Diamond Collection Film 175: Hard Hat Lady

The director of the company Restaurants and Canteens arrives to attend a screening of a film made in various restaurants. A group of villagers come in to one of the restaurants for their lunch. The two waiters carry on chatting and ignore their customers. The head waiter finally brings them a crumpled menu, but whatever they order, he crosses off the menu and urges them to order something they do not want. In another restaurant a customer complains he has found a button in his sauce. The waiter promises to get him another portion but, once out of sight, he simply takes the button out of the food and brings back the same plate on which he has carelessly rearranged the food. Other customers are trying to pay but the staff point to the waiter with the wallet; he, however, is absorbed in watching a chess game and is neglecting his duties.

A mysterious package arrives at a doorstep. The contents inside may determine the fate of whoever opens it.

Dana Claxton uses low-grade video equipment to create degraded images that correlate the treatment of the earth with the treatment of women’s bodies. A figure stands enmeshed in cutting barbed wire among ravaged forests and chopped tree stumps. Grainy black-and-white images have been electronically ripped, cut and torn in post-production while repeated images of the artist’s open-mouth scream silently against a volatile red sky. A video work from the early 1990s continues to resonate in our contemporary moment—and with decades of missing and murdered Indigenous women across exploited lands.

Renegade vampire assassin Eva has escaped from a secret bio-research compound. Hell bent on revenge she learns a terrible secret that may force her to unite with the devil she knows in order to defeat the greatest of all evils.

A remarkable early short silent movie that shows what may be achieved with the technology of the day. A woman sits in front of her dressing table mirror, looking at her jewellery and her reflection in the mirror. Suddenly, another woman appears in the mirror. As the woman watches, the image changes to other women. As the woman looks at her jewellery, women's faces begin to appear in the jewellery stones.

Following his wife's suicide, Henry Walton, an experimental psychologist, becomes tormented by feelings of grief and guilt. Placing blame upon himself for her death, Henry becomes obsessed with the idea of reuniting with the woman he loves. After performing an experiment on himself with a new sensory device, Henry's psyche begins to unravel. As a result, he starts to walk a fine line between reality and delusion, making Henry's world become increasingly fragmented and distorted by the day. Manifestations of his feelings begin to appear as harrowing delusions that cross over in to Henry's waking life.

Set in the early 1950s, FISHEYE is inspired by the classic suspense thrillers of Alfred Hitchcock with an animated twist. The story is about the line between obsession and madness as an oddball writer is compelled to note down everything his neighbours do, no matter what.

Abandoned, a woman about to give birth arrives with an elderly woman seeking help for her delivery, but she will soon learn that every action will have its consequences ...

This story is full of images and context, even though it is a simple story about a crocodile that ate a disagreeable man, it turns out that also addresses the problem of property and economic principles. Of course, all this is done to give a humorous effect, denouncing the social order, which may be contrary to the common sense.