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Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

A new wave of Asian horror movie filmmakers is capturing the attention of film studios desperate for box office success. From Tokyo to Hong Kong and Bangkok to Seoul, this two-part documentary describes how Asian directors have successfully married the power of local myths and superstitions with cutting-edge filming techniques and innovative storytelling, producing some of the scariest moments in the history of cinema. True Asian Horror includes scenes from The Ring - the movie voted by cinemagoers around the world as the scariest movie ever - and modern horror classics such as The Eye and Phone. Sit back as the directors of these classic films reveal how they manage to frighten the life out of their audiences and hear film critics explain why Hollywood is terrified to turn its back on Asian moviemakers whose meteoric rise to the top has been just plain scary.

To many African Americans, soul food is sacrament, ritual, and a key expression of cultural identity. But does this traditional cuisine do more harm to health than it soothes the soul?

Clarissa Dickson Wright tracks down Britain's oldest known cookbook, The Forme of Cury. This 700-year-old scroll was written during the reign of King Richard II from recipes created by the king's master chefs. How did this ancient manuscript influence the way people eat today? On her culinary journey through medieval history she reawakens recipes that have lain dormant for centuries and discovers dishes that are still prepared now.

Over the course of four months, urban Native horror director Mike J. Marin (The Smudging) met with nine Native artists to discuss their opinions on horror cinema and the horror genre and how horror films impacted them and what role Native people play in the horror filmmaking process.

When the immigrants came to America, their cultures entered the "great melting pot." In Michigan's Upper Peninsula Finnish immigrants mixed their musical traditions with many other cultures, creating a sound that was unique to the "Copper Country."

In the week when Hindus celebrate the holy festival of Diwali, this documentary tells the story of one of their faith's most sacred symbols - the swastika. For many, the swastika has become a symbol synonymous with the Nazis and fascism. But this film reveals the fascinating and complex history of an emblem that is, in fact, a religious symbol, with a sacred past. For the almost one billion Hindus around the world, the swastika lies at the heart of religious practices and beliefs, as an emblem of benevolence, luck and good fortune.

It took his whole life to live and three full years to film Chuck Leavell: The Tree Man. Filmed in four countries with more than 80 interviews from artists with a combined 58 Grammy Awards by the artist included, “Chuck Leavell: The Tree Man,” an Allen Farst film, is the cinematic documentary that shines a light on one of the greatest rock’n roll pianists and keyboardists over the last 40 years. Not just known for his musical influence, Leavell is also one of the biggest names in environmental forestry and was selected the National Tree Farmer of the Year in the United States. -His commitment to the planet and his strong family ties are refreshing reminders to be kind and treat your neighbor with respect. As Leavell puts it, “if you cut a tree down, plant two for the next guy.”

Powerfully and heartbreakingly detailing the challenging process that LGBTQ refugees must go through to find safety and security while starting over in the US, Tom Shepard’s inspiring new documentary profiles four people who have come to San Francisco to save their own lives. Over the course of this unforgettable group portrait, Subhi (from Syria), Junior (from Congo), and Mari and Cheyenne (from Angola) experience roadblocks and triumphs as they reflect on their respective histories and try to create a home for themselves in an environment that is not always welcoming. Once in San Francisco, they are met with setbacks but each maintains hope for a better future – Mari and Cheyenne record an album, Subhi starts a tour speaking on behalf of Syrian refugees and finds love, while Junior faces challenges of homelessness and gender non-conformance.

Escaping a refugee life from war-torn Syria sparks hope for a family looking to adapt to an American life.