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LOST (Guy Green, 1956) (aka “Tears For Simon”) David Knight, Julia Arnall, David Farrar, Anthony Oliver, Eleanor Summerfield, Thora Hird, Marjorie Rhodes, Meredith Edwards, Shirley Anne Field, Freda Bamford, Robert Brown, Fanny Carby, Cyril Chamberlain, Peggy Ann Clifford, Guy Deghy, Percy Herbert, Joan Hickson, Glyn Houston, Jack Lambert, Arthur Lovegrove, William Lucas, Charlotte Mitchell, Hugh Morton, Dandy Nichols, Joan Sims, Ewen Solon, Marianne Stone, Mona Washbourne, John Welsh, Barbara Windsor, George Woodbridge. All things considered, Lost is a highly watchable film, most particularly for those of us who enjoy British character actors because it’s full of them. This tale of an abducted child follows familiar, well-trodden plot lines, but what really brings it to life is its quirky characterisations and interesting and colourful location shooting. The leads (David Knight and Julia Arnall) are somewhat lacklustre but this is more than compensated for by the effectiveness of the supporting players, and Janet Green’s script which manages to inject some humour into the otherwise dramatic proceedings. The police, in the shape of David Farrar, Anthony Oliver and Eleanor Summerfield, are nicely observed and believable characters. There are pre-Carry On turns from Barbara Windsor and Joan Sims – it’s only surprising there’s no Sidney James, as ubiquitous in 1950s films as he was. But if anyone can be said to steal the show it’s Thora Hird as a self-righteous landlady – she’s only on screen for two minutes but she certainly makes the most of it.
I kind of wished that this had been in black and white - it would certainly have helped inject a bit more suspense into this quite quirky tale of the investigation into the kidnap of a young child from his pram outside a chemist's shop. The parents - David Knight and Julia Arnall give reasonable performances as the despairing parents and David Farrar is effective, if not exactly exuberant, as "Insp. Craig" leading the team on the case. It's got a few underlying storylines aside from the obvious ransom theory and we do actually get some sense of just what these (or any) parents might do to recover their child. The ending is actually a little sad adding an extra layer of authenticity to it and we even get a very early glimpse of Shirley Anne Field, too.
A woman brings her family back to her childhood home, which used to be an orphanage, intent on reopening it. Before long, her son starts to communicate with a new invisible friend.
A woman reports that her young daughter is missing, but there seems to be no evidence that she ever existed.
When Claire Spencer starts hearing ghostly voices and seeing spooky images, she wonders if an otherworldly spirit is trying to contact her. All the while, her husband tries to reassure her by telling her it's all in her head. But as Claire investigates, she discovers that the man she loves might know more than he's letting on.
Los Angeles, 1928. When single mother Christine Collins leaves for work, her son vanishes without a trace. Five months later, the police reunite mother and son. But when Christine suspects that the boy returned to her isn't her child, her quest for truth exposes a world of corruption.
A mentally ill man searches New York for his missing eight year old daughter. He recreates her steps each day hoping for some clue to her disappearance, until he meets and befriends a woman with a daughter the same age. Could she help him with the missing piece of the puzzle?
After being abducted as children, and suffering years of abuse, a teenage boy and girl find themselves living on the street.
After extricating 17-year-old Lisa Halle from a life of prostitution in Copenhagen, private investigator Varg Veum becomes ensnared in a tangle of parental neglect and bad love when he is hired to locate Lisa's boyfriend, Peter Werner.
Flying at 40,000 feet in a state-of-the art aircraft that she helped design, Kyle Pratt's 6-year-old daughter Julia vanishes without a trace. Or did she? No one on the plane believes Julia was ever onboard. And now Kyle, desperate and alone, can only count on her own wits to unravel the mystery and save her daughter.
Kasumi is in the midst of an affair with Ishiyama, one of her husband's clients. When Kasumi and her family visit Ishiyama's villa in Hokkaido, she plans to abandon them to be with Ishiyama. The next morning, her daughter Yuka disappears, which throws Kasumi's life into turmoil. Years later, Yuka remains missing, and Kasumi journeys back to Hokkaido with Utsumi, a terminally-ill former detective, and tries to follow any leads she can.
Skyler, an ambitious and passionate mental health counselor at the Center for Missing Children, breaks protocol to team up with Mr. Wiggins, a grieving father in search for his daughter. As the story unfolds, peculiar things begin to happen and Skyler becomes the mediator between hurting families and spirits of the missing child. Her dedication to this missing girl's father is tested when the crime leads back to her hometown and she is forced to confront a psychopath she could never have imagined.
Ten years have gone by since Elena's six-year old son has disappeared. The last thing she heard of him was a phone call he gave her, saying that he was lost on a beach in France and couldn't find his father. Nowadays, Elena lives on this same beach and manages a restaurant. She is finally beginning to emerge from this tragic episode when she meets a French teenager who strongly reminds her of her lost son. The two of them will embark on a relationship which will sow chaos and distrust around them.