Originally a musical from 2010, on CD only, it was probably one of lesser known albums from Kunt & The Gang and didn't even feature Künt singing on the album. Fast forward to the COVID lockdown and a drunken evening led to director Sam Hindman emailing Künt and asking why it wasn't ever staged. Told that no one would touch it, Sam resolved to correct that. In 2022, following previews in Leeds, the musical made it's way to the Edinburgh Fringe, trailing controversy behind it, but garnering rave reviews. This limited run though only led to the wider fanbase to ask for a chance to see it, could it tour, was the live show videoed, or dare we suggest, could there be a movie? This led to a Kickstarter campaign to be launched in September. An initial target of £10,000 was reached almost immediately, so it was stretched and by the end of the campaign, it had earned a budget of around £26,000. Shooting began in York, in January 2023 and continued at various locations until July. Following months of work by Mike Fordham on editing and FX and with Künt finessing a re-recording of the songs for the soundtrack, the film premiered in Leeds on 26th April 2024 and in London, the following day, to an audience of cast, crew, backers and fans. There are two schools of thought about a film like this, the first holds that it is totally reprehensible and should never be made and the other can see the absolute ludicrousness of what happened and have the sense of humour to enjoy such an irreverent treatment of the story. I doubt that the film will enjoy much of a life outside of the UK, so little needs to be said about the events of the faux abduction of Shannon Matthews (aged 9) in 2008, orchestrated by her mother, with the assistance of her boyfriend's uncle. The entire thing would be pure farce, if it wasn't for the concern and trauma it caused for weeks, particularly for the people of Dewsbury. This film though does not mock those people, but rather centres on the pathetic personalities involved; Karen Matthews, who was both twisted enough to conceive of such a plan and stupid enough to imagine that it would work. Craig Meegan, Karen's oblivious, much younger partner, with dodgy internet browsing habits and his educationally challenged uncle, Michael Donovan, who held Shannon captive, though by many reports, she enjoyed her time with him, which is believable, considering what her mother was like. The film itself paints a narrative through the retelling of the story by the fictional Detective Inspector George Radgitt. It features sweary comedic exchanges between Karen and Craig and her plot, through funny, catchy songs in fantasy dream sequences and with in-jokes for the cognoscenti. Considering its micro-budget, it's an incredibly well made film. It looks great and never flags through its roughly 85 minute runtime. The cast are wonderful and pitch their performances perfectly, somewhere around Viz comic caricatures, but with total conviction. Personally speaking, I can't wait to see it again, to try to spot all those little details that I know that I missed. The audience at the premieres, all came out buzzing and that's not something that can be said for many UK comedies of the last 10-15 years. It may only appeal to "a certain sort of person", but they should love it. It really should get annual cinema showings and a cult status, even if there's slim chance of that ever happening. I'll bet that it's not just the best independent UK comedy of the year, but the funniest movie that you're likely to see all year.
One clear summer day in a Baltimore suburb, a baby goes missing from her front porch. Two young girls serve seven years for the crime and are released into a town that hasn't fully forgiven or forgotten. Soon, another child is missing, and two detectives are called in to investigate the mystery in a community where everyone seems to have a secret.
Under the leadership of their counselor, teenagers at a juvenile detention center gain self-esteem by playing football together.
A prim and proper schoolgirl goes against her society grandmother's wishes when she dates a motorcycle-riding juvenile delinquent.
After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.
The cut-out heads of George W. Bush and John Kerry alternate singing verses and choruses of a partisan political version of Woody Guthrie's "This Land Is Your Land." Bush and Kerry trade insults ("you're a liberal weenie," "you're dumb as a doorknob") and bragging rights (one's for tax cuts, the other has three Purple Hearts), as the animated backgrounds undercut the egos of both. Cheney, Rumsfeld, Edwards and Dean join their leaders in the choruses, and an American Indian provides counterpoint. Whose land wins out in November? You make the call.
Band leader Phil Harris, through a misunderstanding, finds himself with a job as a professional escort, and a date to take a rich young society girl to a night club. She picks the club where the Harris band is playing. Phil is kept busy trying to keep the band from telling the girl who he really is, and to keep the girl distracted enough so she won't notice he is leading the band.
Trying to bootstrap his way out of Brooklyn's mean streets is Diamond, a rap musician. With his long-time pal Gage acting as his manager, he's trying to lay down a demo tape with cut-rate studio time. To pay the bills, he and Gage run drugs for "Mr. B." Inside a week, Diamond's beloved mother dies suddenly, his father appears after an absence of 12 years and wants a relationship, and his girlfriend Kia tells him she's pregnant, asking him if he's ready to be a father. Gage steals $100,000 in a multiple-felony robbery so that Diamond can record a full album, not knowing it's Mr. B's money he's taken. B wants his money, Diamond wants his music, Tia wants an answer.
During the late 1980s, two detectives in a South Korean province attempt to solve the nation's first series of rape-and-murder cases.
After a divorce with her childhood friend, arrogant socialite Tracy Lord is remarrying but her ex-husband in still in love with her. Meanwhile, a gossip magazine blackmails Tracy's family into covering her new wedding. A musical remake of the 1940 romcom The Philadelphia Story.