Esperando Septiembre

In 1947, two years after the end of the Second World War, Film Journal No. 1 was released in Sarajevo. Fifty years later, after the collapse of the Communist bloc, this newsreel was lost in the confusion of the fighting in Yugoslavia. In Journal No. 1 Hito Steyerl attempts to find out how the footage got lost and what was on this document from the Sutjeska studio. In the simultaneous projection of Journal No. 1 the ‘unattainability of an historical zero hour of the national identity’ takes concrete form: The lost newsreel reports on a literacy campaign as well as Muslim women confidently removing their headscarves. We listen however to eyewitnesses trying to recapture the lost content and we see the artist Arman Kulasic making a number of drawings that resemble the story-boards for the lost film. What appears to be moments of great change remain limited by subjective and uncertain memory. The film was premiered at documenta 12.

Som, an ordinary young woman who works as a movie make-up artist. Her longtime live-in boyfriend Rang is also in the business. But the handsome musclebound prop guy – always wearing tight, biceps-baring vest T-shirts – captures many adoring eyes, like that slutty actress, but also his straight-acting gay boss and just about anyone else with a pulse.

Maggie Cooper thinks it would be really cool if her son Lloyd were gay. So cool, in fact, that she outs him to the entire school.

A strange man intervenes between ex-spouses on a matter directly related to a large sum of money one of them had secured after selling a piece of property.

Two women are far out in the woods. They are not wearing any clothes. And they have no plans to put clothes back on. Ever.

A young boy named Pelle falls in love with the drug addict Lena. Then he and his friend Proffen tries to save her from the drugs.

Private detectives Inés, Eva, and Carmen often invade others' privacy but are clueless about confronting their own secrets. While on the job, these three surveillance specialists will have to cross the thin line dividing public and private matters, bringing their own issues to light in order to solve more than just their professional cases.

Nanny McPhee appears at the door of a harried young mother who is trying to run the family farm while her husband is away at war. But once she’s arrived, Nanny discovers that the children are fighting a war of their own against two spoiled city cousins who have just moved in. Relying on everything from a flying motorcycle and a statue that comes to life to a tree-climbing piglet and a baby elephant, Nanny uses her magic to teach her mischievous charges five new lessons.

Suffering from depression and marital problems, Alex mistakenly orders a life-size doll, whom he names "Monique". With the help of Monique, Alex turns his life around; however she soon becomes the envy of his friends and wife.

Jealousy flares after the headmistress of an elite boarding school for girls becomes obsessed with a new student.

A film about five couples who are on their honeymoon at Ooty and share the same hotel. All of them are pretty newly wed except for one who are celebrating their wedding anniversary. Together the couples take many tours and visit sites together in Ooty and get to know each other on a personable level. Slowly and steadily host of stories open up about each of them.