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Expedition Unknown - (Oct 17th)
Frasier - (Oct 17th)
Reasonable Doubt - (Oct 17th)
Dimension 20 - (Oct 17th)
All In with Chris Hayes - (Oct 17th)
The ReidOut with Joy Reid - (Oct 17th)
Agatha All Along - (Oct 17th)
The Last American Vagabond - (Oct 17th)
Love Stories in the Countryside - (Oct 17th)
Great Australian Walks With Julia Zemiro - (Oct 17th)
DNA Journey - (Oct 17th)
Aussie Shore - (Oct 17th)
The Beat with Ari Melber - (Oct 17th)
Noob - (Oct 17th)
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Traffic Cops - (Oct 17th)
Into The Jungle With Ed Stafford - (Oct 17th)
Deadline- White House - (Oct 16th)
Our Tiny Islands - (Oct 16th)
Police- Night Shift 999 - (Oct 16th)
The experimental stop motion story of a London boy in World War 2, we witness war drawing inexorably closer as he comes of age. 14 when war begins, our young hero lives through bombings, the evacuation of his siblings, the privations of wartime. Yet he survives and even thrives. He sets out to search for his friend in the East End during those turbulent and frightening times, and with his own voice tells his story with a wit and verve few would believe today. Finally we leave him at the brink on D-Day, a hero already in the making.
A short behind the scenes documentary showing the creation of the short claymation film The Genie in a Ravioli Can (Le génie de la boîte de raviolis).
Phil Tippett is the Oscar-winning stop-motion animator and designer behind some of the greatest fantasy creatures and sci-fi set pieces in cinema history. From his humble beginnings as an alien patron in the iconic Cantina sequence from 'Star Wars: A New Hope', to pioneering stop-motion techniques used throughout 'Empire Strikes Back' and 'Return of the Jedi', to seamlessly merging practical animation and CGI in Jurassic Park and beyond. In 'My Life in Monsters', VICE chronicles Tippett's legendary life work, illustrating the process behind his greatest creations, the emotional hardships of transitioning into Hollywood's digital revolution, and completing his return-to-form, stop-motion opus with the brutal, dystopian 'Mad God'.
A documentary about the making of Wallace & Gromit’s Cracking Contraptions.
In 2013, online clay animator Robert Benfer scammed hundreds of fans out of thousands of dollars and has continued to become less of the independent film icon he used to be, though his unique influence on video creators remains to this day. This film not only sheds light on how Benfer's films impacted young filmmakers, but also how a talented independent artist can fall from grace no matter how obscure they are.
This short film profiles the benevolent Mike Sullivan, who has been in the process of shooting a stop-motion robot sex film in his New York City apartment for the last ten years. Obsessed with the meticulous construction of the miniature robot porn stars, his apartment now overflows with thousands, leaving him only tiny paths to navigate and no place to film his epic.
Good Grief is a short stop motion animated documentary that explores the lessons we learn from dealing with grief and loss. Five real people share their true stories of losing something precious and what it has taught them about living.
This 1971 color anti-drug use and abuse film was produced by Concept Films and directed by Brian Kellman for Encyclopedia Britannica. “Weed: The Story of Marijuana” combines time-lapse, montage, illustrations, animation (by Paul Fierlinger and emigre Pavel Vošický) and dramatized, documentary-style interviews to survey the evolving role of cannabis in U.S. society, with emphasis on the legal risks faced by young people. A unique score of experimental synthesizer music is provided by Tony Luisi on an EMS VCS 3 “Putney”
In December 2011, a security guard was killed by a pack of stray dogs prowling in a poor neighbourhood on the Bogota suburbs.