Bodas Negras

Linear of Nightmare is a tongue and cheek piece about the pointless of fear. The film is a surreal self-inflicted mental infliction that ultimately leads to its own demise. Fear is worry magnified leading to disconnection between the mind and the body. Fear is just about the worst form of mental activity there is—next to hate, which is deeply self-destructive. Worry is pointless. It is wasted mental energy. It also creates bio-chemical reactions that harm the body, producing everything from indigestion to coronary arrest, and a multitude of things in between.

Eleven-year-old Alice lives on a ranch with her father, her favorite horse and confidante, Red, and the love of Red's life, Molly.

Technology fails a woman isolated in her home.

15-year-old Julie feels that time stands still in the suburban neighborhood where she lives with her helpless mother and older sister. When her sister's boyfriend drops by the house a warm day during summer vacation she sees the opportunity to not only escape from the heavy weighing atmosphere of her childhood home, but also to satisfy some of the restlessness and curiosity that lives in her evolving teenage body.

In the year 2050, the Philippines braces for the coming of the fiercest storm ever to hit the country. And as the wind and waters start to rage, poets are being murdered.

Ohrid, 4th of may 1980. Marko, son of the cook in the Marshal's villa, get's a chance to try the food that has been cooked in front of his eyes all his life.

Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.

A widow employs the dark arts to see her husband once more.

Jeanne, 17, enjoys the last days of summer before getting back to high school. One morning, with her little sister Camille, they decide to run away from the police station where they live with their father to see the ocean one last time. On the beach, Jeanne meets a young surfer. He’s handsome, she’s intrigued. Jeanne feels a strange desire invading her.

Idi and Rita live with their grandmother, Manie. Idi tries to keep the memories they have of their mother, by drawing on his school notebook. By the force of their desire, the children keep the link they have to their funny mother, despite the separation.