First Sign of Love

Mercedes, Max, Krull, Stephan and Karin live in an apartment in Munich. Krull loves Mercedes in vain, Karin thinks boys are horrible and takes part in competitions. She wins an evening with Udo Lindenberg. Pursued by Krull, Karin and Mercedes leave the apartment. Stephan and Max are left alone. While Karin goes to the hairdresser for the evening, Mercedes meets Simon, who drives a large truck. They decide to get married and have seven children.

Min-ha and Sang-beom are a gay couple in high school. They go on a journey to the shore for their 100th day anniversary. Min-ha does not care what other people think and exhibits his affection towards Sang-beom in public. On the other hand, Sang-beom feels uneasy about this. That night, Sang-beom tells Minha a secret.

The path of teenage love rarely runs smoothly. But Lona and Calum believe their love can conquer everything. But can their marriage withstand the reality of independent living and financial hardship?

Alan meets Joseph in the laundromat while doing his weekly laundry. What begins as a possible romantic setting soon becomes a chase through the streets of New York. A chase for clothes.

Once a fragile ballerina Olya meets a rude and gloomy boxer Evgeny. The contrast between the worlds of the heroes and their worldview is so striking that the very possibility of intersection of heroes appears as a miracle. Are the heroes ready to accept the same timid feeling that arose between them? Will they overcome everything external and superficial, behind which fragile loving souls are hidden.

In late 18th century Scotland, Annie Laurie and William Douglas love each other, but their clans are on opposite sides of the country's civil war. Their love is made immortal through the title song of this film.

In this short, the janitor of a Paris museum's Egyptology department agrees to help a girl hide from the police.

The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline. Not in Nicolas Provost's 'Gravity' though: with stroboscopic effects, more than a dozen kissing scenes, most from stereotypical 1950s romantic dramas, are edited together and superimposed. Narrative is subverted as the kissing is isolated from its context entirely; the action slows down and flickers back and forth. Every now and then, shots from different films overlap and match; protagonists merge and diverge again a few seconds later. The sugary and dramatic soundtrack of romantic film music contrasts with the deconstructed images; together, they form a dazzling 6-minute vertigo where love becomes a passionate battle.

Rika is a lonely prostitute who finds support and love from the drug-dealing and single mother Dewy. When a traumatic incident with a client occurs where one of them ends up in prison, their relationship is put to the test.

The love story between a peasant woman and her employer.