Matador

Ezequiel, a sixteen-year-old gay teenager in his sexual awakening, meets a boy of twenty-one. They quickly start a relationship and the situation unravels unexpectedly.

A writer, researching a book on male prostitutes, finds a young man to serve as a guide on the streets of Los Angeles.

In the winter of 2013, Yong-jun and Jae-sung, a member of the Korean People’s Army, are caught having sex by a superior. After that, Yong-jun decides to defect from North Korea to the South leaving Jae-sung behind. Yong-jun risks his life to step on the land of freedom and meets Tae-kyu. Two years after, Jae-sung comes over to the South, and Yong-jun must decide between Jae-sung and Tae-kyu. This causes misunderstandings and puts them in pain.

Fifteen-year-old Lulu has never known any affection from her family. But when she goes to a rock concert with Pablo, a friend of the family, he introduces Lulu to her first sexual experience. Years later, Pablo and Lulu have married; Pablo has created a sheltered, private world for Lulu, into which nothing intrudes. However, Lulu tires of her cloistered existence, and begins hanging out in shady bars, looking for vicarious thrills and danger.

Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.

In 2014, Luke was a small-town boy growing up in Ohio. The only son and adopted child of a single mother, he dropped out of college and moved to New York to become a gay porn star: Levi Karter.

Between 1975 and 1983 a new kind of film could be seen in French cinema : home-grown gay pornography. The films were shot in 16mm and most of them were passed and given certificates by the CNC (National Cinema Centre). They were screened in a small number of Parisian cinemas dedicated to gay pornographic films : Le Dragon, La Marotte and Le Hollywood Boulevard as well as several in the provinces. They were essentially the work of three production companies : Les Films de La Troïka (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 "Mon ami, mon amour (My friend, my lover)". Since then, gay pornography has not been screened in French cinemas. This film is the result of five years of painstaking research and investigation. It features extensive interviews with the directors and actors illustrated by numerous extracts from their films.

Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produced in Eastern Europe since the introduction of capitalism. The video provides a glimpse of young men responding to the pressures of an unfamiliar world, one in which money, power and sex are now connected.

Two gay dads fumble to provide their straight son with meaningful support after the loss of his first real love.

An ageing director commentates on a porno he directed 50 years ago, reminiscing on his relationship with the lead actor.

Devin passes his time online with buddies he's only met on Twitter. The group decides they need to meet in person, and come together at Garrett's family lake house.