Tělo bez duše

After losing friends, Dany Turcotte began to wonder about the aging of members of the LGBTQ+ community in our society.

Du Ska Nog Se Att Det Går Över (Don't You Worry, It Will Probably Pass) is a documentary by Cecilia Neant-Falk. When she was 14 years old, in 1986, she posted an add in a youth magazine, explaining that she was bisexual and wished to get in contact with other people in the same situation. In 1999, she posted the same add in the magazine and decided to make a movie about the three people who responded.

Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.

This FitzPatrick Traveltalk series short looks at Czechoslovakia before World War II, including images of bridges, churches, and castles in Prague, also a non-military parade through the city.

This short begins at Boulder Dam (now Hoover Dam). The electricity generated here by the Colorado River is sent to Hollywood, where movie studios need it to make movies. After a tour of the MGM studios' power plants, we see short advertisements for upcoming MGM releases.

At the end of the seventies, Yan María Castro became one of the founders of the first group of lesbians in Mexico. In a context of discrimination and repression, she and her companions organize a political movement to gain their place in society.

Buy Bye Beauty is a 2001 documentary film by Swedish director and performance artist Pål Hollender. The film is about the way Latvian sex industry and its being fueled by businessmen and sex tourists from Sweden visiting Riga. The film was shot in Riga in July 2000. The narration of the film is in English, with interviews conducted in Russian and Latvian.

The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?

Following the lives of Queer creatives behind Norwich’s queer collaborative ‘Stripped Sets’. We discover the reasoning behind the need for safe spaces, and the stories that come with them. Through live events, photoshoots and history, we see the process in creating such an important event.