Ako vznikala Ústava SR

Young muralist Manny is arrested after being wrongfully accused of tagging his very own mural. In police custody, he learns that he was ordered removed back in 2008 due to his undocumented immigration status and that his name came up in the "gang database." Manny insists that he was nine years old in 2008, unaware of any pending deportation, and certainly not a part of any gang. When he refuses to sign a voluntary departure Manny is sent into detention.

Academy Award winning film maker Hilary Harris’ epic vision of New York City shot over 15 years [1959-74] during which time Mr. Harris pioneered and contemporized time-lapse film making techniques to achieve this unique experiential view of the world we inhabit: chaos and confusion seem to multiply in every corner of the Big Apple. Yet there seems to be some order in all that chaotic and relentless system and things seem to work just fine. The same can be said about the human body. Director Hilary Harris proves with this short documentary that cities and organisms are all-alike.

Andrea and Krisztina Marics are 28-year-old identical twins with a teaching degree that have lived together since birth. They work together at a touring circus, doing joint artistic performances. After a long circus tour abroad, Andrea leaves the close relationship and ends their work together. She feels that she can succeed on her own. Krisztina still lives and works in the circus but struggles to find her place there without Andrea. After the winter tour, Krisztina has to decide if she stays at home with her sister or continues the life of a wanderer.

From the lens of its alumni, this film chronicles about the history of Marching Band Korps Putri Tarakanita, a marching band extracurricular that continues its legacy to this day.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Obāchan is Japanese. She left her native archipelago in 1941 to marry one of her compatriots, 17 years older, settled in Mexico. Through fragments of family films, manga and sequences that she has shot, Nicolasa Ruiz sculpts a complex and delicate memory landscape between the two shores of the Pacific.

General Electric sponsors this explanation of atomic energy, detailing some of its uses besides the bomb. Using animation and an off-screen narrator, the film describes the atom, elements and isotopes, the discovery of transmutation, experiments in artificial transmutation, and the reasons for the power of nuclear fission. The film argues that now, besides war, the atomic age holds promise for energy, farming, medicine, and research. The promise of the atomic age will depend on human wisdom.

These film clips tell the story of the human experience of living with HIV/AIDS. People with HIV/AIDS, their husbands and wives, their families, their doctors and health workers talk about how HIV/AIDS has affected their lives. These are the personal video stories from Cameroon and Zimbabwe in which people speak out about their hopes and fears, their struggle against pain and abandonment and their fight for greater awareness and understanding. The film challenges stereotypes and calls for a concerted effort to face up to the epidemic.

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.

An aspiring documentary filmmaker named Simon Rosenthal tries to get some attention for his film about skinheads versus Turkish immigrants. However, as a Jewish man in today's Germany, his fears for the future prompt him to move to the moon.