The Lost Season

An immigrant teenage girl with feathers on her body, is torn between the need to belong and her own identity.

This is no animation, it's one picture. Short experimental film by Mirai Mizue

This short experiments with the flow of oil ink over the surface of the water. Mizue manipulated the ink by blowing with straws or stirring with toothpicks and used stop motion animation techniques to shoot the resulting effects.

Filmmaking can sometimes be a very chaotic process. Allie is about to learn it as the director just got one last crazy idea.

A creative political short animation calling for saving time and increasing efficiency in national economic construction.

During a snowball fight between Bo, a pink armless dinosaur, and his friend, Green Guy, Bo comes to a saddening realization - he cannot throw snowballs. This heartwarming tale explores Bo's journey of self-acceptance and learning that even without arms you can live a full life.

Made when the director was at the Royal College of Art, an animated film illustrating that life is made up of a succession of meeting and partings.

Linear of Nightmare is a tongue and cheek piece about the pointless of fear. The film is a surreal self-inflicted mental infliction that ultimately leads to its own demise. Fear is worry magnified leading to disconnection between the mind and the body. Fear is just about the worst form of mental activity there is—next to hate, which is deeply self-destructive. Worry is pointless. It is wasted mental energy. It also creates bio-chemical reactions that harm the body, producing everything from indigestion to coronary arrest, and a multitude of things in between.

It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.

Short animation by Al Jarnow based on the work of British poet Edward Lear. Made at NYU.

A stream of consciousness experiment committed directly to celluloid, Jarnow pays homage to Stan Brakhage and Harry Smith. Abstract designs transform self portraiture, lettering tests and images traced from other films including a Charlie Chaplin short.