Raqqa Spy vs. Spy 2024 - Movies (Apr 16th)
Unbankable 2024 - Movies (Apr 16th)
Beyond the Tree Line 2024 - Movies (Apr 16th)
Giroud 2024 - Movies (Apr 16th)
Hammer Heroes Legends and Monsters 2024 - Movies (Apr 16th)
Bottom Exposed 2024 - Movies (Apr 16th)
Paypigs 2025 - Movies (Apr 15th)
The Pilgrimage of Gilbert and George 2024 - Movies (Apr 15th)
The Painted 2024 - Movies (Apr 15th)
Eephus 2024 - Movies (Apr 15th)
Titanic The Digital Resurrection 2025 - Movies (Apr 15th)
Behind the Curtain Stranger Things The First Shadow 2025 - Movies (Apr 15th)
A Working Man 2025 - Movies (Apr 15th)
The Woman in the Yard 2025 - Movies (Apr 15th)
Warfare 2025 - Movies (Apr 15th)
Art Matters 2024 - Movies (Apr 14th)
Captain America Brave New World 2025 - Movies (Apr 14th)
Victories of the Third Reich 2025 - Movies (Apr 14th)
The Last Breath of War 2025 - Movies (Apr 14th)
Paradise Is Burning 2025 - Movies (Apr 14th)
Eric LaRue 2025 - Movies (Apr 14th)
Love and Hip Hop Atlanta - (Apr 16th)
The Last American Vagabond - (Apr 16th)
The Beat with Ari Melber - (Apr 16th)
Tipping Point - (Apr 16th)
FBI- Most Wanted - (Apr 16th)
Truthseekers - (Apr 15th)
The Young and the Restless - (Apr 15th)
Deadline- White House - (Apr 15th)
The Bold and the Beautiful - (Apr 15th)
The Price Is Right - (Apr 15th)
Our Welsh Chapel Dream - (Apr 15th)
Dr Xands Con or Cure - (Apr 15th)
George Clarkes Amazing Spaces - (Apr 15th)
Piers Morgan Uncensored - (Apr 15th)
Katy Tur Reports - (Apr 15th)
Chris Jansing Reports - (Apr 15th)
The Bailiffs - (Apr 15th)
The Feud of Two Brothers - (Apr 15th)
Escape to the Farm with Kate Humble - (Apr 15th)
Chateau DIY - (Apr 15th)
An old saying about those who were once sheltered from the ways of the world but miraculously blossom when exposed to the panorama of life astutely maintains, “How are you going to keep ʼem down on the farm once they’ve seen Paris?” It’s a sentiment that’s equally applicable to many other cosmopolitan, urbane locales, such as the free-wheeling, uninhibited pace of life in Amsterdam, as a gay male couple from a small Dutch town discover when they relocate to the big city to attend film school. In many ways, it’s a dream come true, providing them with an opportunity to cast off the shackles of a restrictive, closeted lifestyle in favor of something eminently more liberating. But is it really the panacea they’ve long hoped for? For Tom (Bas Keizer), it’s more than he bargained for as he struggles to cast off his conservative smalltown ways (including continuing to insist that he’s bisexual and not the out and proud gay man he’s been reluctant to openly acknowledge), while, for his partner, Ajani (Jefferson Yaw Frempong-Manson), it’s a chance to finally cut loose and truly be himself. Tom is also disappointed with his film school experience, finding it difficult to fit in as a would-be arthouse auteur among peers who are far less constrained (and less condescending) in their creativity and artistic sensibilities. Ajani, meanwhile, grows increasingly concerned that his partner is having trouble at school and not availing himself of the city’s unrestrained LGBTQ+ experience, staying stuck in his uptight ways. Over time, these conditions give rise to a disconnect between them, one that threatens the future of their relationship and the end of a dream they had long awaited to fulfill. Writer-director Dennis Alink’s latest provides viewers with an insightful look into the urban gay lifestyle in both its positive and negative attributes, not to mention how two seemingly likable characters can both be major jerks when they want to be, both with their emerging circle of friends and with each other. Shot in stunningly gorgeous black and white in quasi-documentary style, the film serves up an array of both gorgeous and “ugly” imagery, giving audiences an unfettered look at a community that clearly has two sides to it. Admittedly, the narrative at times meanders a bit too much for its own good, but it generally does a commendable job at showing rather than telling in conveying its message, making its points and presenting its story. “Out” is a film that earnestly makes clear “gay” doesn’t always equate to “happy,” but it also lets us know that the satisfaction level of our experience depends heavily on what we ultimately do – or don’t do – with it.
A gritty story taking place in Stockholm, about the passionate love between the self-abusive Sebastian who wants to be a woman, and the easy-going Andreas who is certainly not gay.
For a music competition, Franz, a young pianist, finds himself in an unfamiliar city. Overwhelmed by loneliness in his hotel room, his solitude takes an unexpected turn when he encounters Andrea, a fugitive on the run from the police.
Two men-a gay, HIV-positive artist and an adopted garbage collector-struggle in the face of stigma and loss to find meaning in work, love, and family.
Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 3: American Boy contains seven complete films: Adam Salky's "Dare" starring Adam Fleming, Michael Cassidy, and Marla Burkholder; Jody Wheeler's "In The Closet" starring J.T. Tepnapa and Brent Corrigan; Dennis Shinners's "Area X" starring Matt Schuneman and Antony Raymond; Julian Breece's "The Young & Evil" starring Vaughn Lowery, Diana Elizabeth Jordan, and Reggie Watkins; Brian Krinsky's "Dish :)" starring Matthew Monge, Jeff Martin, and Octavio Altamirano; Carter Smith's "Bugcrush" starring Josh Caras and Donald Cumming; and Kyle Thomas Coker's "Astoria, Queens" starring Aaron Michael Davies, James Heffron, Sangeeta Parekh, and Hayley Thompson-King.
While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.
A young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II—in a Ukrainian village which was ultimately razed by the Nazis.
Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteor-logical.
Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in taboo trysts and a tangled love triangle.
A pretty young girl named Sappho is, despite her boyfriend's best efforts, determined to remain a virgin until she marries. One day she picks up a beautiful, busty hitchhiker named Brigitte, and finds herself attracted to the sexy young blonde.
In 1895, Oscar Wilde (1854-1900) was the most famous writer in London, and Bosie Douglas, son of the notorious Marquess of Queensberry, was his lover. Accused and convicted of gross indecency, he was imprisoned for two years and subjected to hard labor. Once free, he abandons England to live in France, where he will spend his last years, haunted by memories of the past, poverty and immense sadness.
Love Me Anyway is a sun soaked drama about a filmmaker falling for a dreamy surfer, a man trying to save his marriage and a young wife exploring the greener grass of an extramarital affair with another woman.