two "Man with No Name" movies. While it's not technically as good as the renowned "The Good, the Bad and the Ugly" (1966), it has a more compelling story with better characters. And that's the key to this movie's effectiveness: It focuses on the two protagonists and their developing relationship. Because we're interested in them we're more interested in the extraordinary events with which they're entangled. Speaking of which, there's a nice buffet of Western staples: gunfights, an Indian attack, a saloon scene, a train wreck, a house of ill repute and a rollicking climax. MacLaine is young, beautiful and charismatic here. The movie runs 1 hour, 56 minutes, and was shot in Morelos, Sonora and Sierra Madre Occidental, Mexico. GRADE: A-
Ever in search of adventure, explorer Allan Quatermain agrees to join the beautiful Jesse Huston on a mission to locate her archaeologist father, who has been abducted for his knowledge of the legendary mines of King Solomon. As the kidnappers, led by sinister German military officer Bockner, journey into the wilds of Africa, Allan and Jesse track the party and must contend with fierce natives and dangerous creatures, among other perils.
A color-blind psychiatrist is stalked by an unknown killer after taking over his murdered friend's therapy group and becomes embroiled in an intense affair with a mysterious woman who may be connected to the crime.
Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.
Margo is an ex-stripper who meets her long, lost father in Mexico. She looks after him in the waning days of his life, with the help of a traveling projectionist. The father passes away, telling of the loot from a botched bank robbery that he buried years earlier. The two get jobs in town as their relationship grows and they search for the treasure on the weekends. But while the treasure seems to bring them together, it also seems to be tearing them apart.
Set during the Cold War, the Soviets—led by sword-wielding Irina Spalko—are in search of a crystal skull which has supernatural powers related to a mystical Lost City of Gold. Indy is coerced to head to Peru at the behest of a young man whose friend—and Indy's colleague—Professor Oxley has been captured for his knowledge of the skull's whereabouts.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
Fantômas is a man of many disguises. He uses maquillage as a weapon. He can impersonate anyone using an array of masks and can create endless confusion by constantly changing his appearance.
In the years before World War II, a penniless Japanese child is torn from her family to work as a maid in a geisha house.
Off the coast of the volcanic island of Santorini, the intrepid archaeologist Lara Croft makes the unexpected discovery of a pulsating golden orb able to guide its holder to the mythical Pandora's Box. As the legendary artifact contains ancient mysteries of unfathomable power - said to contain one of the deadliest plagues on Earth, Lara is tasked by MI6 to make sure it doesn't fall into the wrong hands. With the aid of former Marine turned mercenary Terry Sheridan, she travels the world in pursuit of the precious item in a race against time; she must beat the unscrupulous Nobel Prize-winning scientist turned bioterrorist, Jonathan Reiss, to it.
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.