Хороший, поганий, злий

Aria Dean explores the black creative labour put into memes, images defined not by their content but by how they are circulated, mutated and compressed. While all memes lack attribution, Dean illustrates a palpable link between white appropriation of memes created by black people and a deeper lineage of theft and leering fascination.

Follows the journey of 19-year-old Liam Robinson who after 5 years of learning how to box, reflects on his life and how it has evolved mentally and physically, as well as exploring the way boxing is more than just a sport.

Jürgen Leppert, also known as "Der Dreher" or "der Kreisel" is a graduate engineer, speaker inventor, 360 degree dancer, gifted Frisbee player and thoroughbred 68er. Everything revolves around the Karlsruher legend, and not just on the dance floor. A declaration of love to music, dancing and rebellion. A portrait of a tough person who still swims against the stream and the living proof that 81 years is far from too old for hard raves.

Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the Western Australian regional town of Geraldton in the mid 1960s.

The Algerian region of Tindouf is home to more than 170,000 Sahrawis, who have been living in refugee camps since 1976, when Morocco occupied the Western Sahara region. In a place of inhospitable conditions and scarcity, the Sahrawi population lives on dwindling humanitarian aid. Six percent of them face the added difficulty of coeliac disease.

A look at the day-to-day running of the historic Tower of London and coping with up to 16,000 visitors each day. A stunning display of the Crown Jewels.

A fond farewell to London's trams - whose peculiarly endearing qualities were discovered only at the threat of their disappearance.

Radical resistance in the postwar British Caribbean community, from the 1948 Nationality Act to the 1958 Brixton riots.

A discovery of the pictorial art that Ndebele women traditionally practice in South Africa: painting the walls of their houses.

The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.

The pandemic has changed many things. Including Alfia, she is a teacher who has learned a lot from the phenomenon she saw. For Alfia, trash is no longer appropriate to be disposed of in its place.