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'Thandel' has its issues, though to be honest I enjoyed it for the majority - largely thanks to a stronger second part. The pre-interval stuff is solid but doesn't feel as well constructed or as interesting as what follows. As for the story, the thriller outdoes the romance. How loud is this film, by the way? Too loud, in fact. I thought it was the cinema's 'fault', though based on a quick browse online it's a thing with some releases (e.g. Tamil's 'Kanguva') from this part of the world. I don't overall mind the loudness, my ears disagree though! Nice that I got to see my first Telugu-language movie on the big screen, surprised I haven't seen one before. Naga Chaitanya stars in it and has good screen presence, he is the standout; his character is fun to watch. Other pluses include Sai Pallavi, the dance chorography and the action.
Jesmark, a struggling fisherman on the island of Malta, is forced to turn his back on generations of tradition and risk everything by entering the world of black market fishing to provide for his girlfriend and newborn baby.
After an accident on a winding road, four teens make the fatal mistake of dumping their victim's body into the sea. Exactly one year later, the deadly secret resurfaces as they're stalked by a hook-handed figure.
Ever since killing the Fisherman one year ago, Julie James is still haunted by images of him after her. When her best friend Karla wins free tickets to the Bahamas, Julie finds this a perfect opportunity to finally relax. But someone is waiting for her. Someone who she thought was dead. Someone who is out again for revenge.
A fisherman living with his wife peacefully finds some ancient statues whilst diving, and he contacts his old partner, a small time crook in order to smuggle it. His friend visits him at home with his girlfriend and problems begin.
After the end of WWII, a young Lithuanian woman and a young Italian man from Stromboli impulsively marry, but married life on the island is more demanding than she can accept.
An ex-mercenary turned smuggler. A Mende fisherman. Amid the explosive civil war overtaking 1999 Sierra Leone, these men join for two desperate missions: recovering a rare pink diamond of immense value and rescuing the fisherman's son, conscripted as a child soldier into the brutal rebel forces ripping a swath of torture and bloodshed countrywide.
Three young boys drunkenly rape a woman named Emiko, the wife of a man they've developed a friendship with. She dies of heart failure during the attack. Her chicken farmer husband, incapable of dealing with her death tends to her corpse as though it were still alive completely unable to accept her demise.
Kesse is a third generation fisherman, living in a small coastal town in Northern Jutland. Life trudges along without surprises, but all this is about to change. The fishing industry is hit by financial crisis and the small fishing boats are swiftly put out of competition by big corporations. In desperation, Kesse tries to find a way out of his hopeless plight and has to resort to dishonest means, on top of having to fire his best friend and lone employee. As if this wasn't enough, he gets an unwelcome guest on-board in the form of marine biologist Gerd from Copenhagen, sent to study the fishing. Søren Balle's debut feature is a funny and touching film about love, friendship and the difficult art of dealing with change.
Director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day, in a contemporary American industrial town.
In the early 1900s, the fictional Catfish Row section of Charleston, South Carolina serves as home to a black fishing community. Crippled beggar Porgy, who travels about in a goat-drawn cart, loves the drug-addicted Bess, who lives with stevedore Crown, the local bully.
In 2005, celebrated novelist Francisco Goldman married a beautiful young writer named Aura Estrada in a romantic Mexican hacienda. The month before their second anniversary, during a long-awaited holiday, Aura broke her neck while body surfing. Francisco, blamed for Aura’s death by her family and blaming himself, wanted to die, too. Instead, he wrote a novel chronicling his great love and unspeakable loss, tracking the stages of grief when pure love gives way to bottomless pain.