Cabrini 2024 - Movies (Sep 30th)
A Quiet Place Day One 2024 - Movies (Sep 30th)
Latency 2024 - Movies (Sep 30th)
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The Great Escaper 2023 - Movies (Sep 30th)
Deadpool and Wolverine 2024 - Movies (Sep 30th)
Teaches of Peaches 2024 - Movies (Sep 30th)
Stockholm Bloodbath 2023 - Movies (Sep 30th)
Three Old Boys 2024 - Movies (Sep 30th)
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The Moviemakers Scorsese 2023 - Movies (Sep 30th)
The Wasp 2024 - Movies (Sep 30th)
Bring Him to Me 2023 - Movies (Sep 30th)
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Nicole Kidman Eyes Wide Open 2023 - Movies (Sep 29th)
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Rescue- HI-Surf - (Oct 1st)
Life on the Bay - (Oct 1st)
9-1-1- Lone Star - (Oct 1st)
The ReidOut with Joy Reid - (Oct 1st)
Lets Make a Deal - (Oct 1st)
TV On the Edge- Moments That Shaped Our Culture - (Oct 1st)
The Bold and the Beautiful - (Oct 1st)
The Price Is Right - (Oct 1st)
The Young and the Restless - (Oct 1st)
90 Day Fiance- The Other Way - (Oct 1st)
The Beat with Ari Melber - (Oct 1st)
Married at First Sight UK - (Sep 30th)
Dimension 20s Adventuring Party - (Oct 1st)
Hope Afloat - (Sep 30th)
University Challenge - (Sep 30th)
Midnight Family - (Sep 30th)
Fifth Gear - (Sep 30th)
Ruby Wax- Cast Away - (Sep 30th)
Deadline- White House - (Sep 30th)
Never Mind the Buzzcocks - (Sep 30th)
A documentary about climate change in Brazil, especially at Atafona Beach (in the Campos de Goytacazes region), which is being swallowed up by the sea. Narrated by Sonia Guajajara and Sidarta Ribeiro, the film deals with the genocide of the native people of Goytacazes.
During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia's Indigenous history in the unadorned words of those who lived it.
INAATE/SE/ re-imagines an ancient Ojibway story, the Seven Fires Prophecy, which both predates and predicts first contact with Europeans. A kaleidoscopic experience blending documentary, narrative, and experimental forms, INAATE/SE/ transcends linear colonized history to explore how the prophecy resonates through the generations in their indigenous community within Michigan’s Upper Peninsula. With acute geographic specificity, and grand historical scope, the film fixes its lens between the sacred and the profane to pry open the construction of contemporary indigenous identity.
Returning to the island that her father left 50 years earlier, the filmmaker goes back in time to retrace the history of her name.
Working from archives of private film footage from a trip to India by the upper class of the late 1920s, a period of strong anti-colonial outbreak, Yervant Gianikian and Angela Ricci Lucchi deconstruct the images and analyze the attitude and behavior of Westerners in the East.
What does blood have to do with identity? Kendra Mylnechuk, an adult Native adoptee, born in 1980 at the cusp of the enactment of the Indian Child Welfare Act, is on a journey to reconnect with her birth family and discover her Lummi heritage.
Concerned about the declining health of people all around them, Native American women are sparking physical and spiritual rejuvenation through reclaiming traditional foodways.
Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.
"The Ninth Island" tells the story of Hawaii’s indigenous population and its struggles to stay connected to its ancestral home.
Sixteen-year-old Jewel Wilson is the next generation in a long line of prolific Inupiat subsistence hunters in Unalakleet, Alaska. Her ability to hunt moose is hindered by two pressing issues – scarce wildlife and the pressures of high school life. Finding sufficient food competes with track practice and homework in Jewel’s multilayered world. Along with her father, Jewel turns to the land to feed their family and finds that their village’s way of life is endangered by the same environmental shifts that could affect us all. In hunting moose, we see that Jewel is also hunting for answers. How will her village survive if subsistence hunting is threatened? Can she honor the traditions of her Elders while navigating the pressures and anxieties of a modern, connected teenager? "Jewel’s Hunt" proves to be both physical and philosophical in this insightful exploration of what it means to come of age in complicated times in Unalakleet, Alaska.
The essay by René Vautier, "Déjà le sang de Mai ensemençait Novembre", starts with the recapitulation of the representations of Algeria throughout the history of visual arts in France in an effort to explore the causes for the quest for independence.