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Explores the natural history of the otter, depicted through the fictitious account of a day in the life of Otto the Otter and his mother. The narrator claims that the short features "the first film ever taken of an otter swimming underwater."

"Come In" explores how Morse history is entangled with the history of the Spiritualist church. The Spiritualist Church was founded by the Fox sisters in 1850. They claimed that they were mediums who could communicate with the dead and they justified this ability by citing the new ability, through Morse, to speak with someone far away almost instantaneously. After fifty years of practicing Spiritualism, the sisters declared the religion a hoax, and many years later Morse code officially lost its role in the commercial realm. As Spiritualists continue to send messages to the dead in spite of the sisters’ statements, and Morse operators transmit messages into the ether with hope, Johnson asks: How do communication networks and technologies affect our calls and responses and make visible our desire for reciprocity?

Shows new methods in treating those afflicted with mental health issues. Contrasts past treatment regimes where people were locked away out of sight with the new, 1960s, psychiatric ideas of "group therapy" and talking therapy. Also shows practical behaviours aimed at returning patients to productive lives in society and outpatient services.

This film about Library services in Australia shows some of the work of the Commonwealth Parliamentary Library, the National Library with its varied resources and examples of State, University, special and public services suggesting their value in meeting needs for information at all levels. The library movement has become a vital part of Australian life. How libraries have fitted into society all over Australia, from the bustle of Sydney's Kings Cross to the remote outback.

A documentary about the actress who played Miss Torso, the dancer that caught James Stewart's eye in Alfred Hitchcock's classic film Rear Window.

Aria Dean explores the black creative labour put into memes, images defined not by their content but by how they are circulated, mutated and compressed. While all memes lack attribution, Dean illustrates a palpable link between white appropriation of memes created by black people and a deeper lineage of theft and leering fascination.

Short documentary about Teigan who became disabled as a result of being kissed on the lips by a family member with a cold sore, and how mum and dad are now trying to raise awareness of these dangers.

A community of Armenians, refugees from the Soviet Union during the Baku pogroms, live in a deep American province. Baku life, Armenian blood, Soviet mentality, and American emigration mix in incredible tragicomic proportion.

Captured during the events of Euromaidan revolution in Kyiv, Ukraine, an expressive argument looks like something out of the movie by Sergio Leone. Short documentary sketch by Babylon 13. As per Babylon'13 tradition, no filmmakers were initially credited for the short piece, although following festival screenings and awards identified Dmytro Sukholytkyy-Sobchuk as the filmmaker behind it.

The pandemic has changed many things. Including Alfia, she is a teacher who has learned a lot from the phenomenon she saw. For Alfia, trash is no longer appropriate to be disposed of in its place.

This in-depth documentary short exposes how an irresponsible rancher in Washington State set up a pack of wolves living on public land in a remote forest to attack his cattle.