Camaleões

Humans are story-telling creatures. By thinking, we all unconsciously "author" a self-story in our heads. Most often, the characters and plot of our story is framed by negative experiences from childhood. These painful "stories" then determine our emotions, leading to unhealthy stress, and changes in body chemistry. This is how a person's self-story can turn into a stress-related illness.

After a concerning therapy session, Anna, a troubled teen with mental health problems opts to find something that makes her happy to support her in recovery.

A woman faces the battle of her life when her estranged father's family tries to evict her and her grandmother from the only home she has ever known.

Dialoguing directly with the trilogy of documentaries “Images of the Unconscious”, made between 1983 and 1986 and based on clinical cases and therapies with a humanist approach and artistic expression, conducted by the pioneering psychiatrist Nise da Silveira (1905-1999) – screenwriter of that film –, here is presented, in two parts, an interview with the doctor, a student of Carl Jung and a pioneer in the application of non-violent treatments for psychiatric patients, given to director Leon Hirszman, in 1986. The conversation is divided in two parts: the first, "The emotion of dealing", the second, "The egress".

Just like one in five Americans, many Olympic athletes similarly face serious mental health challenges and struggle to find the necessary support and resources. The Weight of Gold seeks to inspire discussion about mental health issues, encourage people to seek help, and highlight the need for readily available support.

Filmmaker Gentamu McKinney and medical professionals recall experiences with mental illness and provide insight into the unique mental health struggles faced by the black community.

Mattias has a dream to become a photography student of the Berlin Arts Academy. On the journey of following his calling, his dream is constantly put to a test after Mattias falls in love with a beautiful free spirit Hanna. Trying to win her heart, Mattias feels the need to prove Hanna, that he can be just as adventurous and unpredictable as she is. Breaking the law together with Hanna, Mattias risks everything dear to him, not knowing yet, that Hanna's bold acts are only the symptoms of bipolar disorder. In the moment of jelousy Mattias accidentally commits a crime that could put him behind bars for years. The only escape he sees is to get himself declared irresponsible. In order to achieve that Mattias decides to start faking the illness her gilfriend really has - bipolarity.

‘Voices from the Shadows’ shows the brave and sometimes heartrending stories of five ME patients and their carers, along with input from Dr Nigel Speight, Prof Leonard Jason and Prof Malcolm Hooper. These were filmed and edited between 2009 and 2011, by the brother and mother of an ME patient in the UK. It shows the devastating consequences that occur when patients are disbelieved and the illness is misunderstood. Severe and lasting relapse occurs when patients are given inappropriate psychological or behavioural management: management that ignores the severe amplification of symptoms that can be caused by increased physical or mental activity or exposure to stimuli, and by further infections. A belief in behavioural and psychological causes, particularly when ME becomes very severe and chronic, following mismanagement, is still taught to medical students and healthcare professionals in the UK. As a consequence, situations similar to those shown in the film continue to occur.

With unique and exclusive testimonies from doctors, nurses, loved ones, and patients we go behind closed doors to examine a high security psychiatric facility that takes care of some of the most dangerous patients.

The story about the relationship between a manic depressive man, Mr Jones, and the female doctor who takes more than a professional interest in his treatment.

After a death in the family, a fragile young man struggles to cling to his fractured reality, which is not at all as it seems.